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    Here Comes Wicked

    Expect familiar titles and few surprises in Dallas Summer Musicals' 2015-16 season

    Lindsey Wilson
    Jun 8, 2015 | 1:59 pm

    Fresh off its 75th anniversary season, Dallas Summer Musicals announced an upcoming year's lineup that's heavy on tried-and-true titles — with one or two welcome surprises thrown in. Pairing once again with Performing Arts Fort Worth, which presents shows at Bass Performance Hall, the two organizations will co-present three productions.

    The first will start DSM's season, a "brand new" stage adaptation of The Sound of Music. Since it appears to use the famous score, which includes songs like "Edelweiss," "Climb Ev'ry Mountain," "My Favorite Things" and "Do-Re-Mi," it's unclear how brand-new this version actually will be. It seems the decision to revisit this classic was influenced by the popularity of NBC's live telecast of the show in 2013, and that it's the film's 50th anniversary this year. It runs November 3-22.

    Next up is Elf, which played Bass Hall last November and stops this year in Dallas from December 8-20. Yes, this is the musicalized stage version of the Will Ferrell movie. No, he's not in this tour. Yes, there is a song in the show titled "Sparklejollytwinklejingley." No, I will not sing it for you.

    February 2-14, 2016, just in time for Valentine's Day, comes The Bridges of Madison County. Another musicalization of a film, but this time the lush, Tony-winning score is by Jason Robert Brown, which makes the story of a lonely war bride and the traveling photographer who awakens her passion seem even more sad and romantic.

    Dallas Summer Musicals produced a new version of Disney's The Little Mermaid in 2014, and now it's coming back from March 11-27, 2016, in a co-production with Performing Arts Fort Worth. You might remember reading about the cool flying effects that visually stunning production introduced.

    Also returning, this time for a good long stretch from April 20-May 22, 2016, is the mega-hit Wicked. This show isn't part of the regular DSM subscription season but can be easily added on. Easily, that is, if you can beat the hordes of girl-power fans for tickets to this popular musical.

    Though it won a handful of Tony Awards back in 1996, Ragtime doesn't seem to tour quite as often as other shows. Perhaps that's because it's an epic, sprawling tale of America at the dawn of a new era, though some companies have proven that a stripped-down approach also conveys the show's message. Whether this tour version is large or intimate, it's still nice to see it out in the world again. It will be in Dallas from May 24-June 5, 2016.

    You might be more familiar with the film Bullets Over Broadway that its musical version, but you can get acquainted when it plays the Music Hall at Fair Park from June 14-26, 2016. The show played a few months on Broadway last year with Zach Braff in the John Cusack role.

    The final show of the season is another co-production with PAFW. 42nd Street, the ultimate backstage musical, is being directed by co-author Mark Bramble and choreographed by Randy Skinner, the team who staged the 2001 Tony Award-winning best musical revival. Are your tap shoes ready? You know, just in case you get your big break when they need you to go on.

    In Fort Worth, the Broadway at the Bass season will include The Book of Mormon (December 1-6), Motown the Musical (January 13-17), The Little Mermaid (March 29-April 3), The Wizard of Oz (June 7-12), 42nd Street (July 12-17), The Sound of Music (August 17-21) and The Phantom of the Opera (October 20-30).

    Dallas Summer Musicals tickets are available by calling 214-346-3300, visiting the website or in person at the box office, located at 5959 Royal Ln., suite 542 in Dallas.

    Tickets for Broadway at the Bass in Fort Worth are available over the phone at 817-212-4280, online or in person at the Bass Hall box office.

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    All Eyes on Them

    Dallas alt hip-hop group wins prestigious Tiny Desk Contest by NPR

    Brianna Caleri
    May 13, 2026 | 3:00 pm
    Cure for Paranoia
    Cure for Paranoia/Facebook
    As winners of the Tiny Desk Contest, Cure for Paranoia will record their own Tiny Desk concert and go on tour.

    Few live recording studios or musical web series have the cultural sway of NPR's Tiny Desk, and a Dallas band is poised to make an impactful debut: Cure For Paranoia, an alternative hip-hop project by rapper Cameron McCloud and producers Tomahawk Jonez and Jay Analo, has won the high-stakes annual Tiny Desk Contest for 2026.

    They'll record their official Tiny Desk show "soon," the announcement by NPR says.

    Winning the concert also means Cure for Paranoia is going on tour. The only Texas stop will be at Emo's Austin on June 24.

    Tiny Desk is known for platforming both niche and majorly successful artists — NPR posted a new Foo Fighters set on YouTube on May 13 — for stripped-down sets that are literally played behind former All Things Considered director Bob Boilen's old desk. (Fun fact for Texans: Tiny Desk was created because folk artist Laura Gibson was disappointed with the sound at her South by Southwest show in Austin in 2008, and she wanted a redo.)

    Most artists who appear on Tiny Desk more than 15 years later are already well-known, at least in their specific circles. But the Tiny Desk Contest, which launched in 2015, helps a growing group of newer, unsigned artists get their foot in the door. Contestants record one video of them performing a single song behind a desk, and a jury of radio staff and musicians chooses their favorite.

    In their audition video, Cure for Paranoia gathered 11 musicians around a truly tiny desk and in front of downtown Dallas' iconic gigantic eyeball sculpture. They played the song "No Brainer," a frenetic track that starts with clever boasts and becomes a criticism of racism in the United States.

    McCloud, a pre-school teacher, is known independently of Cure for Paranoia for rapping to his social media following about politics and current events. Some of those lyrics made it into "No Brainer." He says he started the group because he found that music was more helpful than medication for coping with bipolar depression and paranoid schizophrenia.

    Alex Marrero, host of the Austin-based KUTX show Horizontes, was one of the judges this year. He was impressed with the visuals in Cure for Paranoia's audition.

    “When this popped up, I immediately felt something different," he wrote in a blurb for the announcement. "It just jumped out. The visuals were super cool and creative, BUT I could still totally envision them bringing the heat behind the Desk.”

    Madison McFerrin, jazz vocalist and daughter of the famous singer Bobby McFerrin, was one of the musical judges.

    "Cure For Paranoia’s energy is infectious, fresh and distinctly theirs — exactly what you want in a Contest winner!" she wrote.

    McCloud's post on Instagram announcing the group's win has only been up for three hours at the time of this article's publication, and it already has more than 8,000 likes. The YouTube audition has garnered 74,000 views.

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