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Crow Collection of Asian Art presents Sopheap Pich: "Hidden Nature" opening day

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Photo courtesy of Crow Collection of Asian Art

The Crow Collection of Asian Art will present a solo exhibition of the work of Sopheap Pich, recognized today as Cambodia’s most internationally prominent contemporary artist. This exhibition will feature his large-scale sculpture, "Rang Phnom Flower" (2015), his most ambitious single-form sculpture to date. Twenty-five feet in length, its complex construction is composed of hundreds of strands of rattan and bamboo.

The sculpture is that of the cannonball tree (“rang phnom” in Khmer), which in Southeast Asia is associated with the sal tree under which the Buddha was born. This tree is often planted near Buddhist temples; many can be found around the temples near Pich’s studio on the outskirts of Phnom Penh. In fact, the plant originated in the Americas and was introduced by Europeans to Sri Lanka, where it was soon revered for its resemblance to the sal tree, which does not grow in tropical climates. It was then brought to Southeast Asia by Sri Lankans, who were responsible for the revitalization of Buddhism in that region.

Pich’s tree is created at enormous over-sized scale, which conveys the power of nature, but also brings forward the plant’s abstract qualities by using precise grid–like structure and geometric shapes, in order to consider concepts of scale, the natural and the industrial, and the large that can be found within the small.

The exhibit will be on display through July 7, 2018.

The Crow Collection of Asian Art will present a solo exhibition of the work of Sopheap Pich, recognized today as Cambodia’s most internationally prominent contemporary artist. This exhibition will feature his large-scale sculpture, "Rang Phnom Flower" (2015), his most ambitious single-form sculpture to date. Twenty-five feet in length, its complex construction is composed of hundreds of strands of rattan and bamboo.

The sculpture is that of the cannonball tree (“rang phnom” in Khmer), which in Southeast Asia is associated with the sal tree under which the Buddha was born. This tree is often planted near Buddhist temples; many can be found around the temples near Pich’s studio on the outskirts of Phnom Penh. In fact, the plant originated in the Americas and was introduced by Europeans to Sri Lanka, where it was soon revered for its resemblance to the sal tree, which does not grow in tropical climates. It was then brought to Southeast Asia by Sri Lankans, who were responsible for the revitalization of Buddhism in that region.

Pich’s tree is created at enormous over-sized scale, which conveys the power of nature, but also brings forward the plant’s abstract qualities by using precise grid–like structure and geometric shapes, in order to consider concepts of scale, the natural and the industrial, and the large that can be found within the small.

The exhibit will be on display through July 7, 2018.

The Crow Collection of Asian Art will present a solo exhibition of the work of Sopheap Pich, recognized today as Cambodia’s most internationally prominent contemporary artist. This exhibition will feature his large-scale sculpture, "Rang Phnom Flower" (2015), his most ambitious single-form sculpture to date. Twenty-five feet in length, its complex construction is composed of hundreds of strands of rattan and bamboo.

The sculpture is that of the cannonball tree (“rang phnom” in Khmer), which in Southeast Asia is associated with the sal tree under which the Buddha was born. This tree is often planted near Buddhist temples; many can be found around the temples near Pich’s studio on the outskirts of Phnom Penh. In fact, the plant originated in the Americas and was introduced by Europeans to Sri Lanka, where it was soon revered for its resemblance to the sal tree, which does not grow in tropical climates. It was then brought to Southeast Asia by Sri Lankans, who were responsible for the revitalization of Buddhism in that region.

Pich’s tree is created at enormous over-sized scale, which conveys the power of nature, but also brings forward the plant’s abstract qualities by using precise grid–like structure and geometric shapes, in order to consider concepts of scale, the natural and the industrial, and the large that can be found within the small.

The exhibit will be on display through July 7, 2018.

WHEN

WHERE

Crow Museum of Asian Art
2010 Flora St.
Dallas, TX 75201
http://crowcollection.org/exhibition/hidden-nature-sopheap-pich/

TICKET INFO

Admission is free.
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