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    Campy Delight

    DTC's raucous Rocky Horror Show shakes Wyly Theatre to its sexy core

    Alex Bentley
    Sep 22, 2014 | 1:12 pm

    The minute you walk into Wyly Theatre for Dallas Theater Center’s 2014-2015 season opener, you’ll likely notice a different vibe. Most obviously, various audience members of both genders will be dressed in bustiers, garter belts, fishnet stockings, high heels and other assorted nontraditional theater attire.

    Welcome to the Rocky Horror Show experience.

    Since debuting on stage in 1973, and especially following its adaptation into the Rocky Horror Picture Show in 1975, Rocky Horror has earned a nonpareil cult following. So much so that it is virtually impossible to see the stage musical or film without your viewing being influenced by the legion of fans who take great glee in making themselves a part of the show through props and responses to the actors’ dialogue.

    DTC’s version of Rocky Horror Show is one of the most unusual and flat-out fun times you’ll ever have in a theater.

    All of this is to say that DTC’s version of Rocky Horror Show is one of the most raucous, unusual and flat-out fun times you’ll ever have in a theater. Utilizing Wyly’s flexibility to its utmost, director Joel Ferrell and his team have created a theater-in-the-round featuring a rotating circular platform that ensures every audience member, including two sections on stage, gets maximum entertainment.

    DTC also uses an inspired technique in which a videographer follows the actors around, broadcasting images of the characters in action to screens on both sides of the stage. The video isn’t necessary — everyone in the audience is close enough to see everything perfectly — but it adds a certain extra element to the campy proceedings.

    If you happen to be a Rocky Horror virgin and worry that everything going on will distract you from the story, take this advice: As long as you know the basics — Brad (Alex Organ) and Janet (Morgan Mabry Mason) get lost on a dark and stormy night and look for refuge at a castle, only to find it full of a host of odd characters, led by the sweet transvestite from Transylvania, Dr. Frank-n-Furter (Dan Domenech) — you’re pretty much set.

    Enjoying Rocky Horror isn’t so much about understanding the particulars of the plot as it is about letting the feeling of the show overtake you. In fact, the responses of audience members to the dialogue are so fast and furious, especially during the first act, that worrying about the plot is an exercise in futility.

    Instead, just bask in all of the show’s off-the-wall parts, from the gloriously amusing songs like “Time Warp,” “Sweet Transvestite” and “I Can Make You a Man” to ludicrous props like water guns, confetti and toilet paper rolls used by the audience throughout. (DTC sells prop kits, including all of that and more, for $10 in the lobby.)

    And that’s not to mention all of the overt risqué elements in the show, making it as sexual as possible without any actual nudity. If you couldn’t already tell, it’s best to leave your inhibitions at home with this one; anyone who can’t risks not only being offended unnecessarily, but also missing out on a great party.

    None of this would be nearly as enjoyable, of course, unless the actors were as fully committed to the insanity as they are. Domenech is a worthy successor to Tim Curry as Dr. Frank-n-Furter, performing the role with abandon. Organ and Mason make their straight-laced characters undergo a transformation that has to be seen to be believed.

    Other standouts include Chamblee Ferguson as Riff Raff, Liz Mikel in dual roles of Eddie and Dr. Scott, and J. Brent Alford as the narrator. Also hugely important to the show is the performance of the band Foe Destroyer, last seen making DTC’s Fly By Night the success it was. They’re as much a part of the show as any actor, and it wouldn’t be the same without them.

    That Dallas Theater Center is capable of staging stellar versions of shows as disparate as A Raisin in the Sun, Les Miserables and Rocky Horror Show proves yet again that we are lucky to have this company in our city. Calling Rocky Horror Show a can’t-miss production does not do it justice.

    Dan Domenech anchors a stellar cast as Dr. Frank-n-Furter in Dallas Theater Center's Rocky Horror Show.

    Dan Domenech in Dallas Theater Center's The Rocky Horror Show
    Photo by Karen Almond
    Dan Domenech anchors a stellar cast as Dr. Frank-n-Furter in Dallas Theater Center's Rocky Horror Show.
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    news/arts

    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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