• Home
  • popular
  • Events
  • Submit New Event
  • Subscribe
  • About
  • News
  • Restaurants + Bars
  • City Life
  • Entertainment
  • Travel
  • Real Estate
  • Arts
  • Society
  • Home + Design
  • Fashion + Beauty
  • Innovation
  • Sports
  • Charity Guide
  • children
  • education
  • health
  • veterans
  • SOCIAL SERVICES
  • ARTS + CULTURE
  • animals
  • lgbtq
  • New Charity
  • Series
  • Delivery Limited
  • DTX Giveaway 2012
  • DTX Ski Magic
  • dtx woodford reserve manhattans
  • Your Home in the Sky
  • DTX Best of 2013
  • DTX Trailblazers
  • Tastemakers Dallas 2017
  • Healthy Perspectives
  • Neighborhood Eats 2015
  • The Art of Making Whiskey
  • DTX International Film Festival
  • DTX Tatum Brown
  • Tastemaker Awards 2016 Dallas
  • DTX McCurley 2014
  • DTX Cars in Lifestyle
  • DTX Beyond presents Party Perfect
  • DTX Texas Health Resources
  • DART 2018
  • Alexan Central
  • State Fair 2018
  • Formula 1 Giveaway
  • Zatar
  • CityLine
  • Vision Veritas
  • Okay to Say
  • Hearts on the Trinity
  • DFW Auto Show 2015
  • Northpark 50
  • Anteks Curated
  • Red Bull Cliff Diving
  • Maggie Louise Confections Dallas
  • Gaia
  • Red Bull Global Rally Cross
  • NorthPark Holiday 2015
  • Ethan's View Dallas
  • DTX City Centre 2013
  • Galleria Dallas
  • Briggs Freeman Sotheby's International Realty Luxury Homes in Dallas Texas
  • DTX Island Time
  • Simpson Property Group SkyHouse
  • DIFFA
  • Lotus Shop
  • Holiday Pop Up Shop Dallas
  • Clothes Circuit
  • DTX Tastemakers 2014
  • Elite Dental
  • Elan City Lights
  • Dallas Charity Guide
  • DTX Music Scene 2013
  • One Arts Party at the Plaza
  • J.R. Ewing
  • AMLI Design District Vibrant Living
  • Crest at Oak Park
  • Braun Enterprises Dallas
  • NorthPark 2016
  • Victory Park
  • DTX Common Desk
  • DTX Osborne Advisors
  • DTX Comforts of Home 2012
  • DFW Showcase Tour of Homes
  • DTX Neighborhood Eats
  • DTX Comforts of Home 2013
  • DTX Auto Awards
  • Cottonwood Art Festival 2017
  • Nasher Store
  • Guardian of The Glenlivet
  • Zyn22
  • Dallas Rx
  • Yellow Rose Gala
  • Opendoor
  • DTX Sun and Ski
  • Crow Collection
  • DTX Tastes of the Season
  • Skye of Turtle Creek Dallas
  • Cottonwood Art Festival
  • DTX Charity Challenge
  • DTX Culture Motive
  • DTX Good Eats 2012
  • DTX_15Winks
  • St. Bernard Sports
  • Jose
  • DTX SMU 2014
  • DTX Up to Speed
  • st bernard
  • Ardan West Village
  • DTX New York Fashion Week spring 2016
  • Taste the Difference
  • Parktoberfest 2016
  • Bob's Steak and Chop House
  • DTX Smart Luxury
  • DTX Earth Day
  • DTX_Gaylord_Promoted_Series
  • IIDA Lavish
  • Huffhines Art Trails 2017
  • Red Bull Flying Bach Dallas
  • Y+A Real Estate
  • Beauty Basics
  • DTX Pet of the Week
  • Long Cove
  • Charity Challenge 2014
  • Legacy West
  • Wildflower
  • Stillwater Capital
  • Tulum
  • DTX Texas Traveler
  • Dallas DART
  • Soldiers' Angels
  • Alexan Riveredge
  • Ebby Halliday Realtors
  • Zephyr Gin
  • Sixty Five Hundred Scene
  • Christy Berry
  • Entertainment Destination
  • Dallas Art Fair 2015
  • St. Bernard Sports Duck Head
  • Jameson DTX
  • Alara Uptown Dallas
  • Cottonwood Art Festival fall 2017
  • DTX Tastemakers 2015
  • Cottonwood Arts Festival
  • The Taylor
  • Decks in the Park
  • Alexan Henderson
  • Gallery at Turtle Creek
  • Omni Hotel DTX
  • Red on the Runway
  • Whole Foods Dallas 2018
  • Artizone Essential Eats
  • Galleria Dallas Runway Revue
  • State Fair 2016 Promoted
  • Trigger's Toys Ultimate Cocktail Experience
  • Dean's Texas Cuisine
  • Real Weddings Dallas
  • Real Housewives of Dallas
  • Jan Barboglio
  • Wildflower Arts and Music Festival
  • Hearts for Hounds
  • Okay to Say Dallas
  • Indochino Dallas
  • Old Forester Dallas
  • Dallas Apartment Locators
  • Dallas Summer Musicals
  • PSW Real Estate Dallas
  • Paintzen
  • DTX Dave Perry-Miller
  • DTX Reliant
  • Get in the Spirit
  • Bachendorf's
  • Holiday Wonder
  • Village on the Parkway
  • City Lifestyle
  • opportunity knox villa-o restaurant
  • Nasher Summer Sale
  • Simpson Property Group
  • Holiday Gift Guide 2017 Dallas
  • Carlisle & Vine
  • DTX New Beginnings
  • Get in the Game
  • Red Bull Air Race
  • Dallas DanceFest
  • 2015 Dallas Stylemaker
  • Youth With Faces
  • Energy Ogre
  • DTX Renewable You
  • Galleria Dallas Decadence
  • Bella MD
  • Tractorbeam
  • Young Texans Against Cancer
  • Fresh Start Dallas
  • Dallas Farmers Market
  • Soldier's Angels Dallas
  • Shipt
  • Elite Dental
  • Texas Restaurant Association 2017
  • State Fair 2017
  • Scottish Rite
  • Brooklyn Brewery
  • DTX_Stylemakers
  • Alexan Crossings
  • Ascent Victory Park
  • Top Texans Under 30 Dallas
  • Discover Downtown Dallas
  • San Luis Resort Dallas
  • Greystar The Collection
  • FIG Finale
  • Greystar M Line Tower
  • Lincoln Motor Company
  • The Shelby
  • Jonathan Goldwater Events
  • Windrose Tower
  • Gift Guide 2016
  • State Fair of Texas 2016
  • Choctaw Dallas
  • TodayTix Dallas promoted
  • Whole Foods
  • Unbranded 2014
  • Frisco Square
  • Unbranded 2016
  • Circuit of the Americas 2018
  • The Katy
  • Snap Kitchen
  • Partners Card
  • Omni Hotels Dallas
  • Landmark on Lovers
  • Harwood Herd
  • Galveston.com Dallas
  • Holiday Happenings Dallas 2018
  • TenantBase
  • Cottonwood Art Festival 2018
  • Hawkins-Welwood Homes
  • The Inner Circle Dallas
  • Eating in Season Dallas
  • ATTPAC Behind the Curtain
  • TodayTix Dallas
  • The Alexan
  • Toyota Music Factory
  • Nosh Box Eatery
  • Wildflower 2018
  • Society Style Dallas 2018
  • Texas Scottish Rite Hospital 2018
  • 5 Mockingbird
  • 4110 Fairmount
  • Visit Taos
  • Allegro Addison
  • Dallas Tastemakers 2018
  • The Village apartments
  • City of Burleson Dallas

Zombie talk

Warm Bodies stars Nicholas Hoult and Teresa Palmer dish on their zombie love story

Alex Bentley
Jan 30, 2013 | 9:20 am

When you hear the words "zombie movie," it's unlikely your first thoughts — or second or third — will go to romance. But that's exactly what the new film Warm Bodies (opening February 1) aims to bring you, as it tells the story of R (Nicholas Hoult), a zombie who starts feeling very un-zombie-like feelings when he encounters Julie (Teresa Palmer).

Hoult and Palmer made a recent stop at the Ritz-Carlton in Dallas to promote the film, where they cheerfully told a packed press conference about their experience working on the film, choices they made for the roles and what they would do if they actually were zombies.

Spoiler alert: Some of their answers delve into the movie's twists and turns, so consider yourself warned if you want to go into the film pure.

Q: What about the script made you gravitate toward the movie?

Palmer: Exactly that — it was such a breath of fresh air. It was original and unique and daring. I love that it’s a mash-up of all these different genres. It’s comedic, it’s a romantic film, it’s action and, of course, it’s the zombie genre, which is fantastic.

Hoult: I really like the take that it was told from my character’s perspective, which I don’t think we’d really seen before in a film, to get into the zombie mindset. With Jonathan Levine directing, he’s got a really soft touch about being able to balance making a film funny and not taking itself too seriously, and then also keeping a lot of heart and keeping it grounded in reality even with the concept that maybe seems slightly ridiculous.

Q: Nicholas, how hard did you find it to get across emotions because your character hardly speaks at all?

Hoult: It was a new challenge. Luckily, there’s some great voiceover, which gives you an insight into my character’s thoughts and kind of witty, self-deprecating outlook on the situation he’s found himself in. But then it was all about just focusing on the fact that this is a character who’s trying his best to emote and connect even though he’s struggling with it. And I think a lot of guys …

Palmer: Struggle with that.

Hoult: [laughs] … can relate to that. Put them in a room with a girl they like, and suddenly it’s panic, nothing to say. And fortunately for me, I was surrounded by very talented actors, with a strong script and a director who was very supportive and encouraging. So I could just sit there and watch them perform and enjoy what they were doing, and then try and react in a zombie manner … with emotions.

Q: What do you think attracted your [Palmer’s] character to R?

Palmer: His sensibility …

Hoult: His dashing good looks.

Palmer: [laughs] Yes, his dashing, somewhat pale looks. Look, his way — his beautiful way about him. His light spirit, the way he’s so sensitive and he just wants to look after her and take care of her.

He wears his heart on his sleeve, and she knows he’s a good guy and he’s trying so hard and she sees that he’s actually making the best of this horrible situation he’s in. And I think she sees that in her own self, too; she can relate to that. She’s been thrust into this world, this horrible dark world ... and she’s this bright light amongst this dismal community. I think R is the same way.

Q: Was there one scene or sequence that stands out as being the most fun to shoot?

Palmer: I think we both think that sequence where me and my friends — we’ve gone out to get the medical supplies and we’re in there — it’s the first time the zombies come and stampede in. It’s the first moment you lay eyes on my character, and it’s obviously a pivotal moment in the film.

Hoult: Yeah, so much happens in that short period of time where we attack, I get shot, it’s going crazy. It’s a real action sequence.

Palmer: Whilst I’m like shooting a shotgun, sliding on my knees and killing zombies.

Hoult: Yeah, it’s the first time we [their characters] interact and there’s just a lot going on. It was a fun sequence to shoot. ... And any scene with Rob Corddry, I think, because the guy’s a load. He made me laugh.

Q: Well, the communication was just beautiful between you two [Hoult and Corddry's characters].

Hoult: Yeah, it was a very male communication anyway. Most of the time guys don’t have the best talk. It was like sitting at a bar and then watching sports and [grunts and groans]. We were improvising groans; Rob had one particular groan that would get me every time. We’d be doing short groans back and forth and then he would just let out a really slow, monotonous, long groan …

Palmer: For as long as he could hold it. He just kept going [laughs].

Hoult: And I’d be looking at him, and in my head I’m just going, “Please stop doing that. I’m going to laugh.”

Palmer: He would bite his cheeks to stop from laughing.

Hoult: There’s a lot of good outtakes from this film.

Q: What was the most challenging physical thing you had to do?

Palmer: That whole end sequence was pretty difficult, the sprinting.

Hoult: Yeah, zombie run is difficult. Zombie shuffle, okay …

Palmer: Because I was really going for it.

Hoult: Yeah, Teresa’s quick. I had been practicing on the treadmill, in the gym and running around the carpark and all this sort of stuff. But then — it’s weird and uncoordinated, because [sarcastically] I’m obviously quite the athlete. To not run 100 meters in under 9.3 seconds is tricky.

Palmer: It was maybe like three weeks at the end, where pretty much we’re running all day. And they would mount the camera on the back of a golf cart and they would drive in front of us and someone would be on the back filming. But we have to keep a specific distance, and they’re the ones that set the speed. So we actually have to keep up with the golf cart.

And so you can’t get tired. You just have to keep on running, and you really feel like you’re running for your life. It’s quite interesting.

Q: Nicholas, with this film and your upcoming slate of films, it seems like you’re about to really become a star. What do you think about that change?

Hoult: I don’t think that’s the case.

Palmer: He is! He’s so humble. He’s obviously going to be a huge movie star, and he deserves it.

Hoult: It’s a thing where I’ve been very fortunate recently to have a good run and to work with talented directors and play characters I really like in films that seem to be really well-received. I’d just like to keep on working.

Palmer: And he’s a breath of fresh air as well because he’s so humble and down-to-earth and normal, and that’s really sweet. I know that everyone who’s worked with him wants to continue working with him. He’s got a really good reputation.

Q: If you could eat the brains and get the memories of anyone in the world, who would it be?

Hoult: I’ve said a few different answers to this. I started off with Henry VIII, then I went Tina Turner — I’ve kind of been all over the place. I’d like to ingest the minds of a really intelligent scientist or great philosopher or psychologist or something, but then I feel as though that might destroy me, or I just wouldn’t understand it.

Palmer: Elizabeth Taylor for me. Old-school Hollywood, all these incredible stories in her life. Richard Burton, that would have been interesting. Yeah, it would’ve been great to see what old Hollywood was like.

Hoult: I’m gonna go with Freddie Mercury. I watched a documentary on him recently, and the guy was incredible.

Teresa Palmer and Nicholas Hoult in Warm Bodies.

Warm Bodies, Teresa Palmer, Nicholas Hoult
Photo courtesy of Summit Entertainment
Teresa Palmer and Nicholas Hoult in Warm Bodies.
unspecified
news/entertainment

Movie Review

Teenage Sex and Death at Camp Miasma gives horror a surreal twist

Alex Bentley
Aug 14, 2026 | 1:30 pm
Hannah Einbinder and Gillian Anderson in Teenage Sex and Death at Camp Miasma
Photo courtesy of MUBI
Hannah Einbinder and Gillian Anderson in Teenage Sex and Death at Camp Miasma.

The horror genre really ramped up in the 1970s and ‘80s, bringing with it a new subgenre - the slasher - that gave audiences new visuals of gore, but also a reliance on sexism and homophobia that would come to define the era. The new film Teenage Sex and Death at Camp Miasma wrestles with that legacy in ways that are funny, thought-provoking, and downright strange.

Kris (Hannah Einbinder) is a queer filmmaker who has been hired to reboot the moldy IP that is the Camp Miasma franchise, one that was fresh in the 1970s but which numerous shlocky sequels have rendered irrelevant. In an attempt to get to know the property better, Kris has scored a meeting with the reclusive Billy (Gillian Anderson), the star of the original film who has shunned the public eye for decades.

Turns out that Billy lives deep in the woods at Camp Rivoli, which served as the location for the first film. As Kris tries to get to know Billy and convince her to be a part of the new film, she starts to fall under Billy’s spell and the lore of the franchise as a whole. That includes believing that the movie’s villain, Little Death - a transgender person who has an air conditioning vent as a head/mask - may not just be a character created for the movies.

Written and directed by Jane Schoenbrun (I Saw the TV Glow), the film at first feels like it’s going to go the straight-up comedy route, with comic explosions of blood, a strange fascination with candy brands, and a production design that does nothing to hide that the two main actors are on a movie set with painted backdrops. This is backed up by Kris’ phone conversations with her girlfriend, Mari (Jasmine Savoy Brown) and her agent (Sarah Sherman), as well as numerous other details.

But the film starts to go down the surreal route the longer Kris stays at the camp with Billy, especially when they sit down to watch the original Camp Miasma. An extended sequence shows a good amount of that film-within-the-film, demonstrating why Kris and Billy have a love/hate relationship with the property. For Kris, though, the lines between the film and the real world start to blur, and Schoenbrun uses a variety of out-there elements to drive the point home.

The final act of the film can barely be described as Kris goes deeper down the rabbit hole, with Schoenbrun using her film to comment on the horror genre as a whole, its treatment of women and LGBT people, the movie industry, and more. All the while the “camp” of Camp Miasma maintains a presence, with candy wrappers showing up everywhere and the tongue-in-cheek references to Little Death (the French term La petite mort, which means “the little death,” is a euphemism for orgasm).

Einbinder, an Emmy winner for Hacks, is the perfect person to inhabit her role. Her established real-life and fictional personas color everything she does in the film, with her enthusiasm and curiosity shining through. Anderson leans heavily into another reference - Norma Desmond from Sunset Boulevard - to create a character that is as mysterious as she is alluring. Supporting actors like Brown, Sherman, Patrick Fischler, Dylan Baker, and Eva Victor keep the movie at the right pitch all the way through.

While other films have made fun of horror movie tropes before, Teenage Sex and Death at Camp Miasma finds a wholly unique way of doing so. It’s a funny and daring trip into the psyches of two women who may be victims of their own obsessions, and of the movies that made them that way.

---

Teenage Sex and Death at Camp Miasma is now playing in select theaters

movies film
news/entertainment
CULTUREMAP EMAILS ARE AWESOME
Get Dallas intel delivered daily.
Loading...