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    Sadder Math

    New survey shows the devastating impact COVID-19 has on Dallas arts and culture

    Lindsey Wilson
    Aug 28, 2020 | 1:49 pm
    Caroline Bowman in the national tour of Frozen
    The national tour of Frozen was canceled due to COVID-19.
    Photo by Deen Van Meer

    Nearly two months after a trio of Dallas arts advocacy organizations conducted a survey to see how much the COVID-19 pandemic has affected the Dallas nonprofit arts and culture community, they're back with another one — and the results are staggering.

    The latest survey shows that coronavirus losses have doubled to $67.77 million, with 1,219 jobs lost since the March 13 shutdown.

    That is $34.12 million — more than double the $33.65 million in losses reported in the first survey period through May 31. Some of the increase is due to the larger number of participating organizations (91 compared to the original 57), but 86 percent of that increase was from the 52 groups who participated in both surveys, and $29.5 million in just the past two months.

    "All of these organizations are just struggling to hold on," said Terry D. Loftis, TACA president and executive director, in a release. So far, TACA has distributed $592,500 in emergency COVID relief grants to 70 groups. "The philanthropic community is certainly working to step up and help, but these losses are staggering. And given the rate they are growing, we've got a huge challenge to overcome."

    This second survey was once again conducted by the Arts Community Alliance (TACA), Dallas Arts District (DAD), and Dallas Area Cultural Advocacy Coalition (DACAC).

    While many businesses in Dallas have reopened, capacity limits and social distancing have kept arts and cultural organizations from resuming live, in-person experiences. This has meant canceling or postponing thousands of programs, performances, and classes.

    Survey results show more than 2,155,000 in lost or deferred attendance, and the revenue losses show the 91 organizations have lost, on average, 25 percent of their budgets since March 13.

    The human toll is climbing, as well; 1,219 people have been furloughed or laid off through July 31, up from 649 at the end of May. Full-time staff members made up 189 of these, while 1,030 were part-time.

    These new job losses had been anticipated as funds from the forgivable Payroll Protection Program loans under the federal CARES Act began running out in June and July. These funds had allowed organizations to keep paying employees for two months. Fifty groups said their loans had expired, forcing cuts in their workforce.

    Some of those remaining staff members also saw their pay get cut. At least a third of the groups have implemented salary reductions to reduce expenses.

    "It's really pretty simple. Everyone is trying to find enough cash so we can live to fight another day," says Joanna St. Angelo, president of the grassroots arts advocacy group DACAC. "We are turning to donors, patrons, foundations, and corporations. Perhaps the federal government will include the arts in another stimulus package, or maybe the city can find just a little bit more. We are checking under every couch cushion to see what we can find."

    The groups participating in the survey reflect the vibrant diversity of the Dallas arts community today: dance, theater, music, visual arts, performing arts centers, literary arts, and more. Some are based downtown and in the Dallas Arts District, but many more are located throughout the city. They include the city's historic institutions and new and emerging groups, with 24 identifying as ALAANA (African, Latinx, Asian, Arab, Native American) and seven that focus on LGBTQ experiences.

    Of the 91 organizations, 52 participated in both surveys and 34 new organizations participated for the first time. Five completed the first survey only but their losses are included in the total.

    Despite the daunting numbers, the survey indicates some optimism for reopening soon. Of the respondents, 38 percent have plans to safely reopen by the end of the year while 42 percent say they are targeting the first two quarters of 2021.

    "This community is creative and resilient, two things that are critical to surviving a crisis like this," says Lily Weiss, executive director of the Dallas Arts District, in a release. "I'm convinced we will find ways to get back in front of our audiences and out into the community — and do it safely.

    "The arts will play an important role in the recovery of our economy and healing of our community, and I'm optimistic Dallas will find the resources to help us do that. There's too much at stake."

    theateroperamuseumsdancereportsconcerts
    news/arts

    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
    news/arts
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