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    Bluer than Blues

    Texas-tied Blues for Willadean tackles a tough subject for its Dallas premiere

    Kendall Morgan
    Oct 25, 2012 | 9:28 am
    Texas-tied Blues for Willadean tackles a tough subject for its Dallas premiere
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    Mining some of the same territory as the “women’s pictures” or “weepies” of the ’30s and ’40s (Imitation of Life, Mildred Pierce), Blues for Willadean explores the limited world of Willadean Winkler (Beth Grant of The Artist and Little Miss Sunshine), a Mesquite housewife who is trapped in a passionate yet abusive relationship with her trucker husband (David Steen).

    Her new neighbor in the trailer park, cocktail waitress Rayleen (True Blood’s Dale Dickey), adds comic relief, while an unnamed “blues singer” (Debby Holiday) acts as a Greek chorus of sorts, arriving periodically to lend a musical soundtrack to Willadean’s hopes and dreams.

    Based on Del Shores’ (Daddy’s Dyin’, Sordid Lives) critically acclaimed play The Trials and Tribulations of a Trailer Trash Housewife, Willadean is a personal effort for Shores and his producer, Dallas native Emerson Collins.

    All actors from the play reprised their roles for the film, and Olivia Spencer’s newly minted status as Oscar winner (The Help) draws attention to a story based on an admittedly difficult subject.

    “I had a boyfriend with a sister who got involved with a man who started beating her,” says Shores, whose plays have been performed numerous times by the Uptown Players. “He would isolate her from her family to the point of locking her phone in a glass case with a key.

    “She became a huge activist and started speaking at conferences about her story. I was fascinated by the psychology of someone who would stay [in an abusive relationship].”

    “It’s the powerlessness of the bystander that’s one of the worst elements,” Collins adds. “The entire nation watches Rihanna with Chris Brown, and we all wish we could talk to her. It’s one of the most powerful women in the world, but no one knows what he says when they’re alone in a room together.”

    Shores had a “light bulb” moment during an episode of Oprah, when a guest convicted for killing her husband confessed the making up is what kept her around. “She said, ‘I would be beaten, but afterwards he loved me hard and he loved me true.’ She needed validation, and the sexuality unlocked the character for me.”

    The result was 2003’s The Trials and Tribulations, which garnered multiple awards during its six-month Los Angeles run. During rehearsals, Shores had the foresight to cast both Grant and Dickey, as well as the then up-and-coming Octavia Spencer as Willadean’s best friend, LaSonia.

    All actors reprised their roles almost a decade later for the film version, and Spencer’s newly minted status as an Oscar winner (The Help) draws attention to a story based on an admittedly difficult subject.

    Willadean’s producer and director hope to address that subject during a series of screenings and Q&A’s this weekend at the Angelika Dallas. The duo will be joined by Jan Langbein, executive director of the Genesis Women’s Shelter, for the “Discussing Domestic Violence” Q&A October 27.

    “We feel it’s important for us to get the film out there to provide it as a tool for conversation,” Collins says. “The more awareness we can create, the more we can contribute to real dialogue about domestic violence and have a real impact on lives.”

    ---

    Blues for Willadean premieres in Dallas at the Angelika in Mockingbird Station October 26 and runs through November 12. Join Del Shores, Emerson Collins, composer Joe Patrick Ward and several Dallas actors featured in the film during Q&A sessions October 26 and October 27.

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    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

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