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    Texas Troubadour Goes to Africa

    Honky tonk hero Kevin Fowler on being just like his fans and hunting wildebeest

    Jonathan Rienstra
    Sep 10, 2013 | 3:28 pm
    Honky tonk hero Kevin Fowler on being just like his fans and hunting wildebeest
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    Back in 2011, Kevin Fowler released his sixth studio album, Chippin’ Away. An ode to the slow but steady ascension Fowler has experienced on the charts since he began performing Texas country in the late ’90s, Chippin’ Away was the most successful album to date for the honky tonk troubadour, peaking at No. 8 in the U.S. Indie chart.

    “It’s been a long time coming,” says Fowler, who calls Austin home. “It’s always been a slow grow thing; I never had that year that just blew me away. But I try to be like the Energizer bunny, and I just feel lucky every year that I still have a job.”

    “The fans and I are one in the same,” Fowler says. “We like pickup trucks and beer, and we work hard during the week.”

    These days Fowler is touring tirelessly throughout the Midwest and South as he plans to release his seventh album, How Country Are Ya?, on November 12. His tour (he plays Lakefest in Grapevine October 5) takes him from Kansas to Georgia back to Texas in the span of three weeks.

    Although Fowler loves seeing the Texas state line every time he returns from a gig, he’s more in love with the fact that there are people as far away as Chicago clamoring for Texas and red dirt country shows to play in their towns.

    “If you go back to 2000,” he says, “there wasn’t this huge scene. It was me, Pat Green, Roger Creager and Cory Morrow all playing the same spots. It’s a cool ride to see what it is now and how supportive it is throughout the country.”

    For How Country Are Ya?, Fowler decided to return to his roots and produce the album under his own label. He invited his friends, including Texas country artists Josh Abbott and Cody Johnson, out to his property in Wimberley to help him write and hang out and drink beer.

    Fowler recorded the album in Austin and is releasing the title track as the first single on September 9. “It’s a throwback to where I used to make records before business got involved,” he says. “If this one sucks, there’s only one guy to blame.”

    The method may be a throwback for this next album, but Fowler says that fans can expect a growing musical style.

    “Any album is a snapshot in time, where you are musically at that point,” he says. “I don’t want to be writing the same thing over and over. I can only write ‘Beer, Bait & Ammo’ so many times. This album is a lot of introspection of who I am and of growing up as a poor panhandle kid.”

    Fowler says that even as his music has grown and changed, he hasn’t had to worry about alienating his fans, because he writes the kinds of songs he wants to hear.

    “The fans and I are one in the same,” he says. “We like pickup trucks and beer, and we work hard during the week. Knock on wood, these songs connect with the fans.”

    Although he’s known for sticking around after shows, giving autographs to everyone who asks, his fan appreciation is about to go to the next level, as he’s currently part of a contest for a week-long African safari with one fan.

    The all-inclusive trip was put together by one of Fowler’s hunting friends, who owns a bumper and brush guard company called Tough Country. The contest, which ends October 31, will feature Fowler and the Tough Country crew flying to South Africa with the winner to hunt blesbok and wildebeest.

    “I didn’t have to do much except agree to do it,” Fowler says, “but me and one fan will get to travel halfway around the world and see some things we’ve never seen before.”

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    All Eyes on Them

    Dallas alt hip-hop group wins prestigious Tiny Desk Contest by NPR

    Brianna Caleri
    May 13, 2026 | 3:00 pm
    Cure for Paranoia
    Cure for Paranoia/Facebook
    As winners of the Tiny Desk Contest, Cure for Paranoia will record their own Tiny Desk concert and go on tour.

    Few live recording studios or musical web series have the cultural sway of NPR's Tiny Desk, and a Dallas band is poised to make an impactful debut: Cure For Paranoia, an alternative hip-hop project by rapper Cameron McCloud and producers Tomahawk Jonez and Jay Analo, has won the high-stakes annual Tiny Desk Contest for 2026.

    They'll record their official Tiny Desk show "soon," the announcement by NPR says.

    Winning the concert also means Cure for Paranoia is going on tour. The only Texas stop will be at Emo's Austin on June 24.

    Tiny Desk is known for platforming both niche and majorly successful artists — NPR posted a new Foo Fighters set on YouTube on May 13 — for stripped-down sets that are literally played behind former All Things Considered director Bob Boilen's old desk. (Fun fact for Texans: Tiny Desk was created because folk artist Laura Gibson was disappointed with the sound at her South by Southwest show in Austin in 2008, and she wanted a redo.)

    Most artists who appear on Tiny Desk more than 15 years later are already well-known, at least in their specific circles. But the Tiny Desk Contest, which launched in 2015, helps a growing group of newer, unsigned artists get their foot in the door. Contestants record one video of them performing a single song behind a desk, and a jury of radio staff and musicians chooses their favorite.

    In their audition video, Cure for Paranoia gathered 11 musicians around a truly tiny desk and in front of downtown Dallas' iconic gigantic eyeball sculpture. They played the song "No Brainer," a frenetic track that starts with clever boasts and becomes a criticism of racism in the United States.

    McCloud, a pre-school teacher, is known independently of Cure for Paranoia for rapping to his social media following about politics and current events. Some of those lyrics made it into "No Brainer." He says he started the group because he found that music was more helpful than medication for coping with bipolar depression and paranoid schizophrenia.

    Alex Marrero, host of the Austin-based KUTX show Horizontes, was one of the judges this year. He was impressed with the visuals in Cure for Paranoia's audition.

    “When this popped up, I immediately felt something different," he wrote in a blurb for the announcement. "It just jumped out. The visuals were super cool and creative, BUT I could still totally envision them bringing the heat behind the Desk.”

    Madison McFerrin, jazz vocalist and daughter of the famous singer Bobby McFerrin, was one of the musical judges.

    "Cure For Paranoia’s energy is infectious, fresh and distinctly theirs — exactly what you want in a Contest winner!" she wrote.

    McCloud's post on Instagram announcing the group's win has only been up for three hours at the time of this article's publication, and it already has more than 8,000 likes. The YouTube audition has garnered 74,000 views.

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