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    Guess Who Shot J.R.

    J.R. Ewing gets parting shot on Dallas season 2 finale

    Elaine Liner
    Apr 15, 2013 | 10:53 pm

    With blackmail plots, frame-ups and more double crosses than two chimps playing tic-tac-toe, the season finale of Dallas finally answered some big questions. Among them, where’s this show going now that J.R. Ewing is dead?

    Before we tie up the loose ends of this year’s storylines, let us do a deep debutante bow to Linda Gray, the 72-year-old actress who plays Sue Ellen Ewing, now the matriarch and Lady Macbeth of Southfork and Ewing Energies.

    Nobody works a white pantsuit and shiny bangs like this woman. She came, she acted drunk, she conquered the spotty writing and hacksaw editing of a cable TV reboot. And she and she alone, after the death of Larry Hagman, made this show watchable.

    Now let’s gitterdun with the recappin’:

    Pamela’s dead after all: For all the teases about a possible return of Victoria Principal as Pamela Barnes Ewing, mother of Christopher (Jesse Metcalf), the finale revealed that the character has been dead for years. Christopher flew to Zurich (or what actually looked like a big house in Highland Park) and learned from Pamela's second husband that she had died of pancreatic cancer.

    Thus, Christopher inherits a third of all Barnes Global shares, flipping power away from family nemesis and Pam’s brother, Cliff Barnes (Ken Kercheval). Cliff had kept Pam’s death a secret to prevent the Ewings from getting their paws on the majority stake in his company.

    Snort-me pumps: That truckload of pink pumps Barnes conspirator Harris Ryland (Mitch Pileggi) had delivered from Mexico a few episodes ago was loaded with pressure-packed cocaine. Drew Ramos (Kuno Becker), brother of Christopher’s squeeze, Elena (Jordana Brewster), figured it out and fixed it to have Ryland and his henchman Roy Vickers (Alex Fernandez) arrested for drug smuggling. Roy was then killed in jail.

    Southfork still has sliding doors: Before next season, can the set designers on this series please give the Ewing ranch house an update? From the outdated wall colors (teal and mustard!) to the tiny, un-luxe kitchen, Southfork looks like more like a tract house in McKinney than the mansion occupied by an extended family of oil-rich Texas millionaires.

    Body count: Besides J.R., the show offed a lot of characters this season. Before learning that the original Pamela earned her angel wings back when angel-wing hairstyles were in fashion, we also saw the deaths of Roy Vickers and of the unborn twins of Pamela Rebecca Barnes and Christopher Ewing, miscarried when Pamela was injured in the rig explosion carried out by Drew on orders from Cliff Barnes. (Oh, what a tangled, badly scripted web.)

    Sue Ellen one-ups the governor: In a great scene in the season-ending double episode, Sue Ellen visited Texas Gov. McConaughey (Steven Weber) and told him how the cow ate the cabbage. Her little file of evidence of his major cover-up related to the rig explosion convinced the guv to rescind the eminent domain takeover of the Ewings’ most profitable oil patch. They're back in the money!

    Letters and phone calls: Every major plot turn this season hinged on the reading of a hand-scrawled missive or the buzz of a cellphone at just the right moment. They don’t read this many letters on Downton Abbey.

    Un-burying J.R.: Yep, they exhumed him and pulled a couple of bullets out of his chest. (Hey, nice work missing those earlier, Dallas medical examiner!) Those proved that Cliff Barnes’ gun fired the shots that killed J.R.

    “He’s trying to frame me from the grave!” yelled Cliff in jail. “I didn’t kill J.R.!” He repeated it five more times for emphasis. But he’s in the hoosegow in an orange jumpsuit waiting to see what the writers come up with next season to get him sprung.

    So who shot J.R.? None other than J.R. himself. Well, sort of. As revealed in a letter to Bobby read at J.R.'s grave in the finale, ol’ big brother Ewing was dying of pancreatic cancer when he arranged to have his best friend, Bum (Kevin Page), shoot him in Nuevo Laredo in an act of mercy using Cliff Barnes’ very own pistol — thus framing Cliff for murder.

    But J.R.’s letter begged Bobby to end the decades-long Barnes-Ewing feud. And he does it like this? Well played, J.R. The family celebrated finding out this news by hanging a portrait of J.R. (that looked like it was made out of Legos) in the lobby of the new Ewing Global.

    Best line this week: John Ross, J.R.’s son, saying, “The only person who could take down J.R. was J.R.”

    What’ll they do next season? They have to get Cliff out of jail and rescue Judith Light’s Judith Ryland character from that nursing home for starters. That's our wish, anyway. This show needs more Judith Light.

    Also, John Ross (Josh Henderson) is married to Pamela Rebecca, but he’s shtupping Emma (Emma Bell), pill-popping tarty daughter of the now-jailed Harris Ryland. A true Ewing, just like his daddy.

    And with that, we leave the Ewings, Barnes and everyone they screwed this season or plan to screw next year with a wave of the Stetson until we meet again.

    Sue Ellen (Linda Gray), Christopher (Jesse Metcalf), Pamela (Julie Gonzalo) and John Ross (Josh Henderson) all survived season two of Dallas on TNT.

    Photo by Zade Rosenthal
    Sue Ellen (Linda Gray), Christopher (Jesse Metcalf), Pamela (Julie Gonzalo) and John Ross (Josh Henderson) all survived season two of Dallas on TNT.
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    Critics' choice

    DFW film critics name One Battle After Another best movie of 2025

    Alex Bentley
    Dec 17, 2025 | 9:32 am
    Leonardo DiCaprio in One Battle After Another
    Photo courtesy of Warner Bros. Pictures
    Leonardo DiCaprio in One Battle After Another.

    The Dallas-Fort Worth Film Critics Association has voted Paul Thomas Anderson's action thriller One Battle After Another the best film of 2025, according to the results of its 32nd annual critics’ poll released on Wednesday, December 17.

    The top award was one of five wins for the film in the poll, including Leonardo DiCaprio as Best Actor, Teyana Taylor as Best Supporting Actress, and Anderson for both Best Director and Best Screenplay.

    After One Battle After Another, the rest of the top 10 films in the poll were, in order, Sinners, Marty Supreme, Hamnet, Sentimental Value, Train Dreams, Frankenstein, Jay Kelly, Bugonia, and It Was Just an Accident.

    In addition to DiCaprio and Taylor, other acting awards included Rose Byrne as Best Actress for If I Had Legs, I'd Kick You and Stellan Skarsgård as Best Supporting Actor for Sentimental Value.

    The two other behind-the-scenes awards both went to Sinners, including Best Cinematography for Autumn Durald Arkapaw and Best Score for Ludwig Göransson.

    Sentimental Value also took home the award for Best Foreign Language Film, while Netflix got double wins with The Perfect Neighbor for Best Documentary and KPop Demon Hunters for Best Animated Film.

    The Russell Smith Award, given annually by the DFWFCA to the best low-budget or cutting-edge independent film, went to It Was Just an Accident.

    The Dallas-Fort Worth Film Critics Association consists of 26 broadcast, print, and online journalists from throughout North Texas. For more information, visit dfwcritics.com.
    ---

    Author Alex Bentley is a member of the Dallas-Fort Worth Film Critics Association.

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