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    Campy Delight

    DTC's raucous Rocky Horror Show shakes Wyly Theatre to its sexy core

    Alex Bentley
    Sep 22, 2014 | 1:12 pm

    The minute you walk into Wyly Theatre for Dallas Theater Center’s 2014-2015 season opener, you’ll likely notice a different vibe. Most obviously, various audience members of both genders will be dressed in bustiers, garter belts, fishnet stockings, high heels and other assorted nontraditional theater attire.

    Welcome to the Rocky Horror Show experience.

    Since debuting on stage in 1973, and especially following its adaptation into the Rocky Horror Picture Show in 1975, Rocky Horror has earned a nonpareil cult following. So much so that it is virtually impossible to see the stage musical or film without your viewing being influenced by the legion of fans who take great glee in making themselves a part of the show through props and responses to the actors’ dialogue.

    DTC’s version of Rocky Horror Show is one of the most unusual and flat-out fun times you’ll ever have in a theater.

    All of this is to say that DTC’s version of Rocky Horror Show is one of the most raucous, unusual and flat-out fun times you’ll ever have in a theater. Utilizing Wyly’s flexibility to its utmost, director Joel Ferrell and his team have created a theater-in-the-round featuring a rotating circular platform that ensures every audience member, including two sections on stage, gets maximum entertainment.

    DTC also uses an inspired technique in which a videographer follows the actors around, broadcasting images of the characters in action to screens on both sides of the stage. The video isn’t necessary — everyone in the audience is close enough to see everything perfectly — but it adds a certain extra element to the campy proceedings.

    If you happen to be a Rocky Horror virgin and worry that everything going on will distract you from the story, take this advice: As long as you know the basics — Brad (Alex Organ) and Janet (Morgan Mabry Mason) get lost on a dark and stormy night and look for refuge at a castle, only to find it full of a host of odd characters, led by the sweet transvestite from Transylvania, Dr. Frank-n-Furter (Dan Domenech) — you’re pretty much set.

    Enjoying Rocky Horror isn’t so much about understanding the particulars of the plot as it is about letting the feeling of the show overtake you. In fact, the responses of audience members to the dialogue are so fast and furious, especially during the first act, that worrying about the plot is an exercise in futility.

    Instead, just bask in all of the show’s off-the-wall parts, from the gloriously amusing songs like “Time Warp,” “Sweet Transvestite” and “I Can Make You a Man” to ludicrous props like water guns, confetti and toilet paper rolls used by the audience throughout. (DTC sells prop kits, including all of that and more, for $10 in the lobby.)

    And that’s not to mention all of the overt risqué elements in the show, making it as sexual as possible without any actual nudity. If you couldn’t already tell, it’s best to leave your inhibitions at home with this one; anyone who can’t risks not only being offended unnecessarily, but also missing out on a great party.

    None of this would be nearly as enjoyable, of course, unless the actors were as fully committed to the insanity as they are. Domenech is a worthy successor to Tim Curry as Dr. Frank-n-Furter, performing the role with abandon. Organ and Mason make their straight-laced characters undergo a transformation that has to be seen to be believed.

    Other standouts include Chamblee Ferguson as Riff Raff, Liz Mikel in dual roles of Eddie and Dr. Scott, and J. Brent Alford as the narrator. Also hugely important to the show is the performance of the band Foe Destroyer, last seen making DTC’s Fly By Night the success it was. They’re as much a part of the show as any actor, and it wouldn’t be the same without them.

    That Dallas Theater Center is capable of staging stellar versions of shows as disparate as A Raisin in the Sun, Les Miserables and Rocky Horror Show proves yet again that we are lucky to have this company in our city. Calling Rocky Horror Show a can’t-miss production does not do it justice.

    Dan Domenech anchors a stellar cast as Dr. Frank-n-Furter in Dallas Theater Center's Rocky Horror Show.

    Dan Domenech in Dallas Theater Center's The Rocky Horror Show
    Photo by Karen Almond
    Dan Domenech anchors a stellar cast as Dr. Frank-n-Furter in Dallas Theater Center's Rocky Horror Show.
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    Opera News

    Dallas Opera's new season stages dramatic debuts and beloved encores

    Alex Bentley
    Feb 24, 2026 | 1:30 pm
    The Elixir of Love at Santa Fe Opera
    Photo by Curtis Brown Photography
    The 2026-27 season for The Dallas Opera will include a new version of The Elixir of Love.

    The 2026-2027 season for The Dallas Opera will feature four mainstage productions, two family operas, and a trio of annual events, with all productions taking place as usual at Winspear Opera House.

    One production —Janáček’s The Cunning Little Vixen — will be completely new to Dallas audiences, as it is making its North American premiere with the company.

    The other three mainstage productions — Donizetti’s The Elixir of Love, Puccini’s Turandot, and Wagner’s Lohengrin — will be making encore appearances, although at least two will differ from their original productions.

    The season will start with The Elixir of Love, which will be performed four times between October 9 and 17, 2026. The colorful production, now set in post-World War II Italy, is about a hopeless romantic who swoons for the town’s school teacher.

    Performers, each of which are making their Dallas Opera debuts, will include British Iranian coloratura soprano Soraya Mafi, 2022 Operalia winner Anthony León, legendary Italian baritone Alessandro Corbelli, 2025 Operalia winner Mihai Damian, and 2025 TDO Lone Star Vocal Competition winner Kayla Nanto.

    Next up is the North American debut of Janáček’s The Cunning Little Vixen, running October 30-November 7. It's the story of a young fox, which is trapped as a cub, going on to make a dramatic escape in search of what a wild animal’s life should be.

    Conducted by Mrs. Eugene McDermott Music Director Emmanuel Villaume, the bold and glitzy production will star Estonian soprano Mirjam Mesak (making her U.S. debut), American baritone Zachary Nelson, Hungarian American mezzo-soprano Shannon Keegan, and American contralto Lindsay Ammann.

    The 2027 portion of the season will begin with Puccini’s unfinished work Turandot, running February 12-20. To win the hand of Princess Turandot, a suitor must solve three riddles; failure to do so means death.

    Conducted by Villaume, this production features a new ending with music by Grammy Award winner and video game composer Christopher Tin (known for the Civilization IV game) and a libretto from Succession writer Susan Soon He Stanton.

    Italian soprano Anna Pirozzi and Venezuelan tenor Jorge Puerta, both celebrated for their renditions of this opera, make their Dallas Opera debuts as Turandot and Calaf, respectively.

    Wrapping up the season will be Wagner’s Lohengrin, running March 5-13. Accused of her brother’s murder, Elsa prays for a way to prove her innocence. In answer, a knight in shining armor appears, ready to save her. He asks one thing in return: never ask his name.

    Director Louis Désiré returns to lead this premiere production, which will be conducted by Villaume. It will star Pavarotti d’Oro winner Saimir Pirgu, American soprano Lise Lindstrom, and bass Peixin Chen, among others.

    "The 2026/2027 Season spans the breadth of what opera has to offer the world," said Mrs. Eugene McDermott Music Director Emmanuel Villaume in a statement.

    Additionally, The Dallas Opera will feature two family operas: The Bremen Town Musicians, with performances on October 17, 2026 and February 21, 2027, and The Little Prince, with performances on November 8, 2026 and February 13, 2027.

    Other annual events include:

    • The Linda and Mitch Hart Institute for Women Conductors Showcase Concert, featuring women who have participated in the Dallas Opera's longtime program (January 30, 2027)
    • The Robert E. and Jean Ann Titus Family Recital, featuring German soprano Christiane Karg and pianist Andrew von Oeyen (January 31, 2027)
    • The Phyllis A. and Thomas H. McCasland, Jr. Lone Star Vocal Competition, featuring rising opera stars from around Texas (March 12, 2027)

    Subscription renewals and new subscription packages for the 2026/2027 season are now on sale, with packages starting at $98 for all four mainstage operas. Family operas and annual events will be available as add-ons before single tickets go on sale in summer 2026.

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