Texan Simone Biles, known throughout the world as the GOAT, history’s top gymnast, a passionate defender of women, and champion of mental health, now has a new title: fiancée.
Biles and her boyfriend, Houston Texans safety Jonathan Owens, announced their engagement on February 15 on dual Instagram posts. He apparently popped the question on Valentine’s Day.
“THE EASIEST YES,” Biles exclaimed to her partner. “I can’t wait to spend forever and ever with you, you’re everything I dreamed of and more! let’s get married FIANCÉ.”
Owens shared on his IG: “Woke up this morning with a fiancée,” and to his future wife: “ready for forever with you.” Kudos to Owens, as it was clearly a surprise proposal: “she really had no clue what was coming,” he noted on IG.
Photos of the couple show Owens in a suit on bended knee, while a gleeful Biles, decked out in a black dress, beams at the ring. She then jumps into his arms in a picturesque gazebo. The couple also share a kiss, holding champagne glasses, and a video reveals the dazzling ring. Biles and Owens had been vacationing in Las Vegas.
TMZ reports that celebrity jeweler Zo Frost made the ring, and that Owens handpicked the diamond. "He wanted to add a special touch to the ring by adding a halo around the oval diamond," Zo Frost told TMZ. "The center stone is a 3 carat oval diamond with F color and VVS2 clarity."
Biles and Owens have been inseparable and supportive of each others’ athletic endeavors since they started dating two years ago and became a Texas sports power couple.
Amanda Seyfried and Sydney Sweeney in The Housemaid.
Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.
Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).
After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.
Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.
The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.
Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.
Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.
The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.
