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    Movie Review

    Slay the Dragon shines a light on underexposed part of politics

    Alex Bentley
    Apr 2, 2020 | 2:21 pm
    Slay the Dragon shines a light on underexposed part of politics
    play icon

    There are some things related to politics that should not be political at all — first and foremost, citizens’ right to vote. Unfortunately, that right has been infringed upon in multiple ways through the years, including voter ID laws, the closing of polling stations, and a redistricting process known as “gerrymandering.”

    It’s that last concept that is the focus of the new documentary, Slay the Dragon (so-named because one of the first weirdly-drawn districts resembled a dragon). Directors Barak Goodman and Chris Durrance go into great detail about how gerrymandering, which has been in existence for over 200 years in the United States, has recently become a political weapon used relentlessly by politicians and interest groups to hold onto power. While both Democrats and Republicans have engaged in carving up districts to their liking, it is Republicans who have taken it to a whole new level since the 2008 election.

    There are not two sides to the argument in the film; the filmmakers unequivocally denounce gerrymandering and use that viewpoint to follow different groups looking to challenge or change it. One such group is Voters Not Politicians in Michigan, led by then-executive director Katie Fahey. Fahey led the charge to get an initiative on the ballot in 2018 to amend Michigan’s constitution to make gerrymandering illegal.

    VNP argued that the decision on where to draw lines of districts in Michigan and elsewhere should lie with an independent panel, not legislators whose inherent political bias would lead them to manipulate maps unfairly. With the 2020 census on the horizon, the results of which allow state governments to redistrict again, their fight and the fights in other states was of the utmost importance.

    Goodman and Durrance do an effective job of explaining a somewhat complicated idea so that anyone can understand how it’s done and what its effects on the voters are. Even if you were already familiar with the term, seeing how the lines are precisely drawn to effectively cancel out the votes of one party is still shocking.

    But the film is not all doom and gloom. When she founded Voters Not Politicians, Fahey was in her mid-20s with no previous political experience. To see how she and her growing army of volunteers went from a pipe dream to success in the face of huge resistance should be inspiring to anyone who thinks they can’t make a difference.

    Slay the Dragon shines the light on something that, while not as sexy and well-known as candidate campaigns, is just as important in our democracy as anything else. It’s required viewing for anyone with a political bent, or for those who want to ensure the voting rights of generations to come.

    ---

    Slay the Dragon will be available on April 3 on multiple streaming platforms, including Apple TV, Prime Video, and Google Play, as well as on demand on most major cable platforms.

    Katie Fahey in Slay the Dragon.

    Katie Fahey in Slay the Dragon
    Photo courtesy of Magnolia Pictures
    Katie Fahey in Slay the Dragon.
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    Movie Review

    Fairly typical biopic Christy rides on buzz of star Sydney Sweeney

    Alex Bentley
    Nov 6, 2025 | 12:08 pm
    Sydney Sweeney in Christy
    Photo courtesy of Black Bear
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    Sports fans of a certain age will remember the name of boxer Christy Martin (née Salters), who became one of the first big female names in the sport in the 1990s. Her moment in the sun resulted in a lot of wins, but her legacy has not been as lasting as some other female sports pioneers. The new biopic Christy attempts to change that, as well as tell a fuller account of her life.

    As we meet Christy (Sydney Sweeney) in 1989, she’s in her early twenties and still living in her hometown in rural West Virginia with brother Randy (Coleman Pedigo), mom Joyce (Merritt Wever), and father Johnny (Ethan Embry). After developing a reputation in local “toughman” contests, promoter Larry Carrier (Bill Kelly) recruits her for small-time boxing matches. Success there leads to her starting to be trained under Jim Martin (Ben Foster), who initially resists coaching a woman.

    As Christy starts to prove her worth against almost all-comers, Jim starts to believe more in her talent, although that belief also includes a side of control issues/jealousy. As Christy rises up the ranks, including getting promoted by Don King (Chad L. Coleman) himself, her relationship with the much older Jim remains fraught even after they get married. Her winning wins her the respect of the public, but her private life stands in stark contrast with the feeling of victory.

    Written and directed by David Michôd, and co-written by Mirrah Foulkes, the film plays out in a very typical biopic kind of way, with the protagonist achieving a good bit of fame before being brought back down to earth thanks to a complicated personal life. The filmmakers do a decent job of navigating through the tropes, although early fight scenes lean hard into the idea that Christy is a rare talent who can knock out people of both sexes with ease. Still, the fight scenes themselves are staged well, with Sweeney and the other actors ably embodying the athleticism of pro boxers.

    The depiction of Christy’s personal life is similarly up-and-down. Struggles with a controlling and/or abusive partner and substance addiction issues are regrettably common in these types of stories, and so it’s up to the filmmakers to show them in a way that doesn’t feel trite. While the film does a decent job of digging into why Christy makes the choices she does, it never reaches the level of being completely compelling.

    Christy’s sexuality plays a relatively big part in the story, as she’s forced to tamp down her being gay in order to please others in her life and to further her career. The sacrifice she has to make is clear, especially when she marries Jim out of convenience (and maybe more). The idea of her appearing more feminine, including wearing bright pink while boxing and styling her hair differently, is brought up to her on multiple occasions, weighing on her even as she goes along to get along.

    Sweeney follows the playbook of other actors like Charlize Theron in Monster and Hilary Swank in Boys Don’t Cry, making herself less glamorous to play up the drama of the role. She succeeds for the most part, with her best scenes coming during the multiple fights. Foster has played similar slimeballs before, and - with the help of a heinous haircut and more - he inhabits the role completely. It’s a little disappointing to see Wever reduced to a one-note part, however.

    The story of Christy Martin is one filled with everything you could want for an engrossing sports movie, but even though it has its high moments, it ultimately fails to deliver the knockout punch it needed. Sweeney deserves credit for portraying the boxer in an interesting way, but the story around her could have used some more oomph.

    ---

    Christy opens in theaters on November 7.

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