Big Tex at State Fair of Texas.
Photo courtesy of the State Fair of Texas
A police horse that was startled at the State Fair of Texas injured a fairgoer on October 8.
According to the Dallas Police Department, a mounted police officer was "patrolling Big Tex Circle" around 3 pm when the horse got spooked. The officer attempted to regain control of the animal, but ran through a group of people. a teen male ended up getting trampled and was taken to the hospital.
One witness said that the officer was getting a drink at one of the stands while still mounted. Once he got the drink, the horse sped off and patrol officer was thrown from the horse.
"The cop was getting a drink with the horse and then when he left with the drink in his hand the horse started going crazy and going full speed to a crowd of people," the witness said. "The cop fucked up by getting a drink while on a horse and not having full control. [It] was weird he was not dropping the drink when the horse started going crazy. The cop ended up getting stuck on the saddle and fell off. Then the cop came to the scene and I asked him what happened and he said, I don’t know. I’m trying to figure it out.'"
The Dallas Police Department uses draft horses, a larger breed "developed as working horses," but the bigger question is, why does the Dallas Police Department need to use horses at all, when other tools like Segways exist?
"Stop using animals for intimidation factors and this won’t happen," suggested one commenter. "Isn’t your AR-15, taser, sidearm, pepper spray, and club enough to enforce whatever you think you need to at The Fair? Let the animals be animals."
Jack Black, Jason Momoa, and Sebastian Hansen in A Minecraft Movie.
Photo courtesy of Warner Bros. Pictures
One reason the majority of movies based on video games have failed is because their filmmakers didn’t understand how to translate the appeal of the game to the relatively-limited storytelling ability of film. Players can often spend hundreds of hours in the world of a video game, and trying to condense that experience down into 90-120 minutes is close to an impossible task.
Minecraft, a sandbox adventure game which contains countless possibilities for its players, turns out to be the exact right type of game to turn into a movie, at least in the proper hands. A Minecraft Movie is completely and gloriously ridiculous from beginning to end, with the filmmakers - led by director Jared Hess - understanding that to make a movie about a game in which (almost) anything can happen, you have to match that energy.
And so they tell an uproarious story in which Steve (Jack Black) is a miner on Earth who discovers a portal to the Overworld (aka the world of Minecraft) where everything from animals to plants to food is made up of blocks. After getting trapped in the Nether, a dangerous, hell-like dimension, he sends his trusty dog back to Earth with the cube that opens the portal between Earth and the Overworld.
Through a hilarious series of events too detailed to properly explain here, the cube falls into the hands of ‘80s video game legend Garett Garrison (Jason Momoa). When Henry (Sebastian Hansen), a 14-year-old who’s just moved to town with his sister, Natalie (Emma Myers), discovers the cube at Garett’s store, the two of them - along with Natalie and local realtor Dawn (Danielle Brooks) - get pulled into the Overworld as well.
Usually when a film is written by a team of five writers, as is the case here, it’s a sign that the screenplay will be less than cohesive. While they didn’t manage to come up with a comprehensible story, they do fill the running time with as many gags as possible, a strategy that pays off handsomely. Taking the creative ethos of Minecraft and amplifying it immeasurably, the film features too many off-the-wall jokes to know where to begin.
The connections between the human characters are about as random as can be, and yet due to the nature of the “throw everything at the wall and see what sticks” approach, they develop a strong bond nonetheless. Steve and Garett are both pompous characters whose egos are the sources for much of their humor. Henry and Natalie bring the heart, while Dawn complements the group well despite not really fitting in with everyone else.
Of course, the whole point of making A Minecraft Movie is to pay tribute to the game, and they are able to throw plenty of bones to the gamers while still entertaining anyone who’s never played it. They incorporate the essentials of the game like building massive structures, crafting items, and interacting with creatures (aka mobs), but in such a fun and engaging way that it doesn’t really matter if a lot of it doesn’t make complete sense.
Black’s style of acting is one you either love or hate, and this might be the epitome of a Jack Black performance. He dials up virtually every line he delivers, a manic tour-de-force that sets the tone for everyone and everything else in the film. Momoa is also great, delving into comedy in a way he rarely has before and succeeding mightily. Hansen and Myers both work well, giving the film the youthful feel it required, and while Brooks is mostly along for the ride, she gets in a few good scenes of her own.
Could A Minecraft Movie now take the throne as the best adaptation of a video game ever? That’s purely subjective, but the way Hess and his team put the pedal to the metal from minute one and never let up, it certainly deserves to be part of the conversation. It’s a silly, fast-moving romp that works both as an homage to the game and as a stand-alone movie.
