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    Actor Spotlight

    Popular Dallas actress cops to roller coaster obsession and circus dream

    Lindsey Wilson
    Nov 20, 2015 | 2:07 pm

    Those who watched Breaking Bad with the fervor it deserved are in for a shock the first time they attend a show at Kitchen Dog Theater. That's because Saul Goodman's secretary, Francesca, is usually onstage performing or welcoming the crowd with a big "Howdy!" before the show.

    If you're familiar at all with the Dallas theater scene, you know Francesca is really Tina Parker, co-artistic director of Kitchen Dog Theater. Before Parker assumes the role of Penny, a fearless political candidate in Peter Sinn Nachtrieb's The Totalitarians, from November 20-December 19 at The Green Zone, she took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Tina Parker

    Role in The Totalitarians: Penny

    Previous work in the DFW area: Fifty-plus shows as director/designer/actor with Kitchen Dog Theater; roles with Shakespeare Dallas, Watertower Theatre, and Undermain Theatre; and multiple readings for Arts and Letters Live at the DMA.

    Hometown: I was born in Woodville, Texas, but have spent most of my time in Dallas, so I claim it as my home base.

    Where you currently reside: In Oak Cliff — OC, baby!

    First theater role: A spinning top in a Christmas pageant when I was in kindergarten, because I was abnormally tall for my age. And a ham.

    Moment you decided to pursue a career in theater: Though I toyed with the idea of being a horse jockey in first grade (but was already too tall, much to my chagrin) and a doctor, according to my compelling fifth grade autobiography entitled “Just Little Ol’ Me,” I have always known I’d be in the arts in some capacity.

    Most challenging role you’ve played: Two roles who are both strangely named Mary and both directed by Tim Johnson: In The Jungle of Cities by Bertolt Brecht and Detroit by Lisa D’Amour. Both took me to the limit physically/emotionally every night. Now that I say that, most Kitchen Dog roles have done this to me.

    Special skills: Can laugh like Snoopy and make dolphin sounds. Lots of weird voices.

    Something you’re REALLY bad at: Delegating

    Last book you read: Men, Women & Children, for a role I was auditioning for.

    Favorite movie(s): Too many to list, but out right now I would say Sicario: provocative story, solid performances, and don’t even get me started on the cinematography!

    Favorite musician(s): I heart the jams! Currently hot in my playlist circulation are: Tame Impala, King Tuff, Leon Bridges, Foxygen, Wilco, and old-school Van Halen.

    Favorite play(s): Too many to list. I can’t decide!

    Favorite musical(s): Hedwig and the Angry Inch — still my all-time fave.

    Favorite actors/actresses: Judy Dench, Cate Blanchett, Ben Kingsley, Kate Winslet, Phillip Seymour Hoffman (RIP), Daniel Day Lewis, Cherry Jones, Mark Ruffalo, Julianne Moore, Bryan Cranston, Michael Fassbender, and many more who I am not remembering.

    Favorite food: All things Tex-Mex and Italian. I also have a huge sweet tooth. Note to self: Go on a diet.

    Must-see TV show(s): I do love me some Project Runway and Top Chef. Loved the first season of Better Call Saul.

    Something most people don’t know about you: I almost always buy a piece of jewelry when I go on trips to remember the trip by. Also, I'm obsessed with roller coasters.

    Place in the world you’d most like to visit: Right now: Tahiti! Or maybe Australia.

    Pre-show warm-up: Twenty-minute physical/vocal warm-up with the cast, then whatever I have superstitiously set as my routine for that particular show: water consumption, snack at certain time, etc. Each show is different. Haven’t set one for Penny yet ... will probably involve eating early and some kind of energy potion.

    Favorite part about your current role: She lives in the moment, says what she thinks, and regrets nothing.

    Most challenging part about your current project: It requires a lot of energy to keep Penny alive. And you have to do it all in heels and power suits.

    Most embarrassing onstage mishap: In my first KDT show, Sore Throats by Howard Brenton, the strap to my slip broke midcombat and it was a whole lot of boobs/the hiding of boobs for that audience during that act. Lordy.

    Career you’d have if you weren’t in theater: Trainer in the cat circus.

    Favorite post-show spot: Used to be Ships Lounge. No new place yet.

    Favorite thing about Dallas-Fort Worth: We have an amazing arts community: vibrant, creative, supportive of each other. It's a very cool time to be here as an artist.

    Most memorable theater moment: What gets me every time is when you finally, finally, hit a performance in stride with your cast mates, firing on all cylinders. That is one amazing ride.

    Tina Parker in The Totalitarians at Kitchen Dog Theater.

    The Totalitarians at Kitchen Dog Theater
    Photo by Matt Mrozek
    Tina Parker in The Totalitarians at Kitchen Dog Theater.
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    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

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