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Actor Spotlight

Avant-garde Dallas actor divulges unique process and dream role

Lindsey Wilson
Oct 26, 2016 | 12:00 pm

It would be pigeonholing to describe Justin Locklear as an artist-in-residence at Ochre House Theater. He is, but he's also a visual artist and a producer and conceptual artist with Danielle Georgiou Dance Group (DGDG). He also has popped up onstage and behind the scenes at theaters across Dallas.

But his work at Ochre House — as playwright, actor, costumer, musician, puppet designer, and more — is what people associate him with the most. Locklear's keeping his Ochre streak going as Nikola Tesla with the Expo Park company's next original work, Dreaming Electric.

Before the show opens on October 29 (it runs through November 19), Locklear took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

Name: Justin Locklear

Role in Dreaming Electric: Nikola Tesla, scientist and inventor

Previous work in the DFW area: Ochre House Theater, Shakespeare Dallas, WaterTower Theatre, Cara Mia Theatre Co., Undermain Theatre, Second Thought Theatre, Dead White Zombies

Hometown: Decatur, Georgia

Where you currently reside: White Rock Lake, in the water.

First theater role: The Turtle in a skit about the Turtle and the Hare, in vacation bible school.

First stage show you ever saw: No clue. Probably something at Georgia Shakespeare Festival.

Moment you decided to pursue a career in theater: I was walking through the park one day, and I saw a bright flash of light. "Be an actor!" was somehow spoken to me, without words, and I saw an image of myself standing on a stage. And then, like, I got some fro-yo.

Most challenging role you’ve played: Probably the Turtle.

Special skills: Unsolicited anecdotes, shoulder massage, puns.

Something you’re REALLY bad at: Listening to people eat.

Current pop culture obsession: Mindless, unyielding human conflict.

Last book you read: I was reading Illuminations, a collection of essays by Walter Benjamin, and then, like, stopped. But I liked it. It was cool.

Favorite movie(s): The Imposters, Big Night

Favorite musician(s): Eryka Badu, Ligeti, Stefan Gonzalez, Trey Pendergrass, BlackTaffy

Favorite song: "My Guitar Wants to Kill Your Mama" by Frank Zappa

Dream role: Krapp in Krapp's Last Tape by Samuell Beckett

Favorite stageworks: Mean and Dreams of Slaughtered Sheep by Matthew Posey; Einstein on the Beach and Shakespeare’s Sonnets by Robert Wilson and the Berliner Ensemble; Cafe Müller by Pina Bausch; Mother Courage and Her Children and How Much Is Your Iron? by Bertolt Brecht; Krapp’s Last Tape by Samuel Beckett; La Veillee des Abysses by James Thiérée

Favorite actors/actresses: Stanley Tucci

Favorite food: Oreos

Must-see TV show(s): Oxymoron, but I suppose I can recommend Psych for fans of Encyclopedia Brown, bad jokes, and '80s references.

Something most people don’t know about you: I’m taller than I think I am.

Place in the world you’d most like to visit: Surprise me, I’m down.

Pre-show warm-up: Depending on the project: yoga, walking around in a state of irrationally stubborn concern, tongue twisters.

Favorite part about your current role: Tesla was an actual genius, and it’s fascinating to investigate how a genius lives his truth — what his internal life looks like.

Most challenging part about your current project: Getting to discover a new play in a matter of weeks is always the most challenging yet life-giving aspects of working at the Ochre House. It’s fun, it’s educational, it’s risky, it’s barreling headfirst down a hill of inspiration with an audience waiting at the bottom.

Most embarrassing onstage mishap: Random C-word out of nowhere. Just a bad moment for a breath.

Career you’d have if you weren’t in theater: Park ranger

Favorite post-show spot: The Couch. It’s super exclusive.

Favorite thing about Dallas-Forth Worth: The art and the people, not necessarily in that order.

Most memorable theater moment: Getting stabbed? Or yeah, casual sodomy with confetti cannons.

Justin Locklear as Nikola Tesla in Ochre House Theater's Dreaming Electric.

Justin Locklear in Dreaming Electric
Photo by Kevin Grammer
Justin Locklear as Nikola Tesla in Ochre House Theater's Dreaming Electric.
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Arts in Fort Worth

DFW museum debuts landmark exhibition about Statue of Liberty

Alex Bentley
Jul 30, 2026 | 9:15 am
Amon Carter Museum of American Art presents "The Statue of Liberty from Bartholdi to Warhol"
Frédéric-Auguste Bartholdi (1834–1904), Early View of the Statue of Liberty, n.d.,, watercolor, Musée Bartholdi, Colmar, 2005.0.16.3, © Musée Bartholdi, Colmar, Photo Chr. Kempf
"The Statue of Liberty from Bartholdi to Warhol" opens at the Amon Carter Museum of American Art on August 15.

The Amon Carter Museum of American Art will celebrate the United States' 250th anniversary with a major exhibition examining one of the country's most recognizable symbols: "The Statue of Liberty from Bartholdi to Warhol" will open Saturday, August 15 for a nearly five-month run.

The exhibition, co-organized by the Denver Art Museum, is an examination of the Statue of Liberty’s enduring relevance in American visual culture and the evolution of its image from the 1870s to the present.

According to a release, it will bring together nearly 100 artworks and objects from more than 70 artists, exploring the statue’s varied manifestations - from artistic marvel and pop culture icon to symbol of immigration, patriotism, and resistance.

Successive generations of artists who have represented the statue's iconic form over the past 150 years will be included in the exhibition, including Pacita Abad, Benny Andrews, Edward Moran, Norman Rockwell, Nari Ward, and Andy Warhol.

The exhibition is anchored by a rare cast of French sculptor Frédéric Auguste Bartholdi’s bronze sculpture Liberty Enlightening the World (Statue of Liberty) (1894-1901), one of only five domestic-scale bronze reductions made during the artist’s lifetime.

The exhibition will be broken up into four distinct sections:

  • Creating a Monument, which focuses on the statue’s origins and initial public reception in the tumultuous decades between the American Civil War and World War I.
  • A National Monument, which showcases the way society and visual culture were inundated with Statue of Liberty imagery between World War I and the 1950s. The installation of newspapers, advertisements, lithographs, images, films, and paintings demonstrate the turning point in the statue’s transformation into a dominant American icon.
  • Reimagining an Icon, which explores pop art and reproductions of the statue’s imagery, demonstrating its increasing detachment from its original image and malleability as an American symbol.
  • The Statue of Liberty Today, which closes the exhibition with a selection of works by living artists who have continued to investigate the Statue of Liberty’s meaning in the 21st century.

“This monumental exhibition tells the story of how our nation has interpreted the Statue of Liberty not only as a national icon, but also as a reflection of American values, creativity, and identity throughout our collective history,” said Scott Wilcox, Interim Director of the Carter, in a statement. “Premiering 'The Statue of Liberty from Bartholdi to Warhol' in Fort Worth on the occasion of the 250th anniversary of our nation’s founding invites our community to see this emblematic statue in new dimensions.”

"The Statue of Liberty from Bartholdi to Warhol" will remain on display through January 3, 2027.

It will then travel to Denver for a presentation from March 14-July 4, 2027. The exhibition will also travel to the Munson Museum of Art in Utica, New York, from August 5-December 5, 2027.

The Amon Carter Museum will celebrate the opening with a special event called "Liberty Talks" on August 15 from 11 am-3 pm, featuring gallery talks, live music, poetry, treats, and more. A second event, "Second Thursdays: Monuments & Martinis," will take place September 10 and include Statue of Liberty-inspired flash tattoos by Fort Worth artist Joseph Ayala of Panther City Tattoo.

Admission to the Carter is free.

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