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    Texas Troubadour Goes to Africa

    Honky tonk hero Kevin Fowler on being just like his fans and hunting wildebeest

    Jonathan Rienstra
    Sep 10, 2013 | 3:28 pm
    Honky tonk hero Kevin Fowler on being just like his fans and hunting wildebeest
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    Back in 2011, Kevin Fowler released his sixth studio album, Chippin’ Away. An ode to the slow but steady ascension Fowler has experienced on the charts since he began performing Texas country in the late ’90s, Chippin’ Away was the most successful album to date for the honky tonk troubadour, peaking at No. 8 in the U.S. Indie chart.

    “It’s been a long time coming,” says Fowler, who calls Austin home. “It’s always been a slow grow thing; I never had that year that just blew me away. But I try to be like the Energizer bunny, and I just feel lucky every year that I still have a job.”

    “The fans and I are one in the same,” Fowler says. “We like pickup trucks and beer, and we work hard during the week.”

    These days Fowler is touring tirelessly throughout the Midwest and South as he plans to release his seventh album, How Country Are Ya?, on November 12. His tour (he plays Lakefest in Grapevine October 5) takes him from Kansas to Georgia back to Texas in the span of three weeks.

    Although Fowler loves seeing the Texas state line every time he returns from a gig, he’s more in love with the fact that there are people as far away as Chicago clamoring for Texas and red dirt country shows to play in their towns.

    “If you go back to 2000,” he says, “there wasn’t this huge scene. It was me, Pat Green, Roger Creager and Cory Morrow all playing the same spots. It’s a cool ride to see what it is now and how supportive it is throughout the country.”

    For How Country Are Ya?, Fowler decided to return to his roots and produce the album under his own label. He invited his friends, including Texas country artists Josh Abbott and Cody Johnson, out to his property in Wimberley to help him write and hang out and drink beer.

    Fowler recorded the album in Austin and is releasing the title track as the first single on September 9. “It’s a throwback to where I used to make records before business got involved,” he says. “If this one sucks, there’s only one guy to blame.”

    The method may be a throwback for this next album, but Fowler says that fans can expect a growing musical style.

    “Any album is a snapshot in time, where you are musically at that point,” he says. “I don’t want to be writing the same thing over and over. I can only write ‘Beer, Bait & Ammo’ so many times. This album is a lot of introspection of who I am and of growing up as a poor panhandle kid.”

    Fowler says that even as his music has grown and changed, he hasn’t had to worry about alienating his fans, because he writes the kinds of songs he wants to hear.

    “The fans and I are one in the same,” he says. “We like pickup trucks and beer, and we work hard during the week. Knock on wood, these songs connect with the fans.”

    Although he’s known for sticking around after shows, giving autographs to everyone who asks, his fan appreciation is about to go to the next level, as he’s currently part of a contest for a week-long African safari with one fan.

    The all-inclusive trip was put together by one of Fowler’s hunting friends, who owns a bumper and brush guard company called Tough Country. The contest, which ends October 31, will feature Fowler and the Tough Country crew flying to South Africa with the winner to hunt blesbok and wildebeest.

    “I didn’t have to do much except agree to do it,” Fowler says, “but me and one fan will get to travel halfway around the world and see some things we’ve never seen before.”

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    news/entertainment
    series/dtx-music-scene-2013

    Movie Theater News

    Dallas' historic Inwood Theatre extends run with new 3-year lease deal

    Alex Bentley
    Jul 17, 2026 | 1:14 pm
    Inwood Theater
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    Dallas' storied Inwood Theatre will remain open for at least three more years after its operator, Landmark Theatres, reached a short-term lease agreement with its landlord.

    The deal extends the life of the nearly 80-year-old movie theater, at 5458 West Lovers Lane, for three years while leaving its long-term more uncertain.

    The theater's future has been somewhat in flux since February 2024 when it was temporarily locked out for defaulting on its lease payments.

    The lockout was in effect for less than a week before the theater reopened on February 24, 2024.

    Later that year, a judge in New York ordered Cohen Media Group, which owns Landmark Theatres, to auction off its properties after it defaulted on a loan.

    The resulting auction garnered zero bids for Landmark Theatres, and the theater chain has continued operating without incident in the time since.

    Now, as part of the lease extension, Landmark is investing in the guest experience at Inwood Theatre, with several upgrades already underway and expected to be completed by the end of July, according to a release.

    Improvements include the installation of leather reclining seats in the main theater, replacing the existing LoveSac couches, refinishing the theater’s original entryway terrazzo, and replacing poster cases with new LED display cases.

    Additional enhancements are planned over the next two years.

    The Inwood Theatre, which first opened in 1947, is one of the few remaining theaters from the 1940s still in operation today and has long served as a cultural cornerstone in Dallas.

    It is noted for its distinctive Art Deco architecture and curated film programming, which includes a monthly midnight screening of The Rocky Horror Picture Show, which is believed to be the longest-running midnight movie showing in the nation.

    “The Inwood Theatre has been a beloved part of the Dallas community for nearly eight decades and remains one of the neighborhood’s most recognizable and cherished landmarks,” said Corinne Hoffman of L&B Realty Advisors, which owns Inwood Village, in a statement.

    “We value the history and character it brings to Inwood Village. Like many long-standing entertainment venues, continued care and reinvestment help ensure it can keep delivering the experience patrons know and love. We look forward to seeing the impact that the improvements at Inwood Theatre have for generations to come.”

    filminwood theatreinwood villagelandmark theatresmoviesfilm venuemovie theatertheaterpreservation
    news/entertainment
    series/dtx-music-scene-2013
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