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    Theater Review

    The Curious Incident of the Dog in the Night-Time disorients in the best way

    Alex Bentley
    Jan 13, 2017 | 3:11 pm

    Right from the start of The Curious Incident of the Dog in the Night-Time, the Tony Award-winning play running at Winspear Opera House through January 22, the production attempts to disorient the audience. A loud electronic sound comes out of nowhere, thrusting the audience into the confusing world of Christopher Boone (Adam Langdon).

    Christopher, an autistic 15-year-old English boy, has discovered his next-door neighbor’s dog dead with a pitchfork sticking out of it. This sight would make anyone out of sorts, but for a person with Christopher’s condition, it’s particularly disturbing. With a mind that needs to make sense of the nonsensical, Christopher sets out to track down the dog’s killer.

    His quest, which is discouraged by his father, Ed (Gene Gillette), leads him to interact with many of his neighbors for the first time. With a lack of “proper” etiquette, Christopher manages to unearth more than he intended, including some secrets that might have been better left hidden.

    The set, comprised of four electronic screens and multiple square blocks, is as sparse as they come, but it only serves to highlight the confusion that Christopher experiences on a daily basis. Some, if not all, of the actors are almost constantly moving, creating a swirl of activity. When things get especially overwhelming for Christopher, the screens become a mass of images and the sound gets pushed up to extreme levels.

    Christopher has a particular predilection toward math, which helps him make order of his life. The screens bring this to life as well, creating his drawings and equations to give a better insight into how his mind works. Also helping is narration by Siobhan (Maria Elena Ramirez), a teacher who reads a book Christopher has written detailing the events in his life.

    It all adds up to a deep dive into the brain of someone whose thought processes and actions can be as mysterious as everyone else’s are to him. Christopher’s inability to process emotions normally winds up, ironically, being the driving force behind the play’s biggest emotional moments, as his father and others struggle to connect and communicate with him.

    Langdon’s performance is supremely affecting, as his delivery and body movements create a fully realized character. His reactions to and interactions with everything and everyone on stage are engrossing, something that’s particularly important since he is the only character who is in every scene.

    Despite some familiar elements, you’ve likely never seen anything like The Curious Incident of the Dog in the Night-Time. Autism is still as baffling as ever, but works of art like this, and the book on which it’s based, help to create avenues for conversation that might not otherwise exist.

    Adam Langdon and the national tour cast of The Curious Incident of the Dog in the Night-Time.

    Adam Langdon and cast of the national tour of The Curious Incident of the Dog in the Night-Time
    Photo by Joan Marcus
    Adam Langdon and the national tour cast of The Curious Incident of the Dog in the Night-Time.
    reviewstheater
    news/arts

    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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