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    Big Theater News

    Backstage drama ensues as Dallas Summer Musicals fires longtime president

    Lindsey Wilson
    May 2, 2016 | 1:30 pm
    Michael Jenkins, former Dallas Summer Musicals president
    Michael Jenkins with a few of his awards.
    Photo courtesy of Dallas Summer Musicals

    UPDATE: Since this article published, Dallas Summer Musicals has issued another statement. "For some," says Ted Munselle, volunteer chairman of Dallas Summer Musicals, in the release, “this announcement is difficult to accept, but DSM’s executive committee believed that it was clear that it’s time for a change.” Munselle also cited that the committee was concerned with DSM's financial state, as the organization has suffered losses every season except one since 2008.

    ---

    Michael Jenkins, who has been president and managing director of Dallas Summer Musicals since 1994, has been suddenly terminated.

    The man who many in Dallas regarded as the backbone of Dallas Summer Musicals, which is currently celebrating its 76th anniversary season, was confirmed to be out Monday morning by the DSM board's public relations specialist, Lisa LeMaster.

    According to a press release from DSM, David Hyslop has been named the interim managing director. Hyslop was interim president of the Dallas Symphony Orchestra in 2011 (Jonathan Martin was given the permanent title in 2012, but Hyslop stayed on in an advisory capacity). The release calls Monday’s change the beginning of “a new generation of leadership.” Hyslop, it should be noted, is 73.

    In an interview with Dallas Morning News, Jenkins, 74, claims DSM ousted him due to "age discrimination." News reporters Nancy Churnin and Michael Granberry said they had been presented with a copy of the complaint Jenkins filed with the federal Equal Employment Opportunity Commission.

    “DSM now is attempting to manufacture a pre-textual reason for firing me because I refuse to retire,” he told the News. Jenkins also cites a loan in the amount of $390,000 that he made to DSM that showed up as “deferred compensation” on DSM’s tax filing for fiscal year ending in October 2014. His contract was previously set to expire on January 2, 2017.

    When the News reporters asked Jenkins to name who was most involved in getting rid of him, he said: “There are too many to name just one. It’s a palace coup.”

    The DSM board hinted at reasons for Jenkins' release, saying that the Music Hall at Fair Park had been an underutilized asset to the city. Hyslop says in the release that the Music Hall has “huge unrealized potential to have a bigger regional presence for both the entertainment dollars from theater-goers as well as financial support from the community. There’s a lot of work to be done by all stakeholders of the DSM family.”

    Hyslop met with DSM staff on the morning of May 2 and outlines their goals in the release. They “want to focus on a turnaround for DSM," the release says. "I saw a group of people dedicated to the principle that ‘the show must go on,’ and I am confident this will be a seamless transition for theater-goers.”

    Part of Jenkins' DSM lore is that he grew up attending shows at the Music Hall, even working there as an usher in his teen years. He built a family-friendly image for Dallas Summer Musicals, refusing to bring in such edgy shows as The Book of Mormon and Spring Awakening — both of which were then booked into the competing Broadway series at the AT&T Performing Arts Center. “I’m about family entertainment," he told the News. "I’m not about having sex on stage.”

    Though the 2016-17 season has not been announced, Jenkins had previously hinted that the hit musical An American in Paris, which he and Dallas Summer Musicals helped produce, would be included on the bill. Wicked is currently playing at the Music Hall through May 22.

    Jenkins’ departure, the release says, “is effective immediately.”

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    Final bow

    Dallas Opera CEO steps down and departs for Canada — again

    Stephanie Allmon Merry
    Feb 10, 2026 | 2:50 pm
    Joyce Goss, Ian Derrer, Lynn McBee
    Photo by WJNPHOTO
    undefined

    For the second time in a decade, a Dallas Opera CEO is leaving Dallas and heading to Canada: Ian Derrer, who has been the TDO Kern Wildenthal General Director and CEO since 2018, will not renew his contract when it concludes at the end of this fiscal year, TDO announced in a release on February 10.

    Derrer has been named General Director of the Canadian Opera Company (COC) in Toronto and will assume the role on July 1, the release says.

    “This is a bittersweet moment for The Dallas Opera,” said Board Chair Quincy Roberts in a statement. “While we are thrilled for Ian and his new adventure, we’re sorry to lose such a creative and collaborative leader. His tenure with the company has been marked by great successes, including the recent fundraising campaign which has strengthened our fiscal position. We are grateful for his dedication to advancing opera in North Texas, and we wish him well.”

    Derrer, a graduate of the SMU's Meadows School of the Arts, became the eighth general director in TDO's history. It marked a return to Dallas for Derrer (then the general director of Kentucky Opera), who served as artistic administrator of the Meadows School from 2014-16.

    Derrer was named head of TDO in 2018, less than four months after then-CEO and general director Keith Cerny announced his resignation and headed for a post in Canada: as general director and CEO of Calgary Opera.

    Cerny was lured back to North Texas the next year to become CEO of the Fort Worth Symphony Orchestra, a position he still holds.

    Dallas Opera administrators praised Derrer's tenure with the company, including his steady navigating of the pandemic; creating innovative ways to reach worldwide audiences; raising $54.5 million in six months and doubling its endowment; and commissioning and mounting multiple world premieres, the most recent of which garnered worldwide attention and rave reviews: Joby Talbot and Gene Scheer’s The Diving Bell and the Butterfly.

    “I am truly proud of the work that we’ve accomplished here in Dallas, and I know that I leave this great company in a solid position for its future,” said Derrer in a statement. “I am so very fortunate to have been able to work with a board, staff, and community that deeply loves opera, especially our music director, Emmanuel Villaume. While I look forward to this new opportunity with COC, I offer my sincerest gratitude and admiration to everyone at TDO and to the generous arts community in North Texas.”

    TDO has not announced plans for a search for Derrer's replacement.

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