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    Movie Review

    Gay-centric Fire Island hilariously rejects and reinforces rom-com stereotypes

    Alex Bentley
    Jun 2, 2022 | 3:30 pm
    Margaret Cho, Tomas Matos, Bowen Yang, Joel Kim Booster, and Matt Rogers in Fire Island.play icon
    Margaret Cho, Tomas Matos, Bowen Yang, Joel Kim Booster, and Matt Rogers in Fire Island.
    Photo by Jeong Park courtesy of Searchlight Pictures

    Unlike more repressed periods in history, it is no longer taboo to have gay characters in major movies. And while the number of lead characters who are LGBTQ+ has steadily increased in recent years, few mainstream films have centered their story around gay culture. If the new Hulu film Fire Island and the upcoming Bros are any indication, 2022 appears to be the tipping point for those kinds of stories.

    Fire Island centers on a group of friends who are taking their annual trip to the titular location, situated just south of Long Island in New York. Noah (Joel Kim Booster) and best friend Howie (Bowen Yang), along with Keegan (Tomas Matos), Max (Torian Miller), and Luke (Matt Rogers), always stay at the house of their friend Erin (Margaret Cho).

    The week they go to Fire Island is kind of like spring break and Mardi Gras mixed into one for the gay community, with men coming from far and wide to let loose and hook up. Noah, who has a freer attitude about sex than Howie, is determined to find his friend a one-night stand while they are there. One such man, Charlie (James Scully), appears to be a good prospect, but it’s Charlie’s friend Will (Conrad Ricamora) who ends up complicating matters for Noah himself.

    Directed by Andrew Ahn (Driveways) and written by Kim Booster, the film alternately repudiates and reinforces the stereotypes of romantic comedies. On one hand, the idea of monogamy seems to be anathema to nearly everyone in the film, with some characters switching their interest in other men at the drop of a hat. On the other hand, the filmmakers clearly follow the rom-com rules of two people hating each other at first only to realize how much they like each other later, something that’s been a staple throughout film history.

    If you weren’t already comfortable with the sight of glistening, half-to-totally-nude men, the film forces you get there quickly. Almost from the moment the group steps on the ferry to get to the island, shirts become optional. Every get-together/party throughout the week adheres to the same dress code, and there are even glimpses of men having sex that goes beyond what’s typically been shown in previous gay-centric films.

    But even as they immerse the audience in this one aspect of gay culture, the filmmakers do a great job of establishing the two main friend groups in the movie. They use several hilarious recurring jokes, set up a couple of mildly villainous characters, and keep the dynamics light while still allowing for some conflict. Not all of it is 100 percent believable, but because they take the time to get to know the important people in the story, everything the characters do is relatable.

    The film also takes on race and class issues to a certain degree. There are a few scenes that address the “otherness” of Noah and Howie, who are both Asian, further showing their bond in a world that is dominated by white men. The difference between the haves and the have-nots on Fire Island is demonstrated in the types of houses and parties different groups have at their disposal, but the filmmakers never choose the heavy-handed route in those scenes, either.

    Kim Booster is a stand-up comedian who’s been building up a nice acting career in the last few years. This is by far his highest profile role to date, and he knocks it out of the park. Yang, who’s quickly become one of the go-to cast members on Saturday Night Live, is equally good, especially because his role is toned down from the ones he plays on SNL. All of the supporting actors do well, but Cho, Ricamora, and Matos make the biggest impressions.

    Every character in Fire Island is gay and thankfully none of them are saddled with any drama beyond the romantic/sexual ones they cause for themselves. The film plays out in similar fashion to other rom-coms you’ve seen before, but it stands out due to the characters and the big laughs they provide throughout.

    ---

    Fire Island debuts on Hulu on June 3.

    Margaret Cho, Tomas Matos, Bowen Yang, Joel Kim Booster, and Matt Rogers in Fire Island.

    Margaret Cho, Tomas Matos, Bowen Yang, Joel Kim Booster, and Matt Rogers in Fire Island
    Photo by Jeong Park/courtesy of Searchlight Pictures
    Margaret Cho, Tomas Matos, Bowen Yang, Joel Kim Booster, and Matt Rogers in Fire Island.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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