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The Doctor's Daughter Finds Her Words

Seasoned Dallas journalist Pamela Gwyn Kripke gets into the eBook game

Claire St. Amant
Jul 4, 2013 | 1:22 pm

Growing up as a doctor's daughter, Pamela Gwyn Kripke dissected animal hearts at the kitchen table. She would later trade in a pre-med major at Brown University for one in journalism, but she never lost her homegrown love of science.

This fascination with the medical world takes center stage in Kripke’s first eBook, Doctor’s Daughter. It’s mini-memoir of sorts and a moving tribute to the life of her father.

A self-described technology neophyte, Kripke is probably one of the few eBook authors to pen her first draft by hand. But she felt the eBook format was the right fit her what she calls her “little book.”

“It’s a funny length, but now there’s an opportunity for funny length things,” Kripke says. “A regular book can’t be 22 pages, and you can’t put that in a magazine. But it came out like that. It was all it needed to be.”

Kripke is an accomplished journalist who was written for the New York Times, Salon, Huffington Post and D Magazine. The University Park resident recently sat down with CultureMap to discuss the process of publishing Doctor’s Daughter, which hit virtual shelves July 1.

CultureMap: You open the book by saying you’ve regretted not giving your father’s eulogy since the day he died. Have you been writing this book ever since?

Pamela Gwyn Kripke: He died 19 years and 11 months ago, but these things mull and they stay with you. I could have written it then, but I think it’s taken some years to realize all the things I wanted to say. You look back and think, “Why didn’t I stand up and say something?” Now I would stand up, and I feel really guilt about it, even after nearly 20 years.

CM: The book also features stories about your mom and brother. How did they feel about the book?

PGK: Oh, they don’t know. I didn’t tell them, not yet anyway. I write a lot of stuff and don’t tell them. I think in certain ways my brother would feel bad. He has no clue. He probably doesn’t even remember saying that we shouldn’t give a eulogy.

I think my mom would want to talk about it and go over it, and I don’t want to get into that right now. At some point I will tell them that it’s out there, and they should read it. But now I want to experience it for my own without having to deal with their emotions about it.

CM: How did you decide which stories to include?

PGK: Life and death is what doctors deal with and talk about all the time. I wanted to alternate between stories about his life and about dealing with his death and to create some connection between the two.

I connected the last sentence of each section to the first sentence of the next section. It was actually a fun thing to do as a writer. It was an enjoyable process. I thought about subtitling it “Life and death with a physician father,” but I decided that I didn’t want death in the subtitle. I think that’s a turnoff to buyers.

CM: People often say that funerals give them closure. Your father’s didn’t seem to have that effect. Did the finishing this book give you a sense of closure?

PGK: Dying is really bad. I think that people cope by saying it’s okay, but I really think that some times it’s not okay. In this particular case he was very young, only 64, and a very vibrant guy. There was a lot he didn’t get to experience with us.

As a doctor, he knew what was going on. He was reading his own charts and X-rays. But he totally ignored it. He didn’t say the word cancer once. So I couldn’t say “Dad, how are you feeling about this?” There’s none of that goodbye stuff. And that’s a painful thing.

CM: What do you hope people will take away after reading your book?

PGK: Look at your family situation and realize that everyone is unique and really appreciate what your parents do. Also, you have to say what you think at the time. You don’t get a lot of shots at things, and you don’t want to have regrets. Now I’m right out there with it. Speak up. What’s the worst thing that could happen?

--

Doctor's Daughter is available via Amazon.com for $2.99.

Pamela Gywn Kripke writes for a variety of publications.

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Theater News

Dallas' Kitchen Dog Theater unveils powerful 2026-2027 season lineup

Alex Bentley
Aug 12, 2026 | 10:01 am
Kitchen Dog Theater in Dallas
Photo by Cameron Cobb
Kitchen Dog Theater in Dallas will put on three mainstage productions for their 2026-2027 season.

Kitchen Dog Theater in Dallas has revealed the lineup for the 2026-2027 season, featuring a slate of plays that boasts power players like kings, prime ministers, space force commanders, and would-be presidents.

According to a release, the theater company's 36th season — their "most powerful yet" — will consist of three mainstage productions at its new permanent home in the Design District, as well as the annual New Works Festival, featuring a readings series and the 26th annual D-PAC PUP (Playwrights Under Progress) Fest.

The season will start with The Absentee by Julia Doolittle, running September 10-October 4, 2026. The play was the winner of the 2019-2020 Woodward/Newman Drama Award.

Far out in the Milky Way, “Beacons” serve as lighthouses for warping spaceships around the galaxy. When a U.S. Space Force ship explodes in the galaxy, the Operator finds herself alone in deep space, with only her ship’s AI for companionship. That is, until a persistent canvasser calls, desperate to convince her to vote absentee in the 2088 election.

As the Operator waits for the clean up to be over, she finds she has to come to terms with her isolation, grief, and her political voice.

The season's second production comes four months later, with Equivocation by Bill Cain, running February 4-28, 2027. In 1605 England, a terrorist plots to assassinate King James I and blow Parliament to kingdom come. Shagspeare (after a contemporary spelling of the Bard's name) is commissioned by the prime minister, to write the “true historie” of the plot. And it must have witches — the king wants witches.

But as Shag and the acting company of the Globe investigate the plot, they discover that the king's version of the story might, in fact, be a coverup. Shag and his actors are confronted with the ultimate moral and artistic dilemma. Speak truth to power and perhaps lose their heads? Or take the money and lie? Is there a third option? Equivocation?

A high-stakes political thriller with contemporary resonances, Equivocation gallops from the great Globe to the Tower of London to the halls of Parliament to the heart of Judith, Shag's younger daughter, who finds herself unexpectedly at the very heart of the political, dramatic and — ultimately — human mystery.

The final mainstage production of the season comes at the 2027 New Works Festival with Black Republican by KDT Artistic Company Member Jamal Gibran Sterling, running June 3-27, 2027.

Originally featured as a Staged Reading in the 2026 New Works Festival, the ambitious first play by Sterling centers on a Black Republican candidate on the national stage who finds his campaign threatened by an activist who challenges everything he claims to stand for. Their battle exposes uncomfortable truths about race, politics, and the stories we tell ourselves.

In addition to Black Republican, the 2027 New Works Festival will showcase four staged readings of some of the newest and most exciting Texas-based playwrights. Each reading will feature accomplished Dallas-Fort Worth actors and directors to highlight the breadth of talent in the area.

The final part of the festival is D-PAC PUP (Playwrights Under Progress) Fest, featuring six staged readings of jury-selected plays written by Dallas-Fort Worth high school students and featuring student actors directed by area professionals. PUP Fest is the culmination of Dallas Playwriting Arts Collective (D-PAC), a partnership with Dallas ISD and Junior Players.

Kitchen Dog Theater offers two season subscription packages for their inaugural season in their new facility. The Kitchen Dog package includes a ticket to all three mainstage productions for any performance date for $90+ $8 fees for adults and $75 +$8 fees for students and seniors (ages 65+). The Saver Dog package includes a ticket to all three mainstage productions for Thursdays, Fridays, and Sundays only. It is $60 + $8 fees for adults and $45 + $8 fees for students and seniors.

Both packages grant full access to the Staged Reading Series and PUP Fest. Subscribers also receive premium reserved seating for in-person performances, as well as subscriber-only discounts on additional single tickets, 2026 special events, and KDT merchandise.

Subscription packages are on sale now, and single tickets for each show will go on sale on Monday, August 24, at kitchendogtheater.org.

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