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    Movie Review

    The Assistant points quiet fire at misconduct in the MeToo era

    Alex Bentley
    Feb 14, 2020 | 1:05 pm
    The Assistant points quiet fire at misconduct in the MeToo era
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    There has been plenty of fallout in the entertainment industry following the #MeToo movement, with bold-faced names like Harvey Weinstein, Kevin Spacey, and John Lasseter all being hit with allegations of sexual misconduct. While movies about those particular men may be forthcoming, the exploits of a similar fictional person are taken on in The Assistant.

    Jane (Julia Garner) is a low-level assistant in an unnamed movie production company office, tasked with doing all the menial tasks no one else wants to do. When we meet her, she’s doing seemingly normal office work, except for small details, like picking up an earring off the floor, cleaning a spot off her boss’ couch, or arranging a meeting with a nervous woman.

    As the film goes along, the audience essentially eavesdrops on a day in her life as an assistant. We hear conversations in a low volume that don’t allow us to catch every word, but provide just enough context to get the gist of the tone. And that tone is that everyone in the office — and beyond — knows exactly what type of man the boss is, but none of them have the guts to stand up to him to put a stop to his behavior.

    Written and directed by first-time feature filmmaker Kitty Green, the film is light on plot but heavy on insinuation. Over and over again, Green demonstrates the toxic culture in which Jane works, whether it’s random new women being paraded into the boss’ office or coaching by her fellow assistants on the proper way to apologize after running afoul of him.

    It’s the particulars in the film that make it interesting, and also make it plausible that so many people can allow bad conduct to go unchecked. There’s nothing sexually overt shown in the film, but there’s no doubt as to what is going on. The power dynamic between the boss and his employees is crystal clear, and since each person has his or her own personal ambitions, they each have to do their own calculations on whether to push back on what they see and hear.

    As the protagonist, Jane appears to struggle the most with her conscience. She dutifully makes copies of a stack of photos of women, but also uses a bag labeled for toxic waste to dispose of a particularly disgusting bit of trash from her boss’ office. She has a defeated look on her face throughout, and it takes a fair bit of effort not to yell at her to stand up for what she knows is right.

    Garner makes for an ideal lead; she’s young and innocent-looking enough to fulfill the traits of the character, but strong enough an actor to say a lot with minimal words. Jon Orsini and Noah Robbins, who play her fellow assistants, complement her well, giving support and derision to her character in equal measure. Succession’s Matthew Macfadyen also has a great cameo as an infuriatingly condescending HR manager.

    Powerful men abusing their positions is far from a new idea, and they’ll continue to do so unless people are willing to do the right thing, regardless of how it affects them personally. The Assistant is compelling, and a clarion call for others to hold people in authority accountable for their actions.

    ---

    The Assistant is playing exclusively at Angelika Film Center Dallas and Angelika Film Center Plano.

    Julia Garner in The Assistant.

    Julia Garner in The Assistant
    Photo by Ty Johnson / Bleecker Street
    Julia Garner in The Assistant.
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    Movie Review

    Rom-com You, Me & Tuscany layers chaos and clichés with Italian charm

    Alex Bentley
    Apr 9, 2026 | 11:18 am
    Halle Bailey and Regé-Jean Page in You, Me & Tuscany
    Photo by Giulia Parmigiani/Universal Pictures
    Halle Bailey and Regé-Jean Page in You, Me & Tuscany.

    The romantic comedy has become an endangered species in movie theaters, as most of those that are released these days go to streamers like Netflix. While there have been a few recent successful rom-coms in theaters, they are few and far between. All of which is to say that a movie like the new You, Me & Tuscany faces an uphill battle before it’s even released.

    Halle Bailey (The Little Mermaid) stars as Anna, a former culinary school student who’s struggling in the wake of her mother's death. When she has a chance meeting with an Italian man named Matteo (Lorenzo de Moor) in New York, her dream of going to the Italian region of Tuscany is reignited. Using her last $500 and a plane ticket her mom bought her, she makes her way to Italy looking for an adventure.

    With nowhere to stay and knowing Matteo’s villa is unoccupied, she finds a key and makes herself at home. When she finds an engagement ring soon before she’s discovered by Matteo’s family, she decides to pretend to be his fiancée. The more time she spends with them, the bigger the lie becomes, especially when she starts falling for Matteo’s adopted brother, Michael (Regé-Jean Page).

    Directed by Kat Coiro and written by husband-and-wife team Ryan and Kristin Engle, the film at times feels like it’s not even trying to be good. While the set-up of the premise is okay, the story quickly turns into an eye-rolling mess when Anna shows up in Italy. Not one bit of the character’s story is believable, and even though Michael catches her in an early lie, every member of the family accepts her at face value despite the abundant red flags.

    Of course, many rom-coms are not based in reality, and the filmmakers lean into the genre’s tropes, almost as if they were saying, “We know this makes no sense - just roll with it!” Surprisingly, the gambit works for the most part, as the odd pairing of an American woman, an English-Italian man, and his fully Italian family is enjoyable despite the many groan-worthy moments they produce. The sweet way in which the family brings in a woman still going through grief almost balances out the shoddy way in which the story is told.

    Naturally, there are precisely zero surprises about where the plot is heading, as Anna and Michael grow closer despite knowing they should resist the other. Strangely, though, the filmmakers don’t go all-in on the budding relationship, choosing to slow-roll things save for one notable sexy scene in a vineyard. Coiro and the Engles play up the family aspect as much as the romance aspect, and that choice allows the film to survive for longer than it should have.

    Bailey, a singer-turned-actor, has not yet found her stride on the acting side of things. Her line deliveries are often stilted and her timing is off in key moments. This doesn’t help her chemistry with older Page, who seems to be getting by on vibes and looks alone. The most enjoyable actors in the film are all Italian, including Marco Calvani, Isabella Ferrari, and Paolo Sassanelli.

    There are glimpses of a fully successful film in You, Me & Tuscany, enough to keep it watchable for its entire 104-minute running time. But then they have the Italian grandmother say a gobsmacking line like “If you wanna tap-a that ass, you should tap-a that ass,” and you remember exactly what type of film you’re watching.

    ---

    You, Me & Tuscany opens in theaters on April 10.

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