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    Dubya on Canvas

    George W. Bush portraitist takes us behind the canvas of new work for presidential center

    Alex Bentley
    Apr 22, 2013 | 2:30 pm

    The official opening for the George W. Bush Presidential Center is Thursday, April 25, where Bush will be joined by the four other living American presidents, including Barack Obama. Former British Prime Minister Tony Blair hasn't announced plans to attend the ceremony, but we know he'll at least make an appearance via canvas.

    That's because Blair is depicted alongside Bush in his official portrait titled "The Ties That Bind," a 7-by-9-foot oil painting by renowned portraiture artist Mark Balma, which was commissioned by Dallas real estate mogul Harlan Crow. The painting, like the rest of the building, will be unveiled Thursday.

    Balma credits former First Lady Laura Bush with the idea behind the painting, which shows Bush and Blair conferring in the Oval Office. The scene is supposed to represent the two leaders coming together in the wake of 9/11 and how they would use the American-British alliance to help the world move forward after those tragic events.

    "I’m not a political person at all," says artist Mark Balma. "I’m interested in history and the people that make history."

    Balma is well-suited to paint such a meeting. He's previously been called upon to capture Ronald Reagan and Margaret Thatcher in a portrait called "A Shared Vision," a painting that now resides in the Crow Holdings building in Dallas.

    He also painted President George H.W. Bush alongside four prominent members of his staff in "Resolution," a painting that hangs in the rotunda of the George Bush Presidential Library in College Station.

    Balma says that even though Laura Bush came up with the idea for the painting, his input was far from minimal.

    "Immediately when somebody suggests something, things start popping in my head, and I had an idea for how this might look," Balma says. "Then I start to do the research to find out more about it, and [I met with] President Bush and a number of different individuals that helped give it an authenticity."

    Balma was first approached to do the portrait in 2008 and later had Bush do a series of in-person sittings in the Oval Office. Although he was unable to do the same with Blair, the wealth of pictures and video of the two men together helped Balma conceive the look of the painting.

    He did, however, engage both men in the process.

    "I asked them what they thought of it, and they were pleased with what I had come up with as the concept," Balma says. "With these portraitures, there’s a real diplomacy that’s involved with trying to bring together a lot of ideas that sometimes you think are impossible to bring together."

    Although some may choose to read into how well or how poorly the painting shows Bush and Blair, Balma says politics played no part in what he chose to do.

    "I’m not a political person at all," Balma says. "I’m interested in history and the people that make history. If you can tie [portraiture] to an historical event, it becomes a vehicle by which people can access this time and for future generations to look back in time."

    George W. Bush and Tony Blair are depicted in the Oval Office in "The Ties That Bind," a Mark Balma painting commissioned by Harlan Crow of Dallas.

    George W. Bush and Tony Blair in Mark Balma's portrait The Ties That Bind
    Photo courtesy of Mark Balma
    George W. Bush and Tony Blair are depicted in the Oval Office in "The Ties That Bind," a Mark Balma painting commissioned by Harlan Crow of Dallas.
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    Theater News

    Dallas' Second Thought Theatre gets collaborative for 2026 season

    Alex Bentley
    Feb 13, 2026 | 10:41 am
    Amphibian Stage presents Bull in a China Shop
    Photo by Evan Michael Woods
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    The 2026 season for Second Thought Theatre in Dallas will be relatively small - only three productions are scheduled - but it will be full of collaborations designed to build on relationships with theater companies from across Dallas-Fort Worth.

    Second Thought will open their season with a production that just started at Amphibian Stage in Fort Worth, Bull in a China Shop by Bryna Turner.

    Inspired by the real letters between Mary Woolley and Jeannette Marks spanning from 1899 to 1937, the story asks: what is revolution? What does it mean to be at odds with the world? How do we fulfill our potential? And how the hell do we grow old together? It’s a sharp, joyful play about chosen family and the way love becomes action.

    The production, running at Amphibian Stage through March 1, will regroup for a month before starting its run at Second Thought, April 1-18.

    “All of us at Second Thought have been fans of Amphibian Stage for years,” said Artistic Director Carson McCain in a statement. “Not only does our content align in mission and quality, but we align in the values of hospitality and artistry. Bull in a China Shop celebrates the queer joy that holds hands with the fight for the equality of women and the LGBTQ community.”

    The second scheduled show, running September 16-October 3, will be Dance Nation by Clare Barron, on which Second Thought will collaborate with The University of Texas at Arlington.

    A finalist for the Pulitzer Prize for Drama in 2019, the play follows an adolescent dance troupe somewhere in middle America which is fighting for what will be the most important achievement of their entire lives - a national dance title.

    A coming-of-age story centered around perfectionism, performance, and perception of self, the play is for anyone who’s wondered if they would have excelled on Dance Moms or buckled under the pressure to be on top of the pyramid.

    The third and final show of season has not yet been announced, but it will involve a collaboration between Second Thought Theatre and Dallas’ Watering Hole Collective. It will run December 2-19.

    The two companies say they have a shared belief in Dallas artists and Dallas audiences - and what’s possible when they build together.

    “Both of our companies aren’t afraid of taking creative risks," said Co-Executive Directors Laura Salvie and Jenny Dang in a statement. "This collaboration is about pushing each other artistically and creating theatre that invites audiences in; not just to watch, but to think and feel together.”

    In addition to the three productions, Second Thought is continuing their writers-in-development program, Thought Process. Celebrating its third year, it will welcome eight new playwrights, who will work together throughout the year to create innovative new works.

    Season tickets, which are $75 for all three shows, are available online now at secondthoughttheatre.com. Individual tickets will go on sale at a later date.

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