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    Eyes on the ArtPrize

    Dallas embraces status as world-class art city with launch of ArtPrize

    Kendall Morgan
    kendall Morgan
    Nov 21, 2014 | 4:35 pm

    Dallas artists both established and aspiring have a reason for good cheer this holiday season. The international art competition ArtPrize just announced a Big D expansion in 2016, with up to $560,000 prizes and grants for local talent.

    Established in 2009 in Grand Rapids, Michigan, by entrepreneur Rick DeVos, the 19-day event takes over venues both traditional and unexpected — lobbies, laundromats and auto body shops among them — with contemporary art, providing a critical dialogue among both the general populace and art critics.

    Having a $22.2 million economic impact on Grand Rapids in 2013 alone, the expansion of ArtPrize was always a foregone conclusion, and the organization’s executive director, Christian Gaines, says Dallas is just the right place to do it.

    “Dallas seems to have an appetite for it,” says ArtPrize executive director Christian Gaines.

    “The impact it could have on a city was established after its second year, and we spent time thinking about and developing the guiding principles about what ArtPrize is,” Gaines says. “We had a few conversations with different cities, but when we started to talk to Dallas, we got a sense quickly of a community that was really ready for ArtPrize.

    “Dallas seems to have an appetite for it, and the conversations just sped up and got more and more interesting.”

    Former Goss-Michael Foundation associate director Ariel Saldivar, who served as an ArtPrize juror in the 2014 competition, will take on the role of executive director of ArtPrize Dallas. Having approached crucial players in the Dallas arts scene, she found a warm reception for the concept, starting with Mayor Mike Rawlings.

    “Dallas right now is in a very different time than it was 10 years ago or even five years ago,” Saldivar says. “There’s such an appetite here with Aurora and the Dallas Art Fair coming to town and in terms of a growing art community. There’s also room to expand the arts audience. The artists are hungry for it, and ArtPrize will be part of that story.”

    Although still in the planning stages, the event will mostly likely launch the week after the Dallas Art Fair in downtown and Deep Ellum, with possible expansion to the Cedars and Fair Park. Any artist over the age of 18 is eligible to register online, and venues will connect online with talent at artprize.org. The public can vote on works via mobile devices to award half the prize money, with a jury of international experts rewarding the other half.

    “You can compare and contrast what the public thinks and what the experts think,” Gaines says. “Anyone can self-identify as an artist, and anyone who identifies as a venue can participate. The purpose of that is to make the process truly open and accessible to all.”

    With an average of 400,000 visitors, this annual event should have a significant impact on both the culture and the economy of Dallas. “Whether you’re an artist or venue or any kind of business or nonprofit or family or individual, you’re looking at that big holiday and coming up with ideas on how to celebrate it,” Gaines says. “Everyone’s got a part to play, and that’s what’s fun about it.”

    Anila Quayuum Agha's Intersections.

    Anila Quayuum Agha
      
    Photo courtesy of ArtPrize
    Anila Quayuum Agha's Intersections.
    unspecified
    news/arts

    Elon News

    Dallas bookstore and publisher gets federal arts funding axed

    Luciana Gomez
    May 7, 2025 | 12:17 pm
    Deep Vellum stack of books
    Deep Vellum
    Stack of books at Deep Vellum

    A Dallas arts organization got its budget chopped by the federal government: Deep Vellum, the bookstore and publisher at 3000 Commerce St., lost a National Endowment for the Arts (NEA) grant due to federal government budget cuts.

    According to owner Will Evans, the award, which is granted annually, has been terminated as of May 31. The bookstore had received $20,000 for the past six years.

    Deep Ellum started as a publisher in 2013 and opened their bookstore in Deep Ellum in 2015. Since then, they have become a center for literature lovers. Evans is a translator whose mission has been to translate the world’s best novels into English for American audiences.

    Evans was notified on May 2 via an email that was reportedly sent to grant recipients nationwide. The note read:

    "The NEA is updating its grantmaking policy priorities to focus funding on projects that reflect the nation's rich artistic heritage and creativity as prioritized by the President. Consequently, we are terminating awards that fall outside these new priorities."

    The new priorities included projects that elevate the Nation's HBCUs and Hispanic Serving Institutions, celebrate the 250th anniversary of American independence, foster AI competency, empower houses of worship to serve communities, assist with disaster recovery, foster skilled trade jobs, make America healthy again, support military and veterans, support Tribal communities, make the District of Columbia safe and beautiful, and support the economic development of Asian American communities.

    The Grants and Public Affairs departments at NEA did not respond to a request for comment. On Monday May 5, the Literary Staff was laid off, and the agency is facing possible elimination entirely, as part of the 2026 Discretionary Budget Request presented to Congress on May 2.

    This year's grant to Deep Vellum was earmarked to fund the translation, publishing, and marketing costs of four books:

    • Carapace Dancer by Natalia Toledo, translated from Zapotec, published trilingually with Spanish and English translations alongside the original, translated by Clare Sullivan
    • Juvenilia by Hera Lindsay Bird of New Zealand, making her US debut, illustrated by Dallas artist Gino Dal Cin
    • Schattenfroh by Michael Lentz, translated from the German by Max Lawton, a 1001-page masterpiece and English-language debut
    • The Ruins by Ye Hui, translated from Chinese by Dong Li, the English-language debut from one of China's most distinguished and independent poets

    The National Endowment for the Arts is an independent federal agency established by Congress in 1965 as a funder of the arts and arts education in communities nationwide anxd a catalyst of public and private support for the arts with the goal of advancing opportunities for arts participation and practice, according to their website.

    In their last stats document updated in November 2024, their FY’24 budget was outlined as $207M (representing 0.03 percent of the total federal budget), with 80 percent of their budget supporting grants and awards to organizations and individuals across the country. They typically offer over 2,000 grants each year.

    "It’s been a strange few days for us, and for countless other nonprofit publishers, magazines, and arts organizations," Evans said.

    Despite the cut, Deep Vellum plans to continue to promote literacy through unique books translated to the English language.

    “This is not going to imperil our future but it’s something we need to consider as we move forward. These books are extraordinary, and they add so much for readers and culture. We just need to find additional revenue to fund them," Evans said.

    Evans was first to reveal the funding cut but a number of organizations across Dallas and Texas have seen similar cuts including Ballet North Texas, Flamenco Fever, Dallas Theater Center, and Bishop Arts Theatre Center, as well as a number of groups in Austin.

    closingsbooks
    news/arts
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