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    Back to Business

    Dallas' Perot Museum pauses plans to reopen after COVID-19 shutdown

    Alex Bentley
    Jun 18, 2020 | 3:30 pm
    Perot Museum of Nature and Science in Dallas
    The Perot Museum of Nature and Science will reopen to the public on July 9, with member-only days July 6-8.
    Photo by Mark Knight Photography

    UPDATE: Given the spike in COVID-19 cases in Dallas County and the rollback of the state’s phased reopening, the Perot Museum of Nature and Science has decided to pause plans to reopen in early July, it announced June 29. Perot Museum leaders say they will work in close coordination with the other museums in Downtown Dallas — including the Dallas Holocaust Museum and Human Rights Museum, Dallas Museum of Art, Nasher Sculpture Center, Crow Museum of Asian Art, and The Sixth Floor Museum at Dealey Plaza — to evaluate when they will reopen to the public.

    ---

    The Perot Museum of Nature and Science will reopen on Thursday, July 9, becoming the first major Dallas museum to do so amid the ongoing coronavirus pandemic.

    Naturally, the museum will reopen with new public-health protocols and ticketing procedures in place, Perot personnel say. They will use timed entry for guests to limit the number of visitors at any given time. Guests are strongly encouraged to purchase advance online tickets at at perotmuseum.org, which will guarantee their entry time and allow them easy access using the self-scanning, contactless entrance.

    Guests must arrive within an hour of their designated times. Tickets will go on sale on Wednesday, July 1, and only groups of 10 or less will be allowed to purchase tickets. A limited number of tickets will be sold on site, based on availability, through self-service digital options. Tickets purchased on site may sell out or entry time might be delayed, and guests will be required to wait outdoors until their entry time.

    Some areas of the museum will be temporarily closed, including the Moody Family Children’s Museum and a number of interactive activities. These closures may be lifted due to changing guidelines from local, state, and federal authorities, so visitors should check the Perot Museum's website for any changes.

    A version of "Origins: Fossils from the Cradle of Humankind," the exhibit that was originally scheduled to end on March 22, will remain on display and be included with admission. "Origins" explores two extremely rare ancient human relatives — Australopithecus sediba and Homo naledi. The original fossils were removed during the museum’s closure for preservation and safekeeping, but identical, 3-D casts have been created in their place.

    “We are excited to reopen the Perot Museum but want guests to understand their experience may be somewhat modified, due to the state guidelines,” said Dr. Linda Silver, Eugene McDermott Chief Executive Officer, in a statement. “While a few areas and exhibits aren’t currently available, rest assured there are five floors overflowing with a variety of opportunities for discovery, including the Origins exhibition at no additional cost.”

    Other safety measures the museum will have will include a mask/face covering requirement for anyone age 3 or older; social distancing of at least six feet apart between groups; and a recommendation to wash/sanitize hands regularly. They have tripled the number of hand-sanitizing stations, which will be easily accessible at key points in the museum.

    All employees, volunteers, and vendors will be required to wear face masks and have daily temperature checks upon entering the building. Prior to reopening, staff and volunteers will undergo extensive training regarding safety, public health, and operational measures.

    Museum members will have special pre-opening access from July 6-8, along with member-only hours on Saturdays from 9-10 am and Sundays from 10-11 am. In addition, all currently active memberships have been extended for the four months that the museum was closed.

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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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