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    Movie Review

    Dual roles for Halle Berry in Bruised do her no favors

    Alex Bentley
    Nov 26, 2021 | 4:00 pm
    Dual roles for Halle Berry in Bruised do her no favors
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    Sports movies are often among the most predictable films out there. The formula — a person or a team that few people believe in rises above expectations to achieve success or at least respect — is one that has been repeated ad nauseam. The best sports movies find a way to rise above or mitigate their clichés, making viewers forget they already know what’s going to happen.

    That, unfortunately, is not the case with Bruised, in which Halle Berry stars and makes her directorial debut. Berry plays Jackie Justice, a former MMA fighter who’s down on her luck, cleaning houses for a living and doing her best to hide her alcoholism. When her loser of a manager/boyfriend, Desi (Adan Canto), brings her to an underground fight, an impromptu bout leads to Jackie catching the eye of Immaculate (Shamier Anderson), who fronts a local training facility.

    There, with the help of trainer Buddhakan (Sheila Atim), Jackie starts getting the urge to fight again. But at almost the same time, she finds herself having to take custody of her son Manny (Danny Boyd, Jr.), whom she left with his father soon after he was born. The triple burden of getting back into fighting shape, reconnecting with her son (who won’t speak for unknown reasons), and avoiding the wrath of Desi threatens to derail her quest before it even begins.

    The film, written by Michelle Rosenfarb, holds very few surprises, aside from the addition of the long-lost son. But that’s not its biggest problem. Instead, Berry and Rosenfarb somehow find a way to make the inspirational sports story as unappealing as possible. That’s not because Jackie herself is unlikable; the obstacles she has to overcome are such that it’s difficult not to root for her. But the filmmakers are just missing that certain something to take her from merely being the protagonist to being the story’s hero.

    Of course, Jackie is a complicated figure, especially since she all but abandoned her own child. But plenty of other lead characters in sports movies have been equally complex and won over audience’s hearts in spite of their faults. Jackie’s journey is never fleshed out to the degree that she earns the respect of either the viewers or the other characters in the film.

    Much of this has to do with Jackie’s confusing background. Berry herself is 54, but it’s unclear if Jackie is supposed to be that age, too. At one point, they say that Jackie has been out of the sport for four years, and with Manny being only 6 years old, it feels like Jackie is supposed to be younger, at least in her early forties. But the lack of clarity only adds to the frustrating nature of the story.

    It might have been a bit much for Berry to star in her directorial debut. As the director, she doesn’t seem to know how to rein in the more outlandish impulses she has as an actor, a lack of nuance that hurts her performance. Other actors fare better, especially Atim, who exudes a real calm in her role, and Boyd, who relies almost exclusively on his cuteness in the wordless part.

    In Bruised, the filmmakers know exactly what points to hit, but they don’t have a good feel as to how to make them impactful. Berry is a great actress, but this film does her no favors on or off the screen.

    ---

    Bruised is now streaming on Netflix.

    Sheila Atim in Bruised.

    Sheila Atim in Bruised
    Photo by John Baer/Netflix
    Sheila Atim in Bruised.
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    Movie review

    Nick Jonas steals song from Paul Rudd in music-heavy Power Ballad

    Alex Bentley
    Jun 5, 2026 | 1:30 pm
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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