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    Actor Spotlight

    Popular Dallas actress cops to roller coaster obsession and circus dream

    Lindsey Wilson
    Nov 20, 2015 | 2:07 pm

    Those who watched Breaking Bad with the fervor it deserved are in for a shock the first time they attend a show at Kitchen Dog Theater. That's because Saul Goodman's secretary, Francesca, is usually onstage performing or welcoming the crowd with a big "Howdy!" before the show.

    If you're familiar at all with the Dallas theater scene, you know Francesca is really Tina Parker, co-artistic director of Kitchen Dog Theater. Before Parker assumes the role of Penny, a fearless political candidate in Peter Sinn Nachtrieb's The Totalitarians, from November 20-December 19 at The Green Zone, she took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Tina Parker

    Role in The Totalitarians: Penny

    Previous work in the DFW area: Fifty-plus shows as director/designer/actor with Kitchen Dog Theater; roles with Shakespeare Dallas, Watertower Theatre, and Undermain Theatre; and multiple readings for Arts and Letters Live at the DMA.

    Hometown: I was born in Woodville, Texas, but have spent most of my time in Dallas, so I claim it as my home base.

    Where you currently reside: In Oak Cliff — OC, baby!

    First theater role: A spinning top in a Christmas pageant when I was in kindergarten, because I was abnormally tall for my age. And a ham.

    Moment you decided to pursue a career in theater: Though I toyed with the idea of being a horse jockey in first grade (but was already too tall, much to my chagrin) and a doctor, according to my compelling fifth grade autobiography entitled “Just Little Ol’ Me,” I have always known I’d be in the arts in some capacity.

    Most challenging role you’ve played: Two roles who are both strangely named Mary and both directed by Tim Johnson: In The Jungle of Cities by Bertolt Brecht and Detroit by Lisa D’Amour. Both took me to the limit physically/emotionally every night. Now that I say that, most Kitchen Dog roles have done this to me.

    Special skills: Can laugh like Snoopy and make dolphin sounds. Lots of weird voices.

    Something you’re REALLY bad at: Delegating

    Last book you read: Men, Women & Children, for a role I was auditioning for.

    Favorite movie(s): Too many to list, but out right now I would say Sicario: provocative story, solid performances, and don’t even get me started on the cinematography!

    Favorite musician(s): I heart the jams! Currently hot in my playlist circulation are: Tame Impala, King Tuff, Leon Bridges, Foxygen, Wilco, and old-school Van Halen.

    Favorite play(s): Too many to list. I can’t decide!

    Favorite musical(s): Hedwig and the Angry Inch — still my all-time fave.

    Favorite actors/actresses: Judy Dench, Cate Blanchett, Ben Kingsley, Kate Winslet, Phillip Seymour Hoffman (RIP), Daniel Day Lewis, Cherry Jones, Mark Ruffalo, Julianne Moore, Bryan Cranston, Michael Fassbender, and many more who I am not remembering.

    Favorite food: All things Tex-Mex and Italian. I also have a huge sweet tooth. Note to self: Go on a diet.

    Must-see TV show(s): I do love me some Project Runway and Top Chef. Loved the first season of Better Call Saul.

    Something most people don’t know about you: I almost always buy a piece of jewelry when I go on trips to remember the trip by. Also, I'm obsessed with roller coasters.

    Place in the world you’d most like to visit: Right now: Tahiti! Or maybe Australia.

    Pre-show warm-up: Twenty-minute physical/vocal warm-up with the cast, then whatever I have superstitiously set as my routine for that particular show: water consumption, snack at certain time, etc. Each show is different. Haven’t set one for Penny yet ... will probably involve eating early and some kind of energy potion.

    Favorite part about your current role: She lives in the moment, says what she thinks, and regrets nothing.

    Most challenging part about your current project: It requires a lot of energy to keep Penny alive. And you have to do it all in heels and power suits.

    Most embarrassing onstage mishap: In my first KDT show, Sore Throats by Howard Brenton, the strap to my slip broke midcombat and it was a whole lot of boobs/the hiding of boobs for that audience during that act. Lordy.

    Career you’d have if you weren’t in theater: Trainer in the cat circus.

    Favorite post-show spot: Used to be Ships Lounge. No new place yet.

    Favorite thing about Dallas-Fort Worth: We have an amazing arts community: vibrant, creative, supportive of each other. It's a very cool time to be here as an artist.

    Most memorable theater moment: What gets me every time is when you finally, finally, hit a performance in stride with your cast mates, firing on all cylinders. That is one amazing ride.

    Tina Parker in The Totalitarians at Kitchen Dog Theater.

    The Totalitarians at Kitchen Dog Theater
    Photo by Matt Mrozek
    Tina Parker in The Totalitarians at Kitchen Dog Theater.
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    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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