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    Laughter from Pain

    Obvious Child finds the funny in an unlikely topic

    Alex Bentley
    Jun 20, 2014 | 10:05 am
    Obvious Child finds the funny in an unlikely topic
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    Movies are so homogenized in the 21st century that it counts as a shock when a film takes a true risk. That is certainly the case with Obvious Child, a comedy that dares to broach a hot-button issue — and is all the more funny because of it.

    The film follows Donna (Jenny Slate), a stand-up comedian who, in short order, gets broken up with and loses her day job at a soon-to-close bookstore. Rocked by the double dose of bad news, she turns to drinking, has a one-night stand with Max (Jake Lacy) and soon thereafter discovers she is pregnant.

    Those who see the words “comedy about abortion” and shun it right away will be missing a heartfelt and truly funny movie.

    So where’s the controversy? Well, Donna quickly and unflinchingly decides she wants to have an abortion, a choice that not only causes her no existential guilt, but is also one that writer/director Gillian Robespierre somehow mines for laughs.

    To be fair, the film’s comedy isn’t about abortion itself, but it also never backs away from the topic.

    The decision and the relative ease with which it is treated stand in stark contrast to how the subject is normally handled. It helps matters that the character who makes the choice is a comedian, giving the audience tacit permission to laugh at pretty much anything she does.

    Also aiding in the laughs is Donna’s growing bond with Max, a guy who turns out to be a bit better than your normal one-night stand. By exploring whether or not Donna and Max want to give a relationship a shot with the impending abortion hanging over their heads, Robespierre has given the tired “will they or won’t they?” plot a welcome and inspired twist.

    Slate, who also starred in the short film on which the feature is based, impresses greatly as Donna. She’s hilarious, vulnerable and charming, but more important, she sells the conceit of the movie without a hint of preachiness.

    Also great is Lacy, who manages to come across as both humble and supremely confident at the same time. Previously best known for his role during the final season of The Office, this part has the potential to catapult him into movie stardom.

    Special mention should also be made of Gaby Hoffman and Gabe Liedman as Donna’s two best friends, and Richard Kind and Polly Draper as her parents. Each brings real humor and honesty to his or her respective roles, which keeps the rest of the film flowing as it should.

    There will be those who see the words “comedy about abortion” and shun it right away, but they’ll be missing a genuine, heartfelt and truly funny movie. Obvious Child is an apolitical film that cares only about people and laughs. Isn’t that refreshing?

    Jake Lacy and Jenny Slate face an issue in Obvious Child that doesn't usually come up in rom-coms.

    Jake Lacy and Jenny Slate in Obvious Child
    Photo by Chris Teague
    Jake Lacy and Jenny Slate face an issue in Obvious Child that doesn't usually come up in rom-coms.
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    news/entertainment

    New Theater

    Premieres lead the way in Dallas Theater Center's 2026-27 season

    Alex Bentley
    Mar 27, 2026 | 2:00 pm
    Aigner Mizzelle and Okieriete Onaodowan in the off-Broadway production of The Monsters
    Photo courtesy of Manhattan Theatre Club
    The Monsters, which started off-Broadway, will make its regional premiere as part of Dallas Theater Center's 2026-27 season.

    The 2026-2027 season for Dallas Theater Center will feature six productions, including three world premieres, a regional premiere, a returning favorite, and a to-be-determined sixth production.

    The inaugural season of incoming Enloe/Rose Artistic Director, Jaime Castañeda, will be marked by a renewed commitment to new work at Dallas Theater Center.

    That starts with with the world premieres of three new shows:

    • The Cold War thriller Reykjavik86 by Gabe McKinley, which brings the 1986 nuclear summit between Ronald Reagan and Mikhail Gorbachev to life on stage. It will be the initial production of the season, running September 11-27, 2026 at Wyly Theatre.
    • The dark comedy musical Kill Local, with a book by Mat Smart and music and lyrics by Liza Anne, is about Sheila and her sister, Abigail, who work together for their mother’s small family business, which just so happens to be assassins. It features killer songs about blood ties, revenge, and how hard it is to get unstuck. It will run March 26-April 11, 2027 in the Wyly Studio Theatre
    • The Making of a Saint by KJ Sanchez is theatrical exploration of faith and family in which KJ, a documentary writer/performer, sets out to understand the story of Sister Blandina, whom KJ's brother is helping to canonize. It will be the final scheduled show of the season, running May 14-June 6, 2027 in the Wyly Studio Theatre.

    Joining them will be the regional premiere of The Monsters by Ngozi Anyanwu, about a scrappy young fighter named Lil who is ready to enter the ring. She reconnects with her brother Big, an accomplished fighter in the local MMA scene and tries to earn his respect.

    The production, which just finished a critically acclaimed Off-Broadway run on March 22, runs October 9-November 1, 2026 in the Wyly Studio Theatre.

    A yet-to-be-named fifth production, which will be announced on June 1, will run February 5-21, 2027 in the Kalita Humphreys Theater.

    All of those productions will be part of the season subscriptions. Dallas Theater Center's annual holiday production of A Christmas Carol, running November 27-December 27, 2026 at Wyly Theatre, can be added on.

    “New work is the engine of the American Theater, and Dallas Theater Center will be a laboratory for artists who have something urgent and honest to express today,” said Enloe/Rose Artistic Director Jaime Castañeda in a statement. "These plays are about the now, and they are events for the stage that are in direct conversation with the audience."

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season, including Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, Zachary J. Willis, and Bri Woods, who is the Linda and Bill Custard SMU Meadows Actor.

    Subscriptions for the 2026-27 season are available now, and can be purchased online at DallasTheaterCenter.org or by calling the DTC Box Office at 214-522-8499.

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