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Two Fall Weekends

Eclectic 2013 ACL music festival lineup ranges from The Cure to Lionel Richie

Caitlin M. Ryan
May 7, 2013 | 11:30 am

For weeks now, music fanatics have been guessing — and rather accurately, at that — who would headline the 2013 edition of Austin City Limits Festival. But the official ACL 2013 lineup finally surfaced early Tuesday morning.

With so many acts and so little time — unless you plan to attend both weekends of the newly expanded festival — we've broken down the lineup into who's who of artists, from bona fide icons to unknown(ish) bands with a lot of buzz.

Heavy-hitters

Depeche Mode
One of the most talked about SXSW shows of the year, Depeche Mode wowed an audience of 1,000 with an intimate show. Now, the 30-years-strong group will treat the masses to "Strangelove" and "Just Can't Get Enough."

The Cure
The legendary goth rock band fronted by Robert Smith might be the most awe-inducing of all headliners. Iconic and enduring, The Cure arrives stateside after a tour of Latin America and summer spent on the European festival circuit.

Atoms for Peace
This experimental supergroup features a gaggle of ACL veterans, including Radiohead's Thom Yorke and Nigel Godrich, Flea and Mauro Refosco of Red Hot Chili Peppers, and Joey Waronker of REM.

Phoenix
With their new album Bankrupt! hot off the press, Phoenix reminds us that they're not ones to stray too far from their tried-and-true French rock pop formula — and it always works.

Huh?

Lionel Richie
There's always at least one act that makes you scratch your head, and this year it's Lionel Richie. That said, his addition to the bill adds a much-needed dose of soul and R&B to a festival that runs heavy in folk and rock. Also, are you aware that Richie is somewhat of a phenomenon in the Arab world?

Current chart-burners

Tame Impala
Australian psych rock gods Tame Impala wrap back around the globe after a February Austin appearance to hypnotize the ACL Festival audience.

Kendrick Lamar
West Coast hip-hop artist Kendrick Lamar began by releasing mixtapes online at 16. Now, at 25 years old, he's collaborated with Dr. Dre, Young Jeezy, Game, Drake and Talib Kweli, and he was recently deemed the "Hottest MC in the the Game" by MTV.

Fun
The guys won a Grammy for the most overplayed song in the universe ("We are Young"), and they are sure to be a hit with the younger set at ACL with superbly saccharine pop.

The Joy Formidable
This Welsh group takes crowds by surprise with consistently loud, robust live performances. With several stops in Austin over the past few years, they've developed a strong Texas fan base.

The National
Just this Sunday, The National made headlines for playing their track "Sorrow" live, on loop, for six hours at New York City museum PS1. They'll surely be glad to get their hands on a more diversified set list.

Side projects

Junip
Jose Gonzalez's side project might have been best described as "aural wallpaper: music for making dinner or babies" — but that doesn't mean it's not spectacular in its ability to blend serenity with Spanish guitar and straightforward, powerful ballads.

The Shouting Matches
Always tinkering with something new, be it a collaboration with Kanye West or Polica's Channy Leaneagh, Justin Vernon of Bon Iver returns to Austin with his Southern-influenced three-piece blues outfit.

Anticipated returns

Wilco
After appearing in
2002, 2004, 2005 and 2007, Wilco hits Austin for its fifth experimental roots-rock performance atop an ACL stage.

Muse
Muse said earlier this year "they've still got loads of touring to do" before finalizing their seventh studio album. Luckily, one of the stops includes a third performance at ACL.

Kings of Leon
The mainstream Kings of Leon of today could not be further from the Kings of Leon that first played ACL in 2003 (followed by performances in 2006 and 2009), covered in gnarly beards and emanating gritty Southern rock. Still, they cause a riot onstage and have morphed into somewhat of fashion/rock/arena heartthrobs.

Vampire Weekend
Ivy League-bred and -born Vampire Weekend — who sound a bit like Paul Simon — return for their third performance at the festival.

Queens of the Stone Age
Heavy "desert rock" (the group hails from Palm Desert, California) band fronted by Josh Homme just leaked a sneak peek to its upcoming studio album, ...Like Clockwork, which features wildly imagined collaborations with the likes of Elton John, Trent Reznor and Billy Gibbons. (Okay, Gibbons was on Lullabies to Paralyze, but we couldn't not include him.)

Big buzz, little band

HAIM
During SXSW,
Haim proved they were more than a novelty act of cute, young rock-strong sisters. Rather, they're serious musicians who, at times, have toured with established artists like Jenny Lewis and Julian Casablacas.

Foxygen
Foxygen's '70s-inspired indie rock packed Mohawk to capacity during their February appearance, seemingly overshadowing headliners Unknown Mortal Orchestra.

Parquet Courts
Post-punk party music that commands audience attention is sure to set a smaller stage afire.

Purity Ring
This Canadian duo has found recent indie fame with dark electronic music that's lifted and lightened by the angelic voice of singer Megan James.

Local heroes
The Bright Light Social Hour, The Black Angels, Shakey Graves, Court Yard Hounds, True Believers, My Jerusalem, Okkervil River.

Other acts on the lineup
Grimes, Shovels & Rope, Savages, Portugal The Man, Passion Pit, Arctic Monkeys, Kaskade, D'Angelo, Local Natives and many, many more.

But here's the thing: Even if you can't cough up the money for a festival pass, these bands will be in Austin all week between the two ACL weekends, and many of them will come through Dallas either before or after the festival. In other words, there will be ample opportunity to catch a ton of these acts at one-off shows. That might be the most exciting side effect of the festival's expansion.

---

Austin City Limits Festival runs October 4-6 and 11-13 in Zilker Park in Austin. See the full festival lineup and purchase tickets online.

The Cure is one of the headliners for ACL 2013.

The Cure headlines ACL festival 2013
Photo courtesy of The Cure
The Cure is one of the headliners for ACL 2013.
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Texas will always love you

Superstar Dolly Parton dies at 80, with a legacy that includes Texas

Associated Press
Brianna Caleri
Aug 25, 2026 | 5:07 pm
Washington Commanders v Dallas Cowboys
Photo by Ron Jenkins/Getty Images
Dolly Parton performed in a Dallas Cowboys Cheerleaders uniform for the Cowboys' 2023 Thanksgiving Day halftime show in Arlington.

NASHVILLE, Tenn. (AP) — Dolly Parton, the country music icon whose soaring vibrato vocals, poignant songwriting and sparkling costumes defined her rise from a log cabin in the Tennessee mountains to the height of stardom and acclaim, has died. She was 80 years old.

Parton died peacefully Tuesday in Nashville, Tennessee, her publicist said in a statement. A cause of death was not disclosed.

Known for her curvy physique, massive blond wigs and skin-tight outfits that served her self-deprecating wit, she was among the most beloved personalities in music and beyond — the rare celebrity whose appeal transcended generations, geography and politics.

She wrote hundreds of songs, including classics like “Jolene,” “Coat of Many Colors” and “I Will Always Love You,” that totaled more than 100 million worldwide sales and more than 1 billion online streams. Parton, who plucked bejeweled banjos, guitar and dulcimers with her long fingernails during performances, was a generous philanthropist and successful businesswoman whose projects included a theme park in the Smoky Mountain foothills near her birthplace.

Her career was forever influenced by her upbringing as one of 12 children born into what she called a “dirt poor” Tennessee family. She started her education nonprofit, Imagination Library, to send free books to children in Tennessee because her father, who quit school to work on the farm, struggled to learn to read.

Parton's first musical performances were in church, where her grandfather was a preacher. By age 10, she was learning guitar and singing on local television shows. At 13, she appeared on the Grand Ole Opry in Nashville, where Johnny Cash introduced her as “a little girl here from up in East Tennessee.”

With a suitcase of songs, she followed her uncle, Bill Owens, also a songwriter, to Nashville after graduating high school in 1964. Fred Foster, who produced Roy Orbison, Willie Nelson and more, saw her potential and got her songs cut by other artists, as well as recording and releasing Parton singing her own material. By the mid-1970s, Parton was a Nashville queen.

Parton's partnership with Porter Wagoner, a pencil-thin pompadoured star with flashy rhinestone outfits, was key to her career. She honed her acting skills on his syndicated TV show and he advocated for her to get a record deal at RCA. Their first duet, “The Last Thing On My Mind,” was released in 1967, the same year she started her own publishing company.

She got her first No. 1 solo single with “Joshua,” and reached the Top 5 with the ballad “Coat of Many Colors,” about how her mother sewed together scraps of clothes to make a coat Parton wore “so proudly” even as her peers mocked her for being poor. The song, with its Biblical references and ode to maternal love, was later made into a children’s book and a TV movie.

In 1973, she had the hit that made her career — “Jolene,” a country music standard with its steady, churning rhythm and Parton's repeated delivery of the title as she pleads for the woman not to steal her man.

A pop crossover star
She followed “Jolene” with a huge hit in 1974, “I Will Always Love You,” an ode and farewell to Wagoner that helped her win the Country Music Association’s female vocalist of the year back-to-back in 1975 and 1976. She famously turned down Elvis Presley, who wanted to record it, because she would not share publishing rights.

Decades later, Whitney Houston’s version of “I Will Always Love You” became a smash for the soundtrack of her 1992 film “The Bodyguard,” and broke sales records. Houston won a Grammy for her performance in 1994, presented to her by Parton.

“Here You Come Again,” a pop crossover hit and one of the few she didn’t write, further established Parton as a multi-genre entertainer and brought her first Grammy Award in 1979.

“A lot of people thought I had totally lost my mind,” she told The Associated Press in 1979 of changing her singing style. “But I had no fear of change. I expected success, but I was braced for failure. I didn’t care if people thought I was wrong. In my own heart, I knew I was doing the right thing.”

Parton's other crossover hits included the title song from “9 to 5,” the 1980 comedy starring Parton, Jane Fonda and Lily Tomlin; and her duet with longtime friend Kenny Rogers, “Islands in the Stream,” written by brothers Barry, Maurice and Robin Gibb of the Bee Gees. In 1987, she collaborated with Linda Ronstadt and Emmylou Harris on the million-selling “Trio” album.

Down home charm
For millions of fans, she was simply “Dolly,” a mixture of Southern charm, humor and glamour. But she was also considered a feminist role model for holding the reins of her own career, writing her own songs, owning her content and looking after her finances in an entertainment world dominated by men.

Parton was open to making fun of herself; when she hosted “Saturday Night Live” in 1989 she told the writers that her only restrictions were she wouldn’t curse and she wouldn’t make fun of Jesus. She regularly joked about her breasts or her dumb blonde appearance, but with a wink that she was the one controlling the laughs.

Throughout her career, she embraced her glamorous style, often wearing custom curve-hugging rhinestone dresses and bodysuits even if they drew tsk-tsks from others in the industry. Her look was always a part of her larger musical business plan.

“I knew my songs were good even if I had been ugly as sin,” she told the AP in 2014. “So I thought, ‘Well, I would have probably chose to look this way even if I had been a waitress.’ I mean, this is my look. I mean, I like a lot of makeup. I like a lot of hair. I like flashy clothes. I like to show it off. But that’s just who I am.”

She married Carl Dean, an asphalt paving contractor, in the mid-1960s; they were together until his death in 2025 at the age of 82. Though rarely seen in public, he was an influence on her career. She told NPR that she wrote “Jolene” about a flirty bank teller who seemed to take an interest in Dean.

‘9 to 5’ to Hollywood and Broadway
In her first major film role, Parton played alongside Fonda and Tomlin as office workers who rebel against their tyrannical boss in “9 to 5.” Critic Roger Ebert called her a “natural-born movie star” and the title song earned her two Grammy Awards and a ranking of 78 on the American Film Institute's list of top 100 movie songs. Starring roles in “The Best Little Whorehouse In Texas” and “Steel Magnolias” followed.

Her love affair with TV and film continued for decades, with appearances alongside her goddaughter Miley Cyrus on “Hannah Montana” and adaptations of her music for Christmas specials, films and streaming series. She also became an author, her books ranging from the memoir “Dolly” to a bestselling novel co-authored by James Patterson, “Run, Rose, Run."

The stage adaptation “9 to 5: The Musical” debuted in 2009, and “DOLLY: A True Original Musical” is set to open Jan. 19, 2027, on what would have been her 81st birthday.

United States of Dolly
Beyond her music, Parton’s most lasting legacy might be her generosity and broad appeal.

When a deadly wildfire swept through the Smokies in 2016, she held an all-star telethon and set up a foundation that sent monthly checks to residents whose homes were damaged or destroyed.

She opened up her Dollywood theme park in East Tennessee, a major economic driver in Appalachia that draws tourists from around the country, and established the Dollywood Foundation. She wrote books and memoirs, was inducted into the Country Music Hall of Fame and was given a lifetime achievement award by the Recording Academy. She was selected for the Jean Hersholt Humanitarian Award from the Academy of Motion Picture Arts and Sciences in 2025.

With 55 Grammy nominations and 10 wins, Parton is the third-most nominated woman in Grammy history, only behind Beyoncé and Taylor Swift.

Parton spanned social and political divides, through multiple generations of fans, urban and rural and in between. In tumultuous election years, it wasn't uncommon to see “Dolly for President” shirts. But she was strict in not voicing her own political beliefs.

When the Rock & Roll Hall of Fame Foundation sent out a ballot in 2022 with her name on it, though she said she felt she hadn't earned it, the voters answered with a “Hello, Dolly." Parton showed up to the induction ceremony, performed and then put out a rock album.

Ties to Texas
Though Parton didn't live in Texas, it was more than her Southern charm that tied her to the Lone Star State. Her campy persona and many ties to the state endeared her to Texans. The most famous was her lead appearance in the 1982 musical comedy film, The Best Little Whorehouse in Texas, which took place in a fictional town but was filmed on location around Austin.

But with such a long career — in which she was active until her death — there are plenty more Texas connections to look back on.

She co-wrote and filmed the 1991 TV movie Wild Texas Wind at the historic Broken Spoke in Austin. In 2016, she looked back fondly on "[all] the wonderful people in Austin and what a good time we had living there during that period."

"It was just a wonderful time," Parton said. "It was a sad ass story as you know. Gary Busey played an abusive husband. But we really had a lot of fun, and I was proud to be part of that.”

Parton also had a close relationship with Texas country music icon Willie Nelson. The two met in Nashville, and the two country singers later collaborated on some tunes, including their first duet, "From Here to the Moon and Back," in 1982. More than 50 years after their time in Nashville, Parton spoke on the relationship after winning the prestigious Willie Nelson Lifetime Achievement Award at the 2016 CMA Awards Show.

"Well, I love Willie as much as I love anybody outside of my own family, and he feels like family to me," said Parton. "... We used to sit out in the same building and write songs for the same publishing company and record for the same record label, and we've known each other for a long time."

The pair collaborated on a 1977 tour.

Parton had many appearances in Dallas-Fort Worth, including as co-host (with Garth Brooks) of the ACM Awards in Frisco in 2023. During the broadcast, Parton sang rock 'n' roll, wheeled a goat on stage, and Facetime'd with Willie Nelson.

In one of her last and most memorable Texas appearances, Parton headlined the 2023 halftime show between the Dallas Cowboys and the Washington Commanders at AT&T Stadium in Arlington.

Her performance became as buzzed-about for her wardrobe choice - the iconic, skimpy Dallas Cowboys Cheerleaders uniform - as it did for her musical delivery. "Well, hello, Dallas! Dolly does Dallas. You like my outfit?" she asked the adoring crowd from the stage.

Her appearance even got its own segment, appropriately titled "9 to 5," in the hit Netflix docu-series America's Sweethearts: Dallas Cowboys Cheerleaders.

---

Stephanie Allmon Merry contributed to this report.

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