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    Theater Critic Picks

    These are the 13 can't-miss shows in Dallas-Fort Worth theater for April

    Lindsey Wilson
    Apr 1, 2022 | 1:50 pm
    Theatre Three presents Stede Bonnet: A F*cking Pirate Musical
    Meet the worst pirate in the world: Stede Bonnet: A F*cking Pirate Musical gets its world premiere at Theatre Three.
    Photo by Jeffrey Schmidt

    Lots of new works this month — five, in fact! — so do yourself a favor and see something no one else has ever seen before.

    Looking for a little familiarity? Try out Jesus Christ Superstar, Summer: The Donna Summer Musical, Torch Song, and The Lion, The Witch, and the Wardrobe.

    In order of start date, here are 13 local shows to watch this month:

    Rage
    AT&T Elevator Project, through April 9
    This one-act play by Janelle Gray explores the stories of Black women throughout the history of the United States. Ten women take their place onstage at the Wyly's Studio Theatre to share their stories of strength, resilience, perseverance and struggle across the history of the nation.

    No Child...
    Amphibian Stage, through April 17
    Kymbali Craig plays all 16 characters in this tour-de-force exploration of the New York City public school system.

    Freedom Gardening
    Cara Mía Theatre, April 2
    This public performance event and installation was created in an empty lot in Pleasant Grove by cohort participants, including Alexandra Hernandez, Anita Sanchez, Ajua Powell, Classi Nance, Cocoatlicue, J Davis- Jones, Judah Agbonkhina, Kirschen Wolford, Lyrique Jaye, Nora Soto, Priscilla Rice, Priscilla Solis Ybarra, Tamitha Barbosa Curiel, and Victoria Ferrell Ortiz.

    The Lion, The Witch, and the Wardrobe
    Dallas Children's Theater, April 2-May 15
    Young adventurers Peter, Susan, Edmund, and Lucy step through the not-so-ordinary wardrobe and into the mythical land of C.S. Lewis' Narnia. Facing fantastic creatures and fierce battles in the heart and on the land, the four siblings must find the courage to battle the treacherous White Witch in order to end the deadly eternal winter in the beautiful forest.

    Jesus Christ Superstar
    Broadway Dallas, April 5-17
    The North American tour celebrates 50 epic years since the original rock opera concept album release. Jesus Christ Superstar is set against the backdrop of an extraordinary series of events during the final weeks in the life of Jesus Christ, as seen through the eyes of Judas.

    Stede Bonnet: A F*cking Pirate Musical
    Theatre Three, April 7-May 1
    The world premiere of this swashbuckling musical is a hilarious, touching tale based on the true story of the Gentleman Pirate. Stede, depressed and exhausted of his luxurious life, chooses to leave everything behind and become the best pirate in the world. One problem … he doesn't know what he's doing.

    Ten Arguments
    Leos Ensemble Theatre, April 8-9
    This world premiere is by Oak Cliff-based playwright A. Emmanuel Leadon, conceived by Nick Leos, and loosely framed by technology activist Jaron Lanier's Ten Arguments for Deleting Your Social Media Accounts. Ten sketches set over the last decade are all about the ways social media is undermining our lives. It's MadTV crossed with The Colored Museum wrapped up in uncle's conspiracy Twitter rants.

    Torch Song
    Uptown Players, April 8-17
    This new and shortened revival of Harvey Fierstein's original 1983 Torch Song Trilogy follows Arnold Beckoff, a Jewish drag queen who makes it his life's journey to find happiness in 1970s New York in the midst of homophobia and intolerance, even by his own family and partners.

    Dry Powder
    Second Thought Theatre, April 14-30
    The same week KMM Capital Management private equity firm forced massive layoffs at a national grocery chain, the founder and president threw himself an extravagant engagement party, setting off a publicity nightmare. Fortunately, one of the partners has a dream of a deal that will rescue his boss from the PR disaster. But are they willing to maximize returns, no matter the consequences? The game is on in this gripping, razor-sharp play about the price of success and the real cost of getting the deal done.

    Bars and Measures
    Bishop Arts Theatre Center, April 14-May 1
    Commissioned by B Street Theatre, Bars and Measures is the fascinating tale of two brothers, one a classical pianist, the other a jazz bass player. One is Christian, and the other a Muslim. One living in freedom. The other in jail. Separated by bars, the brothers try to reconcile their differences through the language they know best: music.

    What to Send Up When It Goes Down
    Stage West, April 14-May 8
    This play-pageant-ritual-homegoing-celebration blurs the lines between actors and audience. In a series of vignettes, it builds to a moment in which performance and reality collide, a unifying theatrical response to the physical and spiritual loss of Black lives.

    Pressure Makes Diamonds
    Circle Theatre, April 21-30
    This original production will shine a bright light on a diamond's similarities to life. Denise Lee, with the help of her band, will touch audiences' souls with a collection of songs from many classic artists. This new production is both a collaboration with and directed by Monique Midgette.

    Summer: The Donna Summer Musical
    AT&T Performing Arts Center, April 26-May 1
    She was a girl from Boston with a voice from heaven, who shot through the stars from gospel choir to dance floor diva. But what the world didn't know was how Donna Summer risked it all to break through every barrier, becoming the icon of an era and the inspiration for every music diva who followed. From Janet Jackson to Beyoncé, they all began with Donna.

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    news/arts

    Dance Off

    Texas ballet company turns Timothée Chalamet dig into genius promotion

    Brianna Caleri
    Mar 13, 2026 | 1:12 pm
    Timothée Chalamet
    Courtesy
    undefined

    It was a shot fired from Austin that rang out around the art world: In a recent CNN/Variety Town Hall featuring actors Timothée Chalamet and Matthew McConaughey, Chalamet offered an assessment of ballet and opera that immediately went viral.

    During the onstage conversation at the University of Texas at Austin, Chalamet said, "I don't want to be working in ballet or opera, or you know, things where it's like, 'hey, keep this thing alive, even though like no one cares about this anymore.' All respect to the ballet and opera people out there. I just lost 14 cents in viewership."

    Chalamet immediately seemed to experience a twinge of regret, awkwardly adding, "But um...damn, I just took shots for no reason." He also sang a note and hid his face behind the cards he was holding.

    Stars of the art forms, from Andrea Bocelli to Misty Copeland, immediately began to leap (jeté, if you will) to the the defense of opera and ballet.

    In a genius marketing move, Austin's hometown ballet company is taking the unique opportunity to turn a hot topic into a promotion for its next production: Ballet Austin is inviting anyone named Timothée, Timothee, or Timothy to claim a free ticket to its upcoming world premiere of Marie Antoinette: Vampire Queen of Versailles, running March 27-29 at the Long Center for the Performing Arts.

    "Timothée… you were in Austin? We were literally down the street," a Ballet Austin post says. "Austin has brisket. Austin has music. Austin also has ballet."

    All Timothées and folks with similar names will have to do to claim a ticket is send a message to Ballet Austin on social media and show identification. Everyone else who wants to see the supernatural show where "the line between victim and villain blurs" will have to purchase a ticket ($25-$125) at balletaustin.org.

    Ballet Austin Marie Antoinette: Vampire Queen of Versailles Ballet Austin isn't afraid to add some edge to classic stories. Photo courtesy of Ballet Austin

    Even if Chalamet's words were dismissive, he's obviously not wrong about the relative distribution of public interest between the classical arts and major films like Marty Supreme, the late 2025 film he stars in and is busy promoting. The film's commercially successful release set a record for A24, an already renowned studio.

    Chalamet brought up ballet and opera in service of a larger point about pacing in movies. He said he exists in a middle ground as a consumer between wanting to be drawn in early and being more patient as a film progresses. Ultimately, he juxtaposed Barbie and Oppenheimer with the classical arts, pointing out that if the masses want to go see a film, they will "be loud and proud about it" organically, without needing performers to advocate for the seriousness of the art form.

    Coincidentally, there couldn't be a better counterpoint to this argument than Marie Antoinette: Vampire Queen of Versailles.

    As the title suggests, the story follows historical figure Marie Antoinette as she chooses to become a vampire, seeking "power, immortality, and vengeance," according to a press release. It takes a somewhat silly premise and gives it dramatic gravitas, with an original score by Austin composer Graham Reynolds, who is known outside of classical circles and sometimes composes for movie soundtracks.

    "For Ballet Austin, the moment is an opportunity to remind audiences that ballet isn’t fading away," says a release about the new promotion. "It’s evolving, drawing new audiences and continuing to thrive in creative cities like Austin."

    If Chalamet really does fall in the middle of instant and delayed artistic gratification, this sounds like the perfect production to draw him in.

    And perhaps Ballet Austin should add people named Matthew to their promotion, since McConaughey threw the younger star a bone after his momentary walk-back, saying, "That's not a shot — I hear what you're saying."

    ---

    Stephanie Allmon Merry contributed to this story.

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