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    How To Make Movie Magic

    Alamo Drafthouse's James Wallace pulls back curtain on theater's future

    Alex Bentley
    Jul 10, 2013 | 12:32 pm

    You'd be hard-pressed to find a bigger movie fan in the Dallas area than James Wallace. He was a key contributor to the dearly departed film website Gordon and the Whale and founded his own site, I Heart Cinema. So when the soon-to-open Alamo Drafthouse in Richardson was looking for a creative manager, Wallace was an obvious choice.

    Wallace is in charge of part of the programming for this branch of Alamo, or, as he says, "put[ting] Alamo in Dallas on the map as a unique Alamo experience." Since being hired in April, Wallace has already helped Alamo become a significant presence on the Dallas film scene, setting up outdoor screenings at the Wildflower Arts and Music Festival in Richardson and at a special event at the Perot Museum of Nature and Science.

    With the theater's opening now less than a month away, Alamo is ramping up those efforts, holding four Rolling Roadshow outdoor screenings over the next three weeks, starting with Dazed and Confused on Saturday, July 13. We sat down with Wallace to talk about those screenings, his plans for Alamo's future, and his history as part of the Dallas film scene.

    CultureMap: What exactly does being the creative manager for Alamo Drafthouse entail?

    James Wallace: The biggest responsibility I have is programming – creating the feel of what Alamo is in Dallas. Some of our programming will be national programming decided by the main team in Austin, but each Alamo has the opportunity to be its own unique thing.

    It’s not only choosing what we’re going to play, but also coming up with the experience around that. We’re a theater by movie lovers for movie lovers, so anything we can do to make it as much about where you’re seeing the movie as what you’re seeing, that’s the responsibility that falls on my shoulders. It’s a dream come true for somebody like me who’s been a movie nerd his whole life.

    CM: You had your own movie website prior to taking this job. What was it about this job that made you take the jump?

    JW: I’ve grown up in Dallas, and I know that it’s a great film community. But at the same time it’s not somewhere like Austin. To find the film scene there is very easy because you have these places to go. Before there was an Alamo here, I always wanted that.

    Back with Gordon and the Whale and then with I Heart Cinema, that was my goal. When Alamo came along, I realized there’s only so much I can do as one person. The opportunity to be a part of something like Alamo that has that reputation would allow me to reach a much wider audience.

    CM: How tough was it to give up I Heart Cinema since you built it up on your own?

    JW: It was bittersweet, but as soon as I was offered the Alamo job, there was no second thought. Having run two different websites on my own in a five-year time span, there’s only so much you can do. To reach a wider audience, you need more funding to do things, and that’s hard to come by with an independent website.

    CM: Which one of the Rolling Roadshows are you looking forward to the most?

    JW: Each film (Dazed and Confused, The Lost Boys and The Goonies) is very different, but I think they will attract across the board. Most people love at least two of the three, if not all of them. The one I’m most anticipating is The Lost Boys because there’s just something about that film. I’m a huge horror fan, and to me it’s quintessential ’80s and quintessential vampire.

    For Dazed and Confused, we’re doing an outdoor pinball arcade. We’re also going to have a muscle car show and a DJ spinning ’70s rock. For The Goonies, we’re going to have a Truffle Shuffle dance contest and a Baby Ruth eating contest, and we’ll have fun props that we’re giving away.

    Then, of course, there’s the Blood and Ice Cream trilogy; I could not be any more excited for Simon Pegg, Edgar Wright and Nick Frost to be coming here. If I had to make a dream list of people that represent Alamo, in terms of the type of films they make and the fans of their films, those guys would undoubtedly be at the top of the list.

    CM: Are you getting a lot of good entries for The World’s End giveaway?

    JW: Yeah, some of things people have come up with are blowing me away. That’s the other fun part of the job, to offer a chance to win a very exclusive ticket to a special screening of the film before it comes out, for free, when those guys are going to be here. And it’s the first thing that we ever show in the theater before we officially open.

    We want to make sure that the people who get into that are diehard fans. We thought that it would fun to do it on Twitter, because I always thought that when you’re limited, it produces more creativity.

    CM: Can you give us a feel as to what other kinds of events we can expect? Will you continue to do things outside of the theater?

    JW: Our full intent is to keep doing roadshow events. These roadshow events are a way for all the people who are waiting for us to open to get excited, and to show people who don’t know who we are what we’re all about.

    Dallas has such a rich history of movies that were shot here, and one of my big ideas is roadshows for movies that were shot in Dallas. Robert Wilonsky and the Observer did a very successful screening of Robocop in front of City Hall, so it’d be cool to do stuff like that. We have Robocop, Bottle Rocket, Logan’s Run. You could do a whole Oliver Stone series. The list is really long of great, iconic films that have been shot in Dallas.

    As far as programming in the theater, the monthly programming in Austin is centered around the main releases of the month, which gives you some hints at what we may be thinking in the coming months. While we are very much a first-run theater, we are equally a repertory theater and that balance is definitely there. That gives me the chance to program some really fun stuff in those months.

    CM: Richardson has a significant Indian population. Can we expect any Bollywood-themed events?

    JW: We’re a movie theater for everyone, and appealing to everybody is part of the fun. That’s part of the reason we chose Richardson as our first location. It’s so diverse and there’s such a great community here. It’s very multicultural and we love that.

    Bollywood being such a huge film scene and it being a huge anniversary of Bollywood (2013 is the 100th anniversary of the first film made in India), that’s definitely something that’s in the works, doing a Bollywood series.

    unspecified
    news/entertainment

    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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    news/entertainment

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