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    Reel News

    Fort Worth's Coyote Drive-In makes movies communal again

    Jonathan Rienstra
    May 15, 2013 | 10:30 am

    Drive-in movie theaters are an iconic staple of the Happy Days generation, but a new joint in Fort Worth hopes to bring them back into fashion. Coyote Drive-In theater is a three-screen venue set on 20 acres that's part movie theater, part beer garden and part social blender.

    As a former co-owner of Trees and the Gypsy Tea Room in Deep Ellum, Coyote co-owner Brady Wood has experience in the entertainment business. He says that he was initially skeptical that a drive-in theater could work, but after doing research, he became more confident in the plan.

    ​“People want to hang out, unplug and connect with one another,” co-owner Brady Wood says.

    “People want to hang out, unplug and connect with one another,” he says.

    Located north of downtown near LaGrave Field off Main Street, Coyote opened May 9 and can hold 1,300 cars for nightly showings.

    There’s also the Canteen, a concession stand serving hot dogs, burgers, pizza and more, plus beer and wine. It’s all designed to make Coyote appeal to families, college kids and couples alike.

    Wood says that the audience so far covers all the demographics.

    “It’s been everyone from folks that can remember going to drive-ins and are glad to be back, to college and high school kids that have heard of them but never actually been to one,” he says.

    Ultimately Coyote wants to maintain a laid-back vibe that is a affordable for everyone. To that end, adult tickets for each of the double features are $8, and kids tickets are $6. Each of the three screens shows a different pairing each night, letting viewers see Iron Man 3 with Oz the Great and Powerful or The Great Gatsby with 42.

    Wood says that Coyote plans to introduce special events to its calendar in addition to major screenings.

    “We’ll do things like sporting events and film festivals or classic movie nights,” he says. “Some folks are encouraging us to do an American Graffiti night where people can bring out their hot rods.”

    Coyote has a 10-year lease with the Tarrant Regional Water District, and the rest of the land is to be developed around them.

    It’s also expected that some day the screens will be taken down, although Wood says it won’t happen during their first lease. Of course, if Coyote proves viable enough, it might stick around.

    Wood says the ownership group is also looking at other locations around Texas, including two sites in Austin. But, for now, they are happy to be in Fort Worth, welcoming everyone to relax in cars, on blankets and in lawn chairs for nighttime movies.

    “We want everyone to have a great time and hang out under the stars,” Wood says. “This is about bringing us back to a simpler time.”

    Reagan Noble, assistant general manager; Chris Fortune, general manager; and Brady Wood, president, stand in front of screen 1, which offers a view of downtown with the movie.

    Coyote Drive-In in Fort Worth
    Coyote Drive-In Facebook
    Reagan Noble, assistant general manager; Chris Fortune, general manager; and Brady Wood, president, stand in front of screen 1, which offers a view of downtown with the movie.
    unspecified
    news/entertainment

    Movie Review

    Legendary filmmaker makes tepid return with meandering film Ella McCay

    Alex Bentley
    Dec 12, 2025 | 11:38 am
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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