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Photo courtesy of NASA

The world now knows the names of the four Houston-based astronauts who will launch in the first crewed moon mission in 50 years. NASA's Artemis II will see the first woman and person of color helming a lunar voyage, a first since the agency's history.

Astronaut Christina Hammock Koch, herself part of a history-making astronaut class and first all-female spacewalk— will join Victor Glover — the first person of color heading to the moon. Rookie Canadian astronaut Jeremy Hansen rounds out the crew with Commander Reid Wiseman.

Building on the unmanned Artemis I mission to the moon that concluded in December, Artemis II is slated to launch around November 2024, per NASA. In a scene familiar to space fans, the Artemis II crew will deploy inside the cozy Orion spacecraft that will sit atop the Space Launch System (SLS) rocket from Kennedy Space Center in Florida.

Artemis II's crew will spend some 10 days in orbit and even venture farther than the 1.4 million miles logged by Artemis I, adding to the historic nature of the journey. After moon orbit, the spacecraft will return to Earth for splashdown and recovery — always a celebrated moment after the highly anticipated takeoff.

Data gathered from Artemis II will pad information from Artemis I in effort to create a permanent moon outpost. On the moon, crews will learn how to live and work away from Earth, which will pave the way for the eventual mission to Mars. A planned Artemis III mission may launch in 2025 or '26, per NASA, which picks up from the last trip, Apollo 17 in 1972. The Artemis III mission, NASA promises, will see the first woman and person of color on the moon.

CultureMap caught up with a very busy Wiseman, who is now responsible for the success of the Artemis II mission once it launches. Hailing from Baltimore, Maryland, the 47-year-old earned his master's degree from Johns Hopkins University and is a decorated naval aviator, serving in the Middle East as a fighter pilot. The Artemis II mission commander completed a 165-day trip to the International Space Station in 2014 and was most recently chief of the astronaut office, per his bio. He has two sons with wife Carol, who passed away from cancer in May 2020.

CultureMap: Congratulations, Commander. As Artemis II's leader, you are joining lunar mission commander names like the first man on the moon, Neil Armstrong, and Apollo 13's Jim Lovell. Do you allow yourself to think like that?

Reid Wiseman: Thank you. I do not allow myself to think like that. I think if you get to meet this crew — Victor Glover, Christina Koch, Jeremy Hanson — I really think we would say we want this to be so routine. We want Artemis II to be so successful and so long term that people completely forget about us. We're just that initial little stepping stone. I really hope that's the case. I am flying with an incredible group of heroes and I can't wait to go get this job done.

CM: What does it mean, as mission commander, to have the safety — and the lives — of these amazing and history-making astronauts in your hands once you launch?

RW: It means everything to me.

CM: You and the crew are so incredibly accomplished in your own individual spaces. Yet when you get to NASA — as Christina Koch once told me — you're kind of learning anew. What are you learning now?

RW: When you look at our crew, our next step is to learn about the spacecraft that will be operating in deep space. It's a very capable, very redundant, robust machine. So we have to get in the classroom, we've got to learn about all the capabilities, but we also have to get out and see the workforce.

We'll be the first humans to ever ride on this vehicle. And there's a lot of unknowns. We have a lot of systems to test. Uh One was very successful.

We need to hit the books and then we need to get in the sim [simulator], we need to practice simulations, learn how we all operate together as a team and then learn about the failure modes of the vehicle, how we can work around to keep ourselves safe and keep the mission going. And then after that, I think we'll be ready to look at Florida — and head out to the moon.

CM: Do prior lunar flight commanders and icons — like Armstrong and Lovell — serve as role models? How about the astronaut network in general?

RW: I think we look at those legends as their heroes, but they are also friends. Those folks really gave their lives to our nation and when they landed on the moon for the first time. But the amazing part for us as younger astronauts is they're still heavily engaged in everything we do right now.

I talked to Jack [Harrrison] Schmitt just a few months ago. Dave Scott still comes by every time he can to talk about geologic processes on the moon. Like these guys are our friends. It's really, really neat.

Neil Armstrong was amazing. John Young was incredible — he led our office for a number of years. Those guys are heroes to us for sure. When you look at who has taught me the most about being an astronaut, it's the folks I flew with on my first mission. It's the folks that I've worked with in the astronaut office. Now, I've seen some exceptional examples of leadership and followership and both skills are critical to be an astronaut.

CM: You learned you'll be headed to the moon — the dream adventure of billions all over the world— in the most office kind of way, we hear.

RW: Uh yeah, we all goofed up [laughs]. We missed the meeting. The chief astronaut put a placeholder on my schedule for a different topic. I was actually at a doctor's office and the doctor just walked in. So, I missed the first part of the meeting and I was able to use Microsoft Teams and dial in towards the end.

When the camera popped up, I saw the chief astronaut — who I expected to see for my meeting. But then, I also saw Norm Knight, our director of flight operations. I also saw Victor Glover and Christina Koch. And I was like, ‘oh boy, I think I just missed something big here.’

CM: Well, we've all missed meetings. But this was big — like headed to the moon big.

RW: Right [laughs]. It turned out that both Christina and Victor also missed the beginning of the meeting. So, we all showed up in perfect harmony.

NASA astronaut Reid Wiseman Artermis II moon

Photo courtesy of NASA

Reid Wiseman is suiting up for the moon.

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New burger joint in McKinney with chef toppers and full bar is a sizzler

Burger News

McKinney has a new burger joint that is already lighting up the Collin County foodie scene. Called Loyo Burger, it's part of the Local Yocal empire, and is newly opened in downtown McKinney at 216 W. Virginia St. #102, in the space next to Sugarbacon that has had some turnover (it was one a location of the Mad For Chicken chain).

The Local Yocal empire starts with Local Yocal Farm to Market, the artisanal butcher shop founded by rancher Matt Hamilton in McKinney in 2010. That was followed Local Yocal BBQ and Grill, a steakhouse and BBQ restaurant he opened in 2018.

Now comes Loyo - an abbreviation culled from Local Yocal - featuring a chef-driven menu of burgers with bold toppings, and featuring patties made from a blend of Wagyu ground beef, supplied by the butcher shop.

According to the restaurant team, Loyo was inspired by the best selling burger at Local Yocal BBQ & Grill. It's a gourmet cheeseburger with Tillamook cheddar, lettuce, tomato, onion, pickles, and sauce - but with ingredients made from scratch including house-made pickles and house-made sauce.

Loyo is similar to "better burger" concepts like Hopdoddy Burger Bar, with a lineup of burger options, most made from beef but also chicken, salmon, and veggie, as follows:

  • Spicy Vaquero with jalapeño, caramelized onion, tortilla strips, tomato, smashed avocado, ghost pepper jack, and chi mayo
  • Berry goat with a mixed berry bacon onion jam, goat cheese, and arugula
  • Cowboy breakfast with bacon, fried egg, smashed tots, American cheese, and charred jalapeno/tomato jam
  • Wagyu Yaki, with coffee rub, grilled pineapple, Tillamook cheddar, fried onion, arugula, bourbon teriyaki, & Fresno Chile mayo
  • Crispy chicken thigh sandwich with pickles & Nashville hot sauce
  • Salmon patty with roasted tomato, capers, kalamata olive, arugula, and dill mayo
  • Dan burger, a quarter-pound patty with mustard, lettuce, tomato, onion, pickles, & Duke’s mayo

The name of their veggie burger is amusing: It's called “Necessary Evil” and consists of a housemate patty with avocado, tomato, Bibb lettuce, and crispy onions.

Sides include fries, garlic & sea salt tater tots, sweet potato fries, onion rings, fried pickles, and pork rinds. Fries are hand-cut, not too thick but not too thin, and onion rings are large and crunchy.

To get an idea of how exacting it all is, here's the description for their fried pickles: "Housemade Fried Pickles - Kirby cucumbers pickled in-house, breaded in a scratch-made batter, fried and served with our housemade ranch."

There are also two salads, a house salad and a Greek, with an ice cream sandwich for dessert.

Prices run from $11 to $14 for the burgers, and sides are $3 to $5. They also have a full bar, although a spokesperson says that for now, they have cocktails and beer only; wine is still TK.

It's a handsome space with a rustic vibe featuring wood tables and shiplap on the walls. Service is streamlined: You place your order sy a kiosk and they bring the food to you.

Queens of the Stone Age add 8 dates to winter tour including Dallas

queens of rock

Calling all Teenage Hand Models, Little Sisters, and Carnavoyeurs. Queens of the Stone Age are coming to town.

Joshua Homme and his bandmates have added eight new stops to their “The End is Nero” tour and that includes the Pavilion at Toyota Music Factory in Irving on December 10.

They'll also stop at the Moody Center in Austin on December 8 and Houston’s 713 Music Hall on Saturday, December 9. British rock band Spiritualized will open.

QOTSA is touring behind its latest album, In Times New Roman. Released in June, the album went to number one in four countries, including six charts in the U.S. — Vinyl, Independent, Alternative, Digital, Rock, and Hard Music album sales charts. Hailed as a return to the band’s hard rocking roots, it deals with such light-hearted subjects as Homme’s divorce from Distillers founder Brody Dale.

The tour launched on August 3 in Michigan and has the band criss-crossing the U.S. before heading to Europe for the month of November.

Judging by intel from the band’s recent stops, fans should expect a setlist that pulls from QOTSA’s entire, 20-plus year history, including fan favorites such as "No One Knows," "Little Sister," and "A Song for the Dead."

Tickets go on sale Friday, September 22 via livenation.com. Various pre-sales are also available.

Newly announced dates for The End is Nero Tour include:

12/05/23 - Phoenix - Arizona Financial Theatre
12/06/23 - El Paso - Abraham Chavez Theatre
12/08/23 - Austin - Moody Center
12/09/23 - Houston - 713 Music Hall
12/10/23 - Irving – The Pavilion at Toyota Music Factory
12/12/23 - Albuquerque - Revel ABQ
12/15/23 - San Diego - Viejas Arena
12/16/23 - Los Angeles - Kia Forum

Dallas choral group Verdigris Ensemble promises multi-sensory new season

Season Announcement

A mere month after announcing the hiring of its new executive director, acclaimed choral group Verdigris Ensemble is lifting the curtain on its seventh season.

It centers on the theme of “Regrowth,” with each multi-sensory performance telling a Texas-based story focused on both challenges and opportunities for environmental justice and community renewal.

To actually walk the walk, every ticket purchased this season will support Texas Trees Foundation’s planting efforts in the state to deliver on the promise of regrowth.

The season opens with The Endangered, a synergistic collaboration between Verdigris Ensemble and Dallas Contemporary Museum of Art.

This vocal and orchestral experience combines with movement and projections to look honestly and compassionately at natural preservation. The work is firmly planted in Sarah Kirkland Snider’s Mass for The Endangered, with a libretto by poet/writer Nathaniel Bellows.

Text from five Dallas poets is set to music by five regional composers. It runs October 27-29, 2023, at Dallas Contemporary.

The second performance series, Beautification, continues at the Dallas Contemporary December 1-3, 2023, and celebrates a unique collaboration inspired by site-specific work with visual artist Bianca Bondi.

Commissioning 8-10 composers, this work weaves together a narrative of Ladybird Johnson’s Highway Beautification Act and the native flowers of Texas. The Act was passed in 1965 and created restrictions on highway billboards that detracted from the natural beauty of Texas landscapes, and seeds of native flowers were distributed to bring native beauty to road travelers.

Projections of individual flowers envelop audience members in an experience much like driving a car on a highway. Iconic audio pieces of Ladybird’s speeches make the program a cohesive experience.

Dust Bowl, the season’s third performance, combines a unique medley of bluegrass band, video projection, and choreographed movement. The work shares stories from the period of the Dust Bowl through previously unexplored mediums and confronts questions of what caused this ecological disaster and what was learned from it.

This fan favorite debuted in 2020 and returns to Dallas in 2024 with an original libretto and added musical material.

The Dust Bowl began in 1931 and lasted for almost a decade, displacing entire populations in the Southern Plains region of the United States. Setting texts from newspaper articles, diaries, and oral accounts of survivors, the work pieces together a period of human struggle, hopefulness, and perseverance in the face of constant catastrophe. It runs February 23-25, 2024, at the Wyly Theatre' Potter Rose Performance Hall.

The season finale, Mis-Lead, is composed by Kirsten Soriano and premieres featuring 16 vocalists and basic percussion instruments found in factories that resonate throughout the production.

In 1934, a lead smelter was opened in West Dallas, resulting in toxic byproducts being dumped into nearby landfills and around people's homes. For over four decades, residents suffered consistent symptoms resulting in chronic diseases and death due to higher-than-normal levels of lead in their bodies.

This artistic piece brings attention to these communities, documenting the facts to prevent similar events in our future, while fostering human connection from all sides of the cultural spectrum. It runs April 5-7, 2024, at the Kalita Humphreys Theater.

Founded in 2017, Verdigris Ensemble is a Dallas-based professional choir dedicated to bringing choral music to the modern audience through creative concert programming, unconventional use of space, and collaboration.

Focusing on story-driven musical narratives, Verdigris Ensemble commissions new works, collaborates with interdisciplinary artists, inspires new audiences, and invests in the next generation of musicians.

Tickets may be purchased at www.verdigrismusic.org. Discount pricing is available for students.