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    Opera News

    The Dallas Opera drops curtain on 2020 performances due to COVID-19

    Lindsey Wilson
    Jun 5, 2020 | 2:45 pm
    Dallas Opera presents Orfeo ed Euridice
    Orfeo ed Euridice has been cut from the 2020-21 season.
    Photo by Cory Weaver

    There will be no performances in 2020, The Dallas Opera has decided. The COVID-19 pandemic has forced the cancellation of nine performances — or 38 percent of the season — one replacement title, and one cut to the previously announced 2020-21 roster of operas.

    Ian Derrer, the Kern Wildenthal general director and CEO of The Dallas Opera, has said that the entire season will be consolidated into the spring of 2021, with four opera productions presented instead of the original five. Verdi's Don Carlo will replace Wagner's Lohengrin, and Gluck's Orfeo ed Euridice will be eliminated.

    "This virus is a serious threat to all the hallmarks of grand opera, which include amassing huge forces on stage and in the pit, bringing large crowds together in our theaters, assembling casts from all over the world, and listening to singers, sometimes in passionate embrace, filling the hall with powerful voices and glorious sound without the use of microphones," Derrer says in a release.

    "Our mission at The Dallas Opera has always been to give our audiences thrilling, world-class opera, but the COVID-19 pandemic has forced us to re-position our operations, at least for the near future. Safety concerns for our audiences, artists, and staff; travel restrictions for artists; new social distancing needs both onstage and in the theater — the myriad uncertainties and restrictions caused by this pandemic have led us to the difficult decision that we cannot open in October 2020 as originally scheduled," he continues.

    The 2020/2021 season, which was to have opened on October 9, 2020, will now begin on March 5, 2021, with the world premiere of The Diving Bell and the Butterfly. Composed by Joby Talbot with libretto by Gene Scheer, the opera will perform two additional performances: March 13 and a matinee on March 7.

    Verdi's Don Carlo is next, with performances March 27 (matinee), March 31, and April 3 (matinee).

    The Marriage of Figaro by Mozart, which was originally planned to be the season opener, continues on April 9, April 11 (matinee), April 14, and April 17.

    As planned, Tosca's Puccini will close the season with performances on April 16, April 18 (matinee), April 21, April 24, and May 2 (matinee).

    The traditional fall concert and gala dinner, this season titled Viva Diva! and featuring Grammy Award-winning mezzo-soprano Joyce DiDonato, has been moved from November 6, 2020, to May 10, 2021.

    Full series subscribers will have the opportunity to replace their fifth opera with seats to Viva Diva!, donate the prorated value of their fifth-opera tickets to TDO's fundraising efforts (an emergency relief fund has a goal of raising $4 million by September 30, 2020), apply the credit to their 2021/2022 season tickets, or receive a refund.

    The productions of the family performance series are also affected. Instead of two performances each, one in the fall and one in the spring, Doctor Miracle and Jack and the Beanstalk will each perform once in March. Bizet's Doctor Miracle is scheduled for March 6, 2021, and John Davies and Sir Arthur Sullivan's Jack on March 14, 2021.

    Regarding repertoire changes, Derrer said that both he and music director Emmanuel Villaume were committed to bringing Wagner's rarely performed Lohengrin to Dallas audiences.

    "But given the large number of forces required to produce this monumental masterpiece and unpredictable travel restrictions for our international artists, we are postponing its presentation until we can assure our audiences of the highest artistic experience," Derrer explains. "Also, with so much of Verdi's magnificent Don Carlo already rehearsed, a cost saving for TDO — and with many original cast members — it seemed appropriate to give Don Carlo a second chance, knowing that Orfeo ed Euridice can easily be programmed in a future season."

    The company has also been forced to introduce layoffs and make further staff cutbacks. Five administrative staff members will be laid off, six full-time positions will become part-time or seasonal, and two positions will be furloughed. TDO’s full-time administrative and artistic staff has been reduced from 40 to 26, with previously announced salary reductions remaining in place.

    TDO has already suffered the loss of $1.6 million in projected revenue from canceled performances in the 2019/2020 season, and ticket revenue for the 2021 season will be reduced because of the constriction of the season.

    The company is in contract negotiations with two of its major unions: the American Federation of Musicians (AFM), which represents the orchestra; and the American Guild of Musical Artists (AGMA), which represents principal artists, chorus, dancers, and production staff.

    A new fundraising initiative will follow in October 2020. An extension of the current DOER campaign, it will be "a three-year effort to solidify TDO's financial foundation for stable and continued growth, and will position the company to weather future unexpected events."

    operagalas
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    Theater Critic Picks

    DFW theater heats up with 14 must-see shows this February

    Lindsey Wilson
    Feb 2, 2026 | 9:03 am
    Kitchen Dog Theater presents Pompeii!!
    Photo by Jordan Fraker
    Kitchen Dog Theater is opening its new performance space with a remounting of 'Pompeii!!'

    It's cold outside but hot onstage, as evidenced by this extra-large list of plays and musicals opening in Dallas-Fort Worth this month. From theater festivals to one-night-only concerts, world premieres and returns to old favorites, there truly is something for everyone in February.

    Here are 14 shows appearing in Dallas-Fort Worth theaters in January, listed in order of start date:

    Hype Man: A Break Beat Play
    Jubilee Theatre, through February 28
    A pulse-pounding, thought-provoking work by Idris Goodwin that explores friendship, accountability, and the often-unseen creative forces shaping hip-hop culture. It follows three artists on the brink of a breakthrough: a rising rap star, his longtime hype man, and a gifted woman beat maker whose sound fuels their success. When an unexpected crisis erupts on the eve of a career-defining performance, all three must confront difficult truths about loyalty, responsibility, and whose voices are truly heard when the spotlight hits.

    Gem of the Ocean
    Soul Rep Theatre Company, February 5-22
    Set in 1904, August Wilson's Gem of the Ocean begins the playwright's legendary Century Cycle with a spiritual journey toward freedom and redemption. Through the mystical presence of Aunt Ester, a 285-year-old spiritual guide, Wilson weaves a powerful meditation on memory, responsibility, and Black survival.

    Pompeii!!
    Kitchen Dog Theater, February 11-March 8
    Opening their brand-new home in the Design District, Kitchen Dog Theater co-artistic directors Christopher Carlos and Tina Parker will direct a remounting of the company's first-ever company-created musical. Under the shadow of a volcano, the citizens of Pompeii sing, dance, and tell jokes in this zany vaudeville show. It's togas and tap shoes, centurions and sing-alongs in the timely satire of nationalistic hubris and narcissistic excess.

    Medea/Liturgia
    Cara Mía Theatre, February 12-22
    This world premiere of a contemporary, multimedia adaptation of the Greek tragedy Medea is written and directed by Diego Fernando Montoya, Colombia’s 2025 National Playwriting Award winner. The production reimagines Medea through a modern lens that confronts imperialism, immigration, and rebellion.

    22nd International Theatre Festival
    Teatro Dallas, February 7, 14, 21
    The festival takes place over three weeks, featuring three separate productions from Portugal, England, and Argentina.

    Six
    Broadway at the Bass, February 10-15
    Divorced, beheaded, died, divorced, beheaded, survived. From Tudor queens to pop icons, the six wives of Henry VIII take the microphone to remix 50 years of historical heartbreak into a euphoric celebration of 21st-century girl power.

    Dallas Divas
    Lyric Stage, February 11
    This one-night-only event serves as a fundraiser for Lyric Stage, with some of Dallas' most talented voices singing songs that run the gamut from Broadway to pop.

    Bull in a China Shop
    Amphibian Stage, February 11-March 1
    This is an explosive queer romantic comedy set amidst the fight for women’s rights. Galloping across four decades at Mount Holyoke, Mary Woolley and Jeannette Marks light fires in the classroom and in the bedroom. As their ambitions grow bolder, so do the cracks in their relationship.

    The Skin of Our Teeth
    Undermain Theatre, February 12-March 8
    Thornton Wilder’s classic three-part allegory about the resilience of mankind centers on the Antrobus family of the fictional town of Excelsior, New Jersey. The epic comedy-drama follows the family through an impending Ice Age, a world war, and a devastating flood, all of which they survive by the skin of their teeth.

    The Great Gatsby
    Broadway Dallas, February 17-March 1
    Based on the classic American novel by F. Scott Fitzgerald, this musical is an unforgettable journey of love, wealth, and tragedy that brings the Roaring Twenties to life onstage.

    Penelope
    Theatre Three, February 19-March 22
    What’s Penelope been up to since Odysseus went off to war? She’s had a few drinks and started a band! So go ahead and grab a drink too, and listen to this ancient tale made new with a beautiful folk-inflected pop score about a woman wondering who she is if she’s alone, and discovering that she has, is, and will always be complete, with her husband by her side or otherwise.

    Where We Stand
    Dallas Theater Center, February 25-March 22
    Your town stands at a crossroads. A neighbor, desperate and out of options, has struck a dangerous bargain. Now their fate lies in your hands. In this interactive play presented as a town hall gathering, the audience must choose: mercy or justice? Broadway actor and Dallas legend Liz Mikel plays a lone storyteller who weaves a world through music and magic. The play, making its regional premiere, is a co-production with Stage West.

    You Must Wear a Hat
    Echo Theatre, February 26-March 14
    Two survivors of a climate apocalypse strive to preserve their humanity, and community.

    Hairspray
    Casa Mañana, February 27-March 8
    Set in 1962 Baltimore, the musical follows Tracy Turnblad, a big-hearted teen with dreams of dancing on The Corny Collins Show. As she fights for a chance to shine, Tracy challenges outdated norms and pushes for a more inclusive future. RuPaul's Drag Race star Nina West plays Edna Turnblad.

    the great gatsbybroadway dallasbroadway tourdallas theater centerpompeii musicalsix musicalnina westhairspray musicaltheater
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