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    Dubya on Canvas

    George W. Bush portraitist takes us behind the canvas of new work for presidential center

    Alex Bentley
    Apr 22, 2013 | 2:30 pm

    The official opening for the George W. Bush Presidential Center is Thursday, April 25, where Bush will be joined by the four other living American presidents, including Barack Obama. Former British Prime Minister Tony Blair hasn't announced plans to attend the ceremony, but we know he'll at least make an appearance via canvas.

    That's because Blair is depicted alongside Bush in his official portrait titled "The Ties That Bind," a 7-by-9-foot oil painting by renowned portraiture artist Mark Balma, which was commissioned by Dallas real estate mogul Harlan Crow. The painting, like the rest of the building, will be unveiled Thursday.

    Balma credits former First Lady Laura Bush with the idea behind the painting, which shows Bush and Blair conferring in the Oval Office. The scene is supposed to represent the two leaders coming together in the wake of 9/11 and how they would use the American-British alliance to help the world move forward after those tragic events.

    "I’m not a political person at all," says artist Mark Balma. "I’m interested in history and the people that make history."

    Balma is well-suited to paint such a meeting. He's previously been called upon to capture Ronald Reagan and Margaret Thatcher in a portrait called "A Shared Vision," a painting that now resides in the Crow Holdings building in Dallas.

    He also painted President George H.W. Bush alongside four prominent members of his staff in "Resolution," a painting that hangs in the rotunda of the George Bush Presidential Library in College Station.

    Balma says that even though Laura Bush came up with the idea for the painting, his input was far from minimal.

    "Immediately when somebody suggests something, things start popping in my head, and I had an idea for how this might look," Balma says. "Then I start to do the research to find out more about it, and [I met with] President Bush and a number of different individuals that helped give it an authenticity."

    Balma was first approached to do the portrait in 2008 and later had Bush do a series of in-person sittings in the Oval Office. Although he was unable to do the same with Blair, the wealth of pictures and video of the two men together helped Balma conceive the look of the painting.

    He did, however, engage both men in the process.

    "I asked them what they thought of it, and they were pleased with what I had come up with as the concept," Balma says. "With these portraitures, there’s a real diplomacy that’s involved with trying to bring together a lot of ideas that sometimes you think are impossible to bring together."

    Although some may choose to read into how well or how poorly the painting shows Bush and Blair, Balma says politics played no part in what he chose to do.

    "I’m not a political person at all," Balma says. "I’m interested in history and the people that make history. If you can tie [portraiture] to an historical event, it becomes a vehicle by which people can access this time and for future generations to look back in time."

    George W. Bush and Tony Blair are depicted in the Oval Office in "The Ties That Bind," a Mark Balma painting commissioned by Harlan Crow of Dallas.

    George W. Bush and Tony Blair in Mark Balma's portrait The Ties That Bind
    Photo courtesy of Mark Balma
    George W. Bush and Tony Blair are depicted in the Oval Office in "The Ties That Bind," a Mark Balma painting commissioned by Harlan Crow of Dallas.
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    Netflix House will debut in Dallas with murals from acclaimed artist

    Desiree Gutierrez
    Dec 8, 2025 | 12:51 pm
    ​Jeremy Biggers at Netflix House
    Netflix House
    Jeremy Biggers at Netflix House

    A long-awaited immersive venue is opening in Dallas, and it will debut with local art on its walls: Netflix House, a year-round exhibit revolving around Netflix shows and movies, will open at Galleria Dallas on December 11, with two murals from award-winning Dallas multi-medium artist Jeremy Biggers.

    Netflix House is an immersive dive complete with merchandise store, film house, arcade, and restaurant-bar. When it opens, Dallas will be the second location in the U.S., following Philadelphia, where it debuted in November 2025, also with murals from a local artist.

    A graduate of Booker T. Washington High School for Performing and Visual Arts, Biggers is a renowned artist whose murals can be found spashed on walls across Dallas. Many, such as the Selena portrait on the wall outside Top Ten Records at 306 S. Bishop Ave., have become local landmarks.

    He's a logical choice, having worked with a number of corporations including Nike, Adidas, the Dallas Mavericks, and IBM, for whom he created the "THINK" mural in their Dallas corporate office. His works have also been exhibited nationally, including a 2024 solo exhibition "be safe out there bro" at Band of Vices, a gallery in Los Angeles.

    "Being chosen to be the artist to paint this mural, it would have been a disservice to myself, as well as the art scene in the city, not to try to infuse myself into it," he says.

    \u200bJeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

    Biggers did two murals featuring his interpretation of Netflix figures including the Squid Game Young-hee doll, characters from KPop Demon Hunters and megahit series Stranger Things, plus Pandy and DJ Catnip, the best friends in the interactive series Gabby’s Dollhouse.

    Both murals are intensely colored works that incorporate Biggers' signature motif: a grid of polka dots spread across the image.

    • One is on the exterior of Netflix House, at the parking entrance, a colorful collage of characters, measuring 38 feet x 50 feet — the tallest mural Biggers has tackled. He painted it with aerosol; it took him two months to complete.
    • The other is on the interior, on the mall side entrance of Netflix House, measuring 57 feet x 12 feet — a study in moody blacks and blues, with accents of neon-red that give it a 3D effect.

    “I'm trying to tell the story of Netflix, and the story of where Netflix has been historically, where Netflix is headed in the future, and then also infusing my own narrative and my own language visually into that story,” he says.

    “They could have opened this anywhere, so for Dallas to be one of the very first locations — that’s a testament to us as a market, as consumers of arts and consumers in general," he says.

    Jeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

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