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    Documentary Drama

    Actress Daryl Hannah warns America about Greedy Lying Bastards

    Joe Leydon
    Mar 9, 2013 | 9:30 am

    As anyone who’s ever seen her kicking ass in Blade Runner or Kill Bill can tell you, Daryl Hannah isn’t just another pretty face. Off-screen, the Chicago-born actress-turned-activist shows that same fighting spirit while writing and speaking for various environmental causes.

    She’s given keynote addresses at the National Biodiesel Board Conference, the Natural and Organic Products Expo, and the UN Global Business Conference on the Environment — all the while spreading the bad news about the dangers of climate change.

    Now Hannah is using the medium of movies to spread her cautionary messages. As executive producer of Greedy Lying Bastards — a fascinating and sometimes frightening documentary opening this weekend at Cinemark West Plano — she’s joined forces with director Craig Scott Rosebraugh and co-writer Patrick Gambuti Jr. to alert audiences to the threat of environmental disaster.

    "They spend hundreds of millions on publicity campaigns to confuse people about the science. That should be illegal," Hannah says.

    But wait, there’s more: The filmmakers also shed light on what they view as stealth campaigns of purposeful misinformation aimed at dismissing scientific evidence of global warming and delaying legislation that might impede the progress of climate change.

    Hannah called CultureMap this week to talk about Greedy Lying Bastards.

    CultureMap: Have you had any problems running ads for your movie because, well, you have bastards in the title?

    Daryl Hannah: No, not so far. I guess bastards isn’t on the list of unusable words anymore.

    CM: Maybe you can thank your Kill Bill director Quentin Tarantino for blazing a trail with Inglourious Basterds?

    DH: [Laughs] Maybe so.

    CM: You’ve been active in campaigns to raise public awareness about the potential dangers of climate change for several years. But were even you surprised by some of the info gathered for Greedy Lying Bastards?

    DH: Yes. Because I really had no idea the amount of money they’ve been spending and the effort they’ve been putting into undermining climate policy and any kind of progress on legislation. And how they’ve tried to get the scientific evidence — which is now pretty much a consensus — dismissed through their PR campaigns.

    All these people — the World Bank, [Exxon Mobil Corporation CEO] Rex Tillerson, the Koch Brothers — they’ve publicly acknowledged that climate change is in fact happening. And they do acknowledge that it is man-made — that the Industrial Revolution has exacerbated the problem. But they still spend hundreds of millions of dollars.

    CM: Where does most of this money go?

    DH: Well, obviously, they have 764 lobbyists trying to pressure our politicians. But they also spend hundreds of millions on these publicity campaigns to confuse people about the science. That should be illegal. I mean, that’s just really criminal.

    We compare this deception to the deception of the tobacco industry, back when they had people lining up to testify before Congress that tobacco was not addictive, that it was not dangerous to your health and all those other things. Even though the tobacco companies knew this was wrong, and they later showed documents that proved these guys had plenty of warning about the health effects.

    This is very, very similar to that. Except that this has to do with the potential extinction of all life on this planet. Even the World Bank put out a report recently that computed a projection to show what would happen if we continued to emit carbons and raised the temperature by just four degrees Celsius. It’s so catastrophic; it’s basically beyond something imaginable. In fact, it’s so severe, it’s hard to even read the report — it’s that upsetting.

    CM: Even so, you’ve insisted that the news media haven’t been giving climate change enough coverage. Why do you think that’s the case?

    DH: The problem is that, as far as the media goes, much of their advertising money comes from these oil companies. Because the fossil-fuel industry is the wealthiest industry in the history of mankind. Back when I was growing up, news reporters did investigative reporting. Now it’s all cut and paste. You’ll actually get fired if you try to do real investigative reporting for the most part.

    We now have a media that’s no longer fair and balanced. I mean, they’ll try to appear fair and balanced by saying, “Okay, we’re going to have someone on with one point of view, and then we’ll have someone with a contrary point of view."

    But since [climate change] is basically a consensus among the scientists, basically the only people they can get are these paid-for denialists who are hired by the fossil-fuel industries.

    And the spokespeople for the denialist campaigns get very hefty salaries.

    CM: Do you think that your acting career has suffered in any way — or that you’ve lost any roles — because of your outspoken activism?

    DH: I know that’s been the case in some instances, for sure. But that’s okay. The truth is, I’m a human being above all. I love life. And I’d love to see life go on on this planet and thrive.

    You have to think about where your values lie, and what your priorities are. Really, I don’t get paid to do this stuff, in terms of sharing and spreading information. But it’s just that time in the world, unfortunately, when we’re facing a crisis.

    And if we don’t share this information — we’re certainly not going to get it from people who benefit from our being oblivious.

    From left: Greedy Lying Bastards executive producer Daryl Hannah, composer Michael Brook, director Craig Rosebraugh, director of photography Carl Bartels, co-writer Patrick Gambuti Jr.

    Mondo Cinema, Greedy Lying Bastards, Executive Producer, Daryl Hannah; Grammy Award\u2013nominated composer Michael Brook; Director, Craig Rosebraugh; Director of Photography, Carl Bartels; and co-writer and Emmy Award\u2013winning editor Patrick Gambuti Jr.
    GreedyLyingBastards.com
    From left: Greedy Lying Bastards executive producer Daryl Hannah, composer Michael Brook, director Craig Rosebraugh, director of photography Carl Bartels, co-writer Patrick Gambuti Jr.
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    Movie review

    Nick Jonas steals song from Paul Rudd in music-heavy Power Ballad

    Alex Bentley
    Jun 5, 2026 | 1:30 pm
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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