This past week, Austin City Limits Music Festival released the schedule for its 2013 event, which spans two weekends in October. The lineup — including headliners and up-and-comers — was released in early May but sans details on when each band would hit the stage.
The guessing game is now over, and festival-goers can begin planning how to navigate the three-day weekends of music. The schedule reveals that headliner slots are the same for both weekends (October 4-6 and October 11-13).
Lionel Richie close the festival both Sundays, playing from 8:30-10 pm on the Skyline Stage.
Depeche Mode plays both Fridays, from 8-9:30 pm; Muse takes the 8:30-10 pm closing slot. Kings of Leon and The Cure headline both Saturdays, and The Cure gets the coveted two-hour set from 8-10 pm.
Lionel Richie closes the festival both Sundays, playing from 8:30-10 pm on the Skyline Stage.
Although the headliners don't vary from weekend to weekend, the remainder of the festival programming offers plenty of variables. Early shows each day highlight a variety of Austin talent (Dana Falconberry, Bobby Jealousy and Band of Heathens) and up-and-coming acts (Sons of Fathers, Parquet Courts and The Durdens).
The full schedule for ACL Fest is available online. Tickets for weekend one are sold out, but three-day passes for weekend two are still available.
There are some films for which making a sequel is natural, and others where a follow-up is wholly unnecessary. Gladiator, which made both tons of money and was named Best Picture at the Oscars, told an impactful stand-alone story that ended with the protagonist dead and no real loose ends. And yet because there’s always more money to be made, here we are 24 years later with Gladiator II.
The lead character this time around is Lucius (Paul Mescal), a general in a North African army who becomes a prisoner of war when the Roman army led by Marcus Acacius (Pedro Pascal) bests him and his troops in battle. Taken back to Rome, he is put in the pool of captured men forced to fight at the Colosseum for the amusement of twin emperors Geta (Joseph Quinn) and Caracella (Fred Hechinger).
Lucius is controlled by Macrinus (Denzel Washington), an ambitious schemer who bets liberally on his prized fighter and always has an eye to move up in the world. Meanwhile, Lucilla (Connie Nielsen), the sister of Emperor Commodus from the first film, is now married to Marcus Acacius and has a unique connection with Lucius that is fairly obvious from the get-go.
Directed once again by Ridley Scott and written by David Scarpa, the film commits a number of sins throughout its 150-minute running time, the most blatant of which is that, aside from a few embellishments, it essentially tells the same story as the first film. Lucius, like Maximus, is a deposed military leader who’s out for revenge on the person who killed his family. Instead of one obnoxious emperor, there are now two. And the only way for Lucius to earn his freedom is to fight his way out.
Stories told in the same world can echo each other and, if done well, overcome those similarities. But Gladiator II is shockingly boring for a purported sword-and-sandals epic. Scott and his team try to introduce new elements to the fights, like a gladiator riding a rhinoceros or a ship battle inside the Colosseum (with sharks!), but most of the sequences are inert with no propulsion to them.
The action fails because none of the relationships in the film amount to much. There are stand-out characters like Macrinus and the twin emperors, but instead of creating antipathy or strong feelings of triumph or defeat, the story just kind of happens without any sense of excitement or importance. Much of that issue lies at the feet of Lucius, who simply doesn’t inspire in the same way that Russell Crowe’s Maximus did.
Mescal is a fine actor who’s done good work in more intimate roles, but he’s not up to the task of being an action star, at least not in this film. Any bombast he shows with the character feels forced, and the story doesn’t give him enough opportunities to counteract that lack. Washington, however, fills up the screen with his charisma, and it’s during his scenes that the film comes closest to being rousing. Quinn and Hechinger are a lot of fun as the twin emperors, but in the end they feel like retreads of Joaquin Phoenix from the original.
Any sequel should have a purpose that sets it apart from what came before, but Scott, Scarpa, and the rest of their team fail in that respect in Gladiator II. It’s a mostly lifeless film that delivers scenes that would be exciting if they had any kind of good story to back them up.
