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    Ch-ch-changes

    Artistic staff changes shake up 2 Dallas theater companies

    Lindsey Wilson
    Aug 18, 2022 | 2:03 pm
    Natalie Hebert and Drew Wall in Incognito at Second Thought Theatre
    Natalie Hebert and Drew Wall in Incognito at Second Thought Theatre.
    Photo by Karen Almond

    Change is in the air, at least for Undermain Theatre and Second Thought Theatre. The two Dallas companies have announced the departure of some key artistic staff members, one of whom has been on board for the last 15 years.

    Effective August 1, Danielle Georgiou left her role as associate artistic director at Undermain, a position she has held since 2019.

    In addition to helping the Deep Ellum company navigate the challenges of COVID-19, she further developed its Equity, Diversity, and Inclusion principles and culture and initiated the Undermain Workshop and Education series.

    Along with her own company, The Danielle Georgiou Dance Group (DGDG), she brought two productions to the Undermain streaming series: The Savage Seconds and Things Missing/Missed.

    In the fall of 2021, she devised and directed Stronger Than Arms, a co-production between DGDG and Undermain that ushered in the theater's return to live performance.

    Prior to her term as associate artistic director, Georgiou served as choreographer on the productions Three Sisters and so go the ghosts of méxico, part 2, and many others.

    She made her Undermain performing debut in How Is It That We Live, or Shakey Jake + Alice and co-directed so go the ghosts of méxico, part 3 with Undermain's late co-founder, Katherine Owens.

    Georgiou currently serves as choreographer for the Undermain production of Lonesome Blues, playing September 1-18, 2022.

    "At Undermain, we’re appreciative of Dr. Georgiou’s contributions to our company and look forward to her continuing work with her own company, DGDG, as well as her influence and presence in the performing arts in North Texas and beyond as a director, choreographer, educator, and dynamic creator of theater," says Undermain's producing artistic director Bruce DuBose.

    Also stepping down is producing artistic associate Jake Nice, who has held that position with Undermain Theatre since 2019.

    In addition to operations duties, Nice directed the 2021 streaming video production of David Rabe’s Suffocation Theory and Blake Hackler’s Bright Boys in the virtual reading series. He also produced the InConcert Undermain series, as well as this spring’s Whither Goest Thou America reading series.

    "We wish him well in his new endeavors and thank him for his work and influence here with us during this challenging time," says DuBose. "We’ve enjoyed working with Jake and admire his dedication and commitment and look forward to his future work in the performing arts."

    Over at Second Thought Theatre, director of operations Drew Wall is saying farewell after 15 years with the company.

    "I moved to Dallas in the summer of 2007 and could never have imagined finding such a long-lasting artistic home so quickly in my professional journey," Wall writes in his resignation letter, which STT made public. "I joined the Second Thought Ensemble soon after my first show in the fall and by the summer of 2008, had joined the Executive Ensemble. 15 years later I hardly recognize the same company that stands before us now."

    Besides handling the theater's operations duties and being a key component to many set builds, Wall was often in the spotlight. Memorable turns onstage include the solo shows Goat Song and Nocturne, Belleville and Empathitrax (co-starring with Jenny Ledel), plus the more ensemble-based Straight White Men and Incognito.

    "We cannot convey the gratitude and appreciation we have for all he's done, and we can't wait to see the amazing things he will do everywhere he goes," reads a statement from Second Thought Theatre.

    Danielle Georgiou

    Danielle Georgiou
    Photo courtesy of Undermain Theatre
    Danielle Georgiou
    theater
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    Stepping Down

    Dallas Arts District director Lily Cabatu Weiss to retire after 9 years

    Lindsey Wilson
    Oct 30, 2025 | 1:14 pm
    Lily Cabatu Weiss
    Photo by Brian Guilliaux
    Lily Cabatu Weiss

    Veteran arts executive Lily Cabatu Weiss, who has led the Dallas Arts District since 2016, announced she will step down from her role as executive director on January 30, 2026, marking the end of a nearly decade-long tenure that transformed the nation’s largest urban cultural district.

    In a statement, Weiss — a former dancer, educator, and arts advocate — says that leading the district has been a career highlight.

    “To be able to spend so much time supporting and promoting our city’s artists, this district, its premier arts and cultural institutions, parks, commercial and retail interests, historic churches, residents, an award-winning high school, and all of the neighborhood stakeholders — being this community’s champion has been a blessing and an honor,” Weiss says.

    During her nine years at the helm, Weiss guided the Dallas Arts District through major milestones and challenges. She helped elevate it as a premier tourism destination, was a contributor to the 2018 Dallas Cultural Plan, and oversaw creation of the Connect Master Plan — the district’s first comprehensive plan in nearly 40 years — which included infrastructure improvements such as currently ongoing sidewalk replacements and public art installations.

    She also enhanced the district’s branding and created the popular Signature Block Party Series, a set of free, family-friendly events featuring regional and international artists that now draw more than 50,000 visitors.

    Weiss led the community through the financial difficulties of the COVID-19 pandemic and celebrated national recognition when USA Today readers ranked the Dallas Arts District the No. 1 arts district in the United States in both 2024 and 2025.

    “Lily Weiss has led the Dallas Arts District through transformational change over the past nine years,” says Jill Magnuson, Dallas Arts District board chair. “By rolling up her sleeves and deeply engaging the neighborhood’s many diverse interests, we’ve been able to weather crises, enjoy dynamic growth and position the district for success in the future.”

    Beyond her local leadership, Weiss has been an active advocate for the arts at city, state, and national levels.

    She serves on the steering committee for the Dallas Area Cultural Advocacy Coalition, helping secure and expand City of Dallas funding for the arts and arts bond programs. At the state level, she serves on the board of Texans for the Arts, where she has pushed for increased funding for the Texas Commission on the Arts, including Cultural District Grants that benefit smaller resident organizations.

    Weiss has represented the Dallas Arts District globally through the Global Cultural District Network, of which Dallas is a founding member.

    Her career in the district began in 1978, when she joined the faculty of Booker T. Washington High School for the Performing and Visual Arts, eventually becoming chair of its dance department and artistic director. She retired from teaching in 2016 to lead the Dallas Arts District organization.

    Looking ahead, Magnuson will step in as interim executive director on January 30, 2026, after concluding her term as board chair. AT&T Performing Arts Center president and CEO Warren Tranquada will become the new board chair on November 1 and will oversee the search for Weiss’s permanent successor early next year.

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