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    Swellin' for Sue Ellen

    7 ways TNT's Dallas could strike oil in season 3

    Elaine Liner
    May 1, 2013 | 5:11 pm

    Editor's note: TV critic Elaine Liner wrote this last May, when it was confirmed Dallas would return to TNT for another season. With the premiere coming up Monday, February 24, we thought it would be fun to revisit her suggestions for season three success.

    TNT's Dallas will be back for a third season. The cable network has ordered 15 more episodes of the series reboot, which so far has been shot entirely on location in North Texas. Filming is expected to start here again this fall, with the show returning to TV in early 2014.

    Ratings dipped in season two, with an unexpected boost in viewership after the sudden death of Larry Hagman last Thanksgiving. His character, J.R. Ewing, was finally laid to rest in a March episode that drew the most viewers – 3.6 million – of any this season.

    So what can writer-producer Cynthia Cidre (who wrote the great send-off for J.R.) and producers Michael M. Robin and Robert Rovner do to make season three a ratings gusher? Here are some ideas:

    More Sue Ellen!
    The best thing about the new Dallas is Linda Gray. Now in her early 70s, she’s still smokin’ hot, and her acting has matured in all the right ways. Gray’s performance as Sue Ellen Ewing delivering a bittersweet eulogy over J.R.’s grave was Emmy-worthy, the best moment on this show this year.

    Plotwise, her character should keep swinging between heroine and villainess. Sue Ellen did learn some good moves from J.R. during their marriage, and she should use what she knows as she takes control of Ewing Energies and Barnes Global. Also, keeping Sue Ellen’s struggle with alcoholism in the storyline not only gives Gray great scenes to play, but it’s something many viewers can relate to.

    Lighten up Josh Henderson
    J.R.’s heir, son John Ross, played by the flinty Josh Henderson, was all over the map this season. He had too many girlfriends, too many of the same arguments with do-gooder cousin Christopher Ewing (Bobby’s adopted son), and too few moments of any real dramatic heft.

    Hagman’s J.R. was fun to watch because he always had a mischievous glint in his eye, a little hint of a smile beneath the evildoing. So far, John Ross is an angry cipher. That’s boring. Giving him some lighter, flirty moments would humanize the character and let the actor show more range. (We assume he has some.)

    Cut the oil talk
    If Dallas is really going to get into subjects like fracking and alternative fuels, then it should go big. Rattle Southfork with an earthquake, for instance. But just having Christopher (Jesse Metcalf) spout jargon in yet another Ewing Energies conference room is to TV what a salt dome is to oil drilling — an obstacle to success.

    Bring back Judith Light
    As the Violet Venable-like matriarch, Judith Ryland, Light snarled like a rabid ferret. She was wonderful! Then a few episodes before the end of season two, son Harris (Mitch Pileggi), pushed his mommy down the stairs and — voom — Judith was shuttled to a rehab facility and never seen again.

    Light has just opened on Broadway in the well-reviewed play The Assembled Parties, so maybe they had to write her off. But whatever it takes, get her back to Dallas and a much-wished-for throwdown with Linda Gray’s Sue Ellen. Like, at a party. In a fountain.

    Dig up more of those old Dallas veterans for some really gritty storylines
    Charlene Tilton, Deborah Shelton, Ted Shackelford and Steve Kanaly got drive-by cameos for J.R.’s funeral, but wouldn’t it be fun to work them in for longer stints as the Ewings continue to battle the Barnes family? It would please longtime Dallas fans and help bridge some pretty deep plot holes that the writers dug for themselves this season. The whole “Is Pamela Barnes Ewing (Victoria Principal) still alive?” deal was a dud.

    Let Brenda Strong dry her tears and get it on with Bobby (or somebody)
    All Strong’s character, the Second Mrs. Bobby Ewing, did this season was weep. She was one-woman drought relief. With her character’s long-lost daughter Emma (Emma Bell) returning as a slutty, pill-popping teen, Strong was forced to boohoo in scene after scene.

    She’s gorgeous and a good actress, so why not give her and Patrick Duffy’s Bobby some middle-aged bedroom smooch-fu occasionally? Dallas in the 1980s had a lot more of the sessy-sessy than the current version. And now it’s on cable!

    Jesse Metcalf’s chest is begging for screen time! (He worked out at the Oak Lawn Equinox. Hello.) Less of the tech talk and more of the down and dirty would surely help ratings.

    Find a role for Ted McGinley
    Hey, if Mad Men could redeem TV’s designated “show killer” with a guest shot, why couldn't Dallas?

    ---

    If you need to catch up on season two of Dallas, TNT offers quickie video recaps of each episode.

    Brenda Strong needs to get it on with Patrick Duffy (or someone) in season 3 of Dallas.

    Photo courtesy of TNT
    Brenda Strong needs to get it on with Patrick Duffy (or someone) in season 3 of Dallas.
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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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