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    Texas Troubadour Goes to Africa

    Honky tonk hero Kevin Fowler on being just like his fans and hunting wildebeest

    Jonathan Rienstra
    Sep 10, 2013 | 3:28 pm
    Honky tonk hero Kevin Fowler on being just like his fans and hunting wildebeest
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    Back in 2011, Kevin Fowler released his sixth studio album, Chippin’ Away. An ode to the slow but steady ascension Fowler has experienced on the charts since he began performing Texas country in the late ’90s, Chippin’ Away was the most successful album to date for the honky tonk troubadour, peaking at No. 8 in the U.S. Indie chart.

    “It’s been a long time coming,” says Fowler, who calls Austin home. “It’s always been a slow grow thing; I never had that year that just blew me away. But I try to be like the Energizer bunny, and I just feel lucky every year that I still have a job.”

    “The fans and I are one in the same,” Fowler says. “We like pickup trucks and beer, and we work hard during the week.”

    These days Fowler is touring tirelessly throughout the Midwest and South as he plans to release his seventh album, How Country Are Ya?, on November 12. His tour (he plays Lakefest in Grapevine October 5) takes him from Kansas to Georgia back to Texas in the span of three weeks.

    Although Fowler loves seeing the Texas state line every time he returns from a gig, he’s more in love with the fact that there are people as far away as Chicago clamoring for Texas and red dirt country shows to play in their towns.

    “If you go back to 2000,” he says, “there wasn’t this huge scene. It was me, Pat Green, Roger Creager and Cory Morrow all playing the same spots. It’s a cool ride to see what it is now and how supportive it is throughout the country.”

    For How Country Are Ya?, Fowler decided to return to his roots and produce the album under his own label. He invited his friends, including Texas country artists Josh Abbott and Cody Johnson, out to his property in Wimberley to help him write and hang out and drink beer.

    Fowler recorded the album in Austin and is releasing the title track as the first single on September 9. “It’s a throwback to where I used to make records before business got involved,” he says. “If this one sucks, there’s only one guy to blame.”

    The method may be a throwback for this next album, but Fowler says that fans can expect a growing musical style.

    “Any album is a snapshot in time, where you are musically at that point,” he says. “I don’t want to be writing the same thing over and over. I can only write ‘Beer, Bait & Ammo’ so many times. This album is a lot of introspection of who I am and of growing up as a poor panhandle kid.”

    Fowler says that even as his music has grown and changed, he hasn’t had to worry about alienating his fans, because he writes the kinds of songs he wants to hear.

    “The fans and I are one in the same,” he says. “We like pickup trucks and beer, and we work hard during the week. Knock on wood, these songs connect with the fans.”

    Although he’s known for sticking around after shows, giving autographs to everyone who asks, his fan appreciation is about to go to the next level, as he’s currently part of a contest for a week-long African safari with one fan.

    The all-inclusive trip was put together by one of Fowler’s hunting friends, who owns a bumper and brush guard company called Tough Country. The contest, which ends October 31, will feature Fowler and the Tough Country crew flying to South Africa with the winner to hunt blesbok and wildebeest.

    “I didn’t have to do much except agree to do it,” Fowler says, “but me and one fan will get to travel halfway around the world and see some things we’ve never seen before.”

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    New Theater

    Premieres lead the way in Dallas Theater Center's 2026-27 season

    Alex Bentley
    Mar 27, 2026 | 2:00 pm
    Aigner Mizzelle and Okieriete Onaodowan in the off-Broadway production of The Monsters
    Photo courtesy of Manhattan Theatre Club
    The Monsters, which started off-Broadway, will make its regional premiere as part of Dallas Theater Center's 2026-27 season.

    The 2026-2027 season for Dallas Theater Center will feature six productions, including three world premieres, a regional premiere, a returning favorite, and a to-be-determined sixth production.

    The inaugural season of incoming Enloe/Rose Artistic Director, Jaime Castañeda, will be marked by a renewed commitment to new work at Dallas Theater Center.

    That starts with with the world premieres of three new shows:

    • The Cold War thriller Reykjavik86 by Gabe McKinley, which brings the 1986 nuclear summit between Ronald Reagan and Mikhail Gorbachev to life on stage. It will be the initial production of the season, running September 11-27, 2026 at Wyly Theatre.
    • The dark comedy musical Kill Local, with a book by Mat Smart and music and lyrics by Liza Anne, is about Sheila and her sister, Abigail, who work together for their mother’s small family business, which just so happens to be assassins. It features killer songs about blood ties, revenge, and how hard it is to get unstuck. It will run March 26-April 11, 2027 in the Wyly Studio Theatre
    • The Making of a Saint by KJ Sanchez is theatrical exploration of faith and family in which KJ, a documentary writer/performer, sets out to understand the story of Sister Blandina, whom KJ's brother is helping to canonize. It will be the final scheduled show of the season, running May 14-June 6, 2027 in the Wyly Studio Theatre.

    Joining them will be the regional premiere of The Monsters by Ngozi Anyanwu, about a scrappy young fighter named Lil who is ready to enter the ring. She reconnects with her brother Big, an accomplished fighter in the local MMA scene and tries to earn his respect.

    The production, which just finished a critically acclaimed Off-Broadway run on March 22, runs October 9-November 1, 2026 in the Wyly Studio Theatre.

    A yet-to-be-named fifth production, which will be announced on June 1, will run February 5-21, 2027 in the Kalita Humphreys Theater.

    All of those productions will be part of the season subscriptions. Dallas Theater Center's annual holiday production of A Christmas Carol, running November 27-December 27, 2026 at Wyly Theatre, can be added on.

    “New work is the engine of the American Theater, and Dallas Theater Center will be a laboratory for artists who have something urgent and honest to express today,” said Enloe/Rose Artistic Director Jaime Castañeda in a statement. "These plays are about the now, and they are events for the stage that are in direct conversation with the audience."

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season, including Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, Zachary J. Willis, and Bri Woods, who is the Linda and Bill Custard SMU Meadows Actor.

    Subscriptions for the 2026-27 season are available now, and can be purchased online at DallasTheaterCenter.org or by calling the DTC Box Office at 214-522-8499.

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