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Your Show Of Shows

4 must-see Dallas art gallery shows to check off your list this December

Kendall Morgan
Dec 3, 2015 | 1:23 pm

Nothing cheers us more than the gift of art. However, if your budget isn’t quite as expansive as your holiday spirit, the city’s galleries still have gorgeous presents, accounted for. A carefully curated selection of artistic-influenced gifts, a coffee table book examining the beauty behind America’s secret societies and some simply divine sculptural installations are just a few of the things on our holiday list.

“Belonging,” Bumin Kim, Yuni Lee, and Jieun Lim, at Ro2 Art
Reception: December 4, 7-10 pm
Exhibition dates: December 4-January 9, 2016

The personification of drawing in three dimensions. The marriage of strange and familiar forms and patterns. Materials as a metaphor for healing. For the Korean artists Bumin Kim, Yuni Lee, and Jieun Lim, things are not always as they first appear. Curated together by Ro2 Art, the trio’s work encompasses sculpture, installation, and painting, but there is a through line that runs along their very different viewpoints.

The gallery’s co-owner, Jordan Roth, says he was first exposed to the work during visits to the University of North Texas, where Kim serves at adjunct professor, Lee is finishing up her MFA, and Lim is an undergraduate. Although they hadn’t been featured together in an exhibition before, their work proves to be complementary, as they all mix traditional Korean themes and techniques with contemporary global and Western themes.

“There’s simplicity in form that’s apparent in each of the three artists’ works,” Roth explains. “Each of the artists is also experimenting in bending the rules in the use of the material, in the construction of original, shapes, forms, and compositions.”

Although Ro2 has shown sculptural works from the beginning, the way the artists in "Belonging" upend traditional methods of presentation shows a new focus for the gallery, one that bodes for an interesting 2016.

“El Mercado,” various artists at Erin Cluley Gallery
Reception: December 5, 12-8 pm
Exhibition dates: December 5-24

A success in its 2014 iteration, Erin Cluley’s “El Mercado” is back for round two with a fresh focus on design and reimagined objects. This year, the gallerist has curated some of her favorite local talents, including haute rocks by the jewelry line B. Stellar and fresh prints by Neobantu.

“I’m super excited about working with a couple of my Dallas faves,” says Cluley. “And I’m also showing surfboards by Richard Phillips and Stetson hats customized by René Treviño. (Artist) Rob Wilson and I have been working for months on a beautiful suite of risograph prints titled Pets Behaving Badly. The theme is whimsical, but the final product is seriously beautiful.”

Rounding out the mix will be leather bags from Desert Hide, clothing, prints and a neon piece from Wheron, and embroidered works by bedthread. With kids’ clothes in the mix for the first time, this “Mercado” truly has something for everyone on your list.

“As Above, So Below,” art from the fraternal lodge with Lynne Adele and Bruce Webb at Webb Gallery
Reception: December 6, 4-7 pm
Exhibition dates: December 6-February 14, 2016

Masons, Shriners, and Odd Fellows alike, for years American fraternal societies have been a gold mine of esoteric knowledge, secret rituals, and iconography. Gallerist and artist Bruce Lee Webb has been fascinated with symbols such as the beehive, the heart in hand, and the skull and crossbones from the moment he started collecting fraternal lodge art in the late '80s.

A discovery of objects from a defunct Odd Fellows lodge led to him being invited to join the organization itself, and Webb says he found the rituals “so meaningful to me. There were about five older men, including a number of WW II veterans, and they had practiced the lines and knew long sections of degree work from memory. (The lodge) was a way of connecting to the small town — they’re related to the old America that doesn’t exist anymore.”

Webb, who is also a member of the Masons and the Knights of Pythias Lodge in Hastings, Nebraska, ultimately exhibited his collection at Austin’s Domy Books in 2011. Approached by a friend, Lynne Adele, who attended the event, Webb was convinced to create what ultimately became As Above, So Below. Complete with a forward from musician David Byrne and images by local photographer Kevin Todora, the coffee table art book will make its debut at the Webb Gallery this weekend with an accompanying exhibition and performance by the Austin band Lost Counts. The authors will move to Uncommon Objects in Austin on December 10, followed by a lecture and signing at New York’s Morbid Anatomy Museum on January 20.

“New Works: Prints and Collages,” Dan Rizzie at Barry Whistler Gallery
Reception: December 12, 6-8 pm, book signing 5-6 pm
​Exhibition dates: December 12-January 16, 2016

A Dallas fixture in the go-go '80s, Dan Rizzie’s work could be found everywhere from the Modern Art Museum of Fort Worth to the walls of Shannon Wynne’s (Meddlesome Moth) storied Quadrangle bistro 8.0. Renowned for his vivid mixed-media works and bon vivant demeanor, Rizzie hasn’t had a one-man show in the area since the mid-2000s.

But this month, Barry Whistler is bringing this Texas-trained talent back to unveil his latest collages and prints, as well as to sign copies of his first monograph, published this past March by the University of Texas Press.

“Dan and I have known each other since the late '70s when I was working at the (now defunct) Gallery Delahunty, and he was showing there,” says the gallerist. “His SMU roots already made him a familiar artist in town, and we reconnected several years ago when he had a special exhibition at the Dallas Art Fair. Since this major 180-page monograph came out earlier this year, it was the perfect time to show a selection of his collages and paintings.”

It promises to be a colorful evening, both on and off the gallery walls.

Untitled White by Bumin Kim at Ro2 Art.

Bumin Kim
Photo courtesy of Ro2 Art
Untitled White by Bumin Kim at Ro2 Art.
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Arts in Fort Worth

DFW museum debuts landmark exhibition about Statue of Liberty

Alex Bentley
Jul 30, 2026 | 9:15 am
Amon Carter Museum of American Art presents "The Statue of Liberty from Bartholdi to Warhol"
Frédéric-Auguste Bartholdi (1834–1904), Early View of the Statue of Liberty, n.d.,, watercolor, Musée Bartholdi, Colmar, 2005.0.16.3, © Musée Bartholdi, Colmar, Photo Chr. Kempf
"The Statue of Liberty from Bartholdi to Warhol" opens at the Amon Carter Museum of American Art on August 15.

The Amon Carter Museum of American Art will celebrate the United States' 250th anniversary with a major exhibition examining one of the country's most recognizable symbols: "The Statue of Liberty from Bartholdi to Warhol" will open Saturday, August 15 for a nearly five-month run.

The exhibition, co-organized by the Denver Art Museum, is an examination of the Statue of Liberty’s enduring relevance in American visual culture and the evolution of its image from the 1870s to the present.

According to a release, it will bring together nearly 100 artworks and objects from more than 70 artists, exploring the statue’s varied manifestations - from artistic marvel and pop culture icon to symbol of immigration, patriotism, and resistance.

Successive generations of artists who have represented the statue's iconic form over the past 150 years will be included in the exhibition, including Pacita Abad, Benny Andrews, Edward Moran, Norman Rockwell, Nari Ward, and Andy Warhol.

The exhibition is anchored by a rare cast of French sculptor Frédéric Auguste Bartholdi’s bronze sculpture Liberty Enlightening the World (Statue of Liberty) (1894-1901), one of only five domestic-scale bronze reductions made during the artist’s lifetime.

The exhibition will be broken up into four distinct sections:

  • Creating a Monument, which focuses on the statue’s origins and initial public reception in the tumultuous decades between the American Civil War and World War I.
  • A National Monument, which showcases the way society and visual culture were inundated with Statue of Liberty imagery between World War I and the 1950s. The installation of newspapers, advertisements, lithographs, images, films, and paintings demonstrate the turning point in the statue’s transformation into a dominant American icon.
  • Reimagining an Icon, which explores pop art and reproductions of the statue’s imagery, demonstrating its increasing detachment from its original image and malleability as an American symbol.
  • The Statue of Liberty Today, which closes the exhibition with a selection of works by living artists who have continued to investigate the Statue of Liberty’s meaning in the 21st century.

“This monumental exhibition tells the story of how our nation has interpreted the Statue of Liberty not only as a national icon, but also as a reflection of American values, creativity, and identity throughout our collective history,” said Scott Wilcox, Interim Director of the Carter, in a statement. “Premiering 'The Statue of Liberty from Bartholdi to Warhol' in Fort Worth on the occasion of the 250th anniversary of our nation’s founding invites our community to see this emblematic statue in new dimensions.”

"The Statue of Liberty from Bartholdi to Warhol" will remain on display through January 3, 2027.

It will then travel to Denver for a presentation from March 14-July 4, 2027. The exhibition will also travel to the Munson Museum of Art in Utica, New York, from August 5-December 5, 2027.

The Amon Carter Museum will celebrate the opening with a special event called "Liberty Talks" on August 15 from 11 am-3 pm, featuring gallery talks, live music, poetry, treats, and more. A second event, "Second Thursdays: Monuments & Martinis," will take place September 10 and include Statue of Liberty-inspired flash tattoos by Fort Worth artist Joseph Ayala of Panther City Tattoo.

Admission to the Carter is free.

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