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    Texas Troubadour Goes to Africa

    Honky tonk hero Kevin Fowler on being just like his fans and hunting wildebeest

    Jonathan Rienstra
    Sep 10, 2013 | 3:28 pm
    Honky tonk hero Kevin Fowler on being just like his fans and hunting wildebeest
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    Back in 2011, Kevin Fowler released his sixth studio album, Chippin’ Away. An ode to the slow but steady ascension Fowler has experienced on the charts since he began performing Texas country in the late ’90s, Chippin’ Away was the most successful album to date for the honky tonk troubadour, peaking at No. 8 in the U.S. Indie chart.

    “It’s been a long time coming,” says Fowler, who calls Austin home. “It’s always been a slow grow thing; I never had that year that just blew me away. But I try to be like the Energizer bunny, and I just feel lucky every year that I still have a job.”

    “The fans and I are one in the same,” Fowler says. “We like pickup trucks and beer, and we work hard during the week.”

    These days Fowler is touring tirelessly throughout the Midwest and South as he plans to release his seventh album, How Country Are Ya?, on November 12. His tour (he plays Lakefest in Grapevine October 5) takes him from Kansas to Georgia back to Texas in the span of three weeks.

    Although Fowler loves seeing the Texas state line every time he returns from a gig, he’s more in love with the fact that there are people as far away as Chicago clamoring for Texas and red dirt country shows to play in their towns.

    “If you go back to 2000,” he says, “there wasn’t this huge scene. It was me, Pat Green, Roger Creager and Cory Morrow all playing the same spots. It’s a cool ride to see what it is now and how supportive it is throughout the country.”

    For How Country Are Ya?, Fowler decided to return to his roots and produce the album under his own label. He invited his friends, including Texas country artists Josh Abbott and Cody Johnson, out to his property in Wimberley to help him write and hang out and drink beer.

    Fowler recorded the album in Austin and is releasing the title track as the first single on September 9. “It’s a throwback to where I used to make records before business got involved,” he says. “If this one sucks, there’s only one guy to blame.”

    The method may be a throwback for this next album, but Fowler says that fans can expect a growing musical style.

    “Any album is a snapshot in time, where you are musically at that point,” he says. “I don’t want to be writing the same thing over and over. I can only write ‘Beer, Bait & Ammo’ so many times. This album is a lot of introspection of who I am and of growing up as a poor panhandle kid.”

    Fowler says that even as his music has grown and changed, he hasn’t had to worry about alienating his fans, because he writes the kinds of songs he wants to hear.

    “The fans and I are one in the same,” he says. “We like pickup trucks and beer, and we work hard during the week. Knock on wood, these songs connect with the fans.”

    Although he’s known for sticking around after shows, giving autographs to everyone who asks, his fan appreciation is about to go to the next level, as he’s currently part of a contest for a week-long African safari with one fan.

    The all-inclusive trip was put together by one of Fowler’s hunting friends, who owns a bumper and brush guard company called Tough Country. The contest, which ends October 31, will feature Fowler and the Tough Country crew flying to South Africa with the winner to hunt blesbok and wildebeest.

    “I didn’t have to do much except agree to do it,” Fowler says, “but me and one fan will get to travel halfway around the world and see some things we’ve never seen before.”

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    series/dtx-music-scene-2013

    Listen up

    Underground hi-fi 'listening bar' Shyboy opens in downtown Dallas

    Stephanie Allmon Merry
    Mar 2, 2026 | 3:10 pm
    Shyboy
    Photo courtesy of Shyboy
    Shyboy lounge is new on Main Street in downtown Dallas.

    A new lounge is turning up the volume beneath the streets of downtown Dallas: Shyboy, billed as Dallas' first "hi fi bar," will debut at 1313 Main St., in the subterranean level of The Drakestone building.

    According to a release, opening weekend events will take place March 4-7.

    The new nightlife concept comes from The Headington Companies, the folks behind the Joule hotel and other Main Street developments.

    "Inspired by hi-fi listening bars around the world, with roots in Tokyo’s post-WWII 'jazz kissas,' Shyboy offers a social and listening experience unlike any other nightlife space, with progressive, genre-bending programming, signature hi-balls and cocktails, and two state-of-the-art OJAS sound systems, designed by Devon Turnbull," says the release. (Turnbull's speakers have been used in projects with Mark Ronson, Public Records in Brooklyn, and more.)

    Jazz kissas are cafes that specialize in the playing of and listening to recorded jazz music; here, jazz is played for active listening rather than as background serenade.

    Piggybacking on that idea, Shyboy will offer "an immersive environment where design, lighting, and atmosphere are treated as essential elements of the performance, inviting guests into a unique experience that blurs the line between listener and participant," they say.

    The 3,000-square-foot underground space, once a bank vault in the historic Davis Building (renovated and rebranded as The Drakestone residential building in 2017), will house one of the most advanced sound systems in the city within its historic concrete "bones." Interiors were designed by acclaimed Dallas-based 5G Studio Collaborative.

    The venue includes two distinct spaces. The main room functions as a social listening environment, where towering speakers double as sculptural focal points beneath curved underground ceilings.

    A second chamber, called The Vault, is designed as a more intimate lounge for private events, sound classes, performances, and art exhibitions. The Vault’s entrance features an installation from artist Lachlan Turczan’s Optical Resonance series, which uses water and light to visibly respond to sound waves, the release says. The room also includes a newly commissioned reflective sculpture by Florentine artist Duccio Maria Gambi.

    Shyboy’s inaugural month will include a lineup spanning house, deep grooves, soul, and global dance sounds. Opening weekend, March 4-7, will welcome talent like JT Donaldson (Shyboy music director), Dallas legend Red Eye, Sound Advice Vol. 1, Skeme Richards, Patrice Scott + Brandon Epocha, and Wamono Nights.

    The calendar later in the year will feature appearances by celebrated DJs and producers such as Theo Parrish, Derrick Carter, Eli Escobar, Kai Alcé, and the Los Angeles-based listening collective In Sheep’s Clothing.

    Shyboy’s cocktail menu starts at $13, and the bar will serve soft-serve ice cream.

    Throughout March, there will be no cover charge for entry; for more information, visit the venue's website.


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    series/dtx-music-scene-2013
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