Big Tex Says Full Price Is for Suckers

How to get into the State Fair of Texas on the cheap

The State Fair of Texas starts Friday, September 27, at Fair Park, which means that most of us will now be on the hunt for discount tickets. Ticket prices at the gate range from $17 for general admission and $13 for seniors and children under 48 inches tall. But with all of the different options for discounts, only a sucker would actually pay full price.

Buy your tickets in advance: The first discount opportunity is also the easiest. Just go to the State Fair site to buy your tickets — discounts are $1 for seniors and children under 48 inches tall, and $2 for everybody else. Unfortunately, you can't print tickets at home or have them reserved at will call, so you have to pay for shipping, which negates the actual discount part of it. You can also save a little by buying advance tickets at your local Kroger. General admission tickets there cost $15.50, but no senior or children discounts are available.

Season passes: If you're a State Fair fanatic, there's no better deal than the season pass. A pre-purchased pass for $39.95 will allow you to go as many times as your heart desires. Plus, it comes with a one-day-only guest ticket and a free ticket to use at any Cinemark theater. You can also get a season pass at Kroger for $34.95.

North Texas Food Bank deals: On opening day, anyone who brings in a full 20 ounce Coca-Cola product or Dasani water will get into the fair for $6. Also, NTFB has teamed up with Kroger for a special deal every Wednesday, where everybody who brings in at least three cans of food gets in for $3. Remember, each person must have the same donation to receive the discount; don't show up with just three cans of food and expect to get the discount for your whole brood.

It's good to be a senior: Sure, seniors — anyone 60 and over — already get a $4 discount from the regular price, but every Thursday during the State Fair is Senior Day, where those lucky folks can get in absolutely free.

McDonald's coupons: Eat at any area McDonald's, and you're likely to get a coupon for $3 off general admission, good for any day at the fair. They also have a coupon where a child can get in for half price when an adult pays full price, a discount of $6.50.

Dr Pepper deals: Make sure to save up those empty Dr Pepper cans, as each one is good for $5 admission on Tuesdays or $8 admission any day after 5 pm.

Coca-Cola Thursdays: In addition to the opening-day deal, every Thursday is Coca-Cola Thursday, where an empty 20-ounce bottle is good for $6 admission.

Dickies Day: Forget the Coke bottles on Thursday, October 3 — just make sure to wear any piece of clothing with a Dickies logo on it, and you'll get in for free.

Cinemark Thursdays: Movie lovers can trade one piece of entertainment for another on any Thursday, as a ticket stub from any Cinemark theater gets you in for free.

KISS-FM Fridays: Go to the KISS-FM site and print the coupon for $5 off general admission on any Friday. Make sure to print a coupon for every person in your group.

Discount on Midway rides: Saving on ticket prices is one thing, but everyone knows it's the rides and the food that really drive up the cost. If you go on any Tuesday, though, all rides except for thrill rides and the Texas Star are only six coupons, a savings of anywhere between two to six coupons (or $1-$3) per ride.

We've rounded up as many discount opportunities that we could find; if you know of any others, make sure to tell us about them in the comments.

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Movie Review

Chris Pratt plays one man against the AI machine in thriller Mercy

Photo courtesy Amazon Content Services

Chris Pratt in Mercy.

It seems like every other movie set in modern times being released these days includes either a reference to or a plot revolving around artificial intelligence. In the real world, the benefits of the technology compete with its downsides, but when it comes to movies A.I. is almost always seen as a threat, including in the new film Mercy.

The audience is thrown headlong into the slightly futuristic story involving LAPD Detective Chris Raven (Chris Pratt), who finds himself strapped in a chair in a sparse room, being told that he is on trial for killing his wife. Turns out he’s in a court dubbed “Mercy,” which is overseen by an AI judge named Maddox (Rebecca Ferguson). By the rules of the court, Raven has 90 minutes to provide reasonable doubt of his guilt, or he will be executed on the spot.

Raven is in a multi-pronged quandary: Not only does he believe he’s innocent despite a trove of evidence pointing to his guilt, but he’s also the poster boy for the law enforcement side of the equation, having arrested the first man who went to Mercy. Anger and disbelief for Raven turn into acceptance, which then turns into him tapping into his detective skills, scrutinizing every shred of evidence the court provides him in a desperate attempt to save his own life.

Directed by Timur Bekmambetov and written by Marco van Belle, the film is a relatively propulsive thriller despite having a so-so story and even worse acting. The film is told in real time (with a few fudges here and there), so the concept alone of a man trying to prove his innocence in a short amount of time provides good intrigue. Bekmambetov’s use of digital elements as Raven scrolls through files or calls potentially exculpatory witnesses like his partner, Jaq Diallo (Kali Reis), keeps the film visually interesting.

On the other hand, the swift viewing of videos and documents by Raven, not to mention the high degree of cooperation by Judge Maddox, opens up more than a few plot holes. The filmmakers try to explain away a few leaps in logic by having Raven falling off the sobriety wagon the night before, but they can only use that excuse for so long. They also have the AI judge experience technical glitches along the way, errors that seem to point toward a wider conspiracy until they’re completely forgotten.

More than anything, it’s difficult to get over the wooden acting of Pratt and the misuse of other usually reliable actors. Pratt has no real presence, especially when he’s confined to a chair, so any emotion he tries to conjure up comes off as contrived. Ferguson is done no favors by a role that shows only her upper body and has her alternating between robotic and oddly sympathetic. Reis earned an Emmy nomination for True Detective: Night Country, but has little to do here, a fate that also takes out Chris Sullivan as Raven’s AA sponsor.

If you’re okay with turning off your brain for a little while, Mercy can be an enjoyable watch. But if you find yourself scrutinizing why characters make the odd decisions they do, or the wishy-washy way the film approaches AI in general, then you’re likely to find the whole thing lacking.

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Mercy is now playing in theaters.

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