Barry Whistler Gallery will present Andrea Rosenberg: "New Painting and Drawings." This exhibition will mark Rosenberg's fourth solo showing of large-scale works since 2008. Her work is comprised mostly of oil, gesso, acrylic, watercolor, graphite and crayon on paper. The largest work in the exhibition will be a painting using the same materials on linen.
Rosenberg's mastery of line and media has been recognized since her studies in the early 1970s at the Cleveland Institute of Art. The human scale of Rosenberg's works, created through her improvisational working process, will be discussed in the accompanying exhibition catalogue featuring an insightful essay by Frances Colpitt, the Deedie Rose Chair of Art History at TCU.
Following the opening reception, the exhibit will be on view through November 24.
Barry Whistler Gallery will present Andrea Rosenberg: "New Painting and Drawings." This exhibition will mark Rosenberg's fourth solo showing of large-scale works since 2008. Her work is comprised mostly of oil, gesso, acrylic, watercolor, graphite and crayon on paper. The largest work in the exhibition will be a painting using the same materials on linen.
Rosenberg's mastery of line and media has been recognized since her studies in the early 1970s at the Cleveland Institute of Art. The human scale of Rosenberg's works, created through her improvisational working process, will be discussed in the accompanying exhibition catalogue featuring an insightful essay by Frances Colpitt, the Deedie Rose Chair of Art History at TCU.
Following the opening reception, the exhibit will be on view through November 24.
Barry Whistler Gallery will present Andrea Rosenberg: "New Painting and Drawings." This exhibition will mark Rosenberg's fourth solo showing of large-scale works since 2008. Her work is comprised mostly of oil, gesso, acrylic, watercolor, graphite and crayon on paper. The largest work in the exhibition will be a painting using the same materials on linen.
Rosenberg's mastery of line and media has been recognized since her studies in the early 1970s at the Cleveland Institute of Art. The human scale of Rosenberg's works, created through her improvisational working process, will be discussed in the accompanying exhibition catalogue featuring an insightful essay by Frances Colpitt, the Deedie Rose Chair of Art History at TCU.
Following the opening reception, the exhibit will be on view through November 24.
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