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    Theater News

    Addison's WaterTower Theatre lures lauded 'artistic visionary' to lead

    Lindsey Wilson
    Dec 15, 2016 | 10:35 am
    WaterTower Theatre artistic director Joanie Schultz
    Joanie Schultz has previously directed for the Goodman Theatre and Steppenwolf Theatre in Chicago.
    Photo by Joe Mazza

    It's a big week for Dallas theater companies — first with the announcement of Theatre Three's new artistic director and now a similar proclamation from WaterTower Theatre. The Addison company has named prolific Chicago director Joanie Schultz to the post, officially welcoming her to the team on January 1, 2017.

    When longtime artistic director Terry Martin resigned earlier this year to head up the fine arts department at Greenhill School, the WaterTower Theatre board of directors decided to split his job in two. Gregory Patterson, formerly the theater's director of development and marketing, became the managing director in charge of business and operations. That left the nationwide search open for the artistic director, who would steer the company's productions and serve as "artistic visionary."

    Schultz, who has directed at more than 30 theater and opera companies throughout Chicago, including the Goodman Theatre and Steppenwolf Theatre, holds an MFA in directing from Northwestern University and a BA in directing from Columbia College Chicago. She is also the recipient of several high-profile fellowships and was on the theater faculty of Columbia College Chicago and University of Chicago, as well as the opera faculty of Roosevelt University. She most recently served as associate artistic producer at Victory Gardens Theater.

    "Joanie is one of the most gifted young directors working in our business today, and I very much look forward to partnering with her," says Patterson in a press release. "She will bring a daring new perspective to the work we produce on our stage while respecting the work we've done in the past and the incredible community which has supported us for 20 years."

    One of Schultz's first duties will be to select WaterTower Theatre's 2017-18 season, to be announced in May. The current season continues with the regional premiere of Silent Sky in January, while the holiday add-on show Sister's Christmas Catechism: The Mystery of the Magi's Gold continues through December 23.

    "We sought a leader who would bring new vision, new focus, and new creative energy to WaterTower Theatre, someone with a track record of developing transformative theater, and someone who is in sync with ideas and events that are shaping people's consciousness across the country," says WTT board member and chairman of the search committee Derek Blount.

    "Joanie meets and exceeds all these requirements and is the perfect choice to lead WaterTower Theatre into a new chapter in its history."

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    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
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