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    Theater Review

    Dallas Theater Center's walking fairytale tangles itself up in too many mediums

    Lindsey Wilson
    Mar 19, 2021 | 1:30 pm

    A new walking fairytale called Something Grim(m) has landed at Dallas Theater Center, and like most fables, it reminds you to be careful what you wish for.

    That applies to both the story and the experience. We're all anxious for performances to start back up, and while DTC has developed an innovative way to present a piece of multimedia theater, it doesn't always satisfy.

    But it does add "walk-through" to the list of safe workarounds for experiencing theater. Small groups of masked audience members depart every 20 minutes from the Lexus Silver parking garage underneath the Wyly Theatre, listening to the Narrator (Sally Nystuen Vahle) spin the tale of a Gardener and his Maid and their desperate wish for a child.

    They visit a magic Wishing Well and are blessed with a child, but the well also prophesizes that their offspring will have the ability to grant wishes. A Farmer overhears, and rushes to tell his friend the Cook.

    Through voiceovers and a giant comic strip, we see the Child begin to grow up and then transform their parents into the King and Queen. Then the tour begins, heading through a haze-filled hallway into the Wyly's courtyard, where videos (filmed against green screens that, happily, don't look cheesy or disjointed) project the next part of the story from large screens inside the theater's lobby.

    The jealous Farmer (Blake Hackler) is irritated that his old friends are now stuffy royals who aren't sharing their wealth with him, so he decides to play a prank. He steals their child and makes it look as though the Queen (Tiana Kay Blair) murdered it, prompting the King (Alex Organ) to banish her to a tower to die.

    Instead of giving the Child back when the "joke" is over, the Farmer keeps the magic babe and threatens the Cook (Molly Searcy) to never reveal what they did.

    From there, you take a quick jaunt around the Wyly's exterior with more videos, some pop-up storybook illustrations, and even an interactive graveyard to continue the tale. There are no live performers, nor guides other than signs and arrows pointing the way.

    Though the experience is a short 40 minutes, it's entirely outside so be prepared for chilly and windy weather. There are also several tripping hazards that are difficult to see in the dark (though the show's staff was seen hastily adding reflective tape to the ground after one in our group took a tumble).

    Devised by the DTC's resident acting troupe — Liz Mikel, Christopher Llewyn Ramirez, Tiffany Solano, and Blair, Organ, Hackler, Searcy, and Vahle — Something Grim(m) is ultimately an engaging story that's unevenly presented.

    Some aspects, like the hand-painted characters that wind up the Wyly's zig-zagging front ramp, are utterly enchanting. The sound, by Kyle Jensen, is also excellent and can be heard despite the downtown traffic and airplanes crossing overhead. And the actors look phenomenal throughout, thanks to Michael Heath Waid's romantic costumes.

    But other aspects feel rushed or only half-thought through. There were several spots when our group was unsure of when and where to travel next. DTC provides a large printed map but it's a) unwieldy to consult, especially when it's windy, and b) confusing if you're not already familiar with the Wyly's layout.

    Audiences are also encouraged to download the new Dallas Theater Center app for "additional info," but that too is awkward to pause and scan through during the show. Simply letting this charming fairytale be told instead of tangling it up in too many mediums might be my greatest wish.

    ---

    Dallas Theater Center's Something Grim(m) runs at the Wyly Theatre through April 4.

    Liz Mikel as the older Queen.

    Something Grim(m) at Dallas Theater Center
    Photo by John Slauson
    Liz Mikel as the older Queen.
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    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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