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    Giant Umbrellas Are Lots of Fun

    Giant umbrellas steal the show at new Sundance Square Plaza in Fort Worth

    Alex Bentley
    Oct 1, 2013 | 4:01 pm

    Downtown Fort Worth and its central entertainment area, Sundance Square, has long been a popular gathering spot. Now, thanks to a extensive plaza project that's 30 years in the making, Sundance Square is about to become even more attractive.

    The simply-named Sundance Square Plaza is scheduled to open November 1, 2013. A series of parking lots have been transformed into a nearly one-acre open area featuring fountains, an indoor/outdoor pavilion, a multi-purpose permanent stage and, strikingly, four giant umbrellas.

    Although the plaza project has only officially been underway since summer 2012, it's actually been part of the plan for Sundance Square since its early days.

    "Sundance Square has been in varying stage of development for over 30 years now," Sundance Square president and CEO Johnny Campbell says. "The master plan had a 'central plaza' on it that would be sort of the center of the development and the centerpiece of the city."

    Each umbrella measures 40 feet by 40 feet and consists of a telescopic mast, folding steel frame and a Teflon fabric capable of handling high wind speeds.

    Recent developments, including Sundance Square hosting ESPN's coverage of Super Bowl XLV, helped the project to finally get underway.

    "I think the Super Bowl reminded us that Fort Worth can be and is a regional and national attraction," Campbell says. "And we were also reminded of just what a great backdrop downtown Fort Worth can be for these kinds of functions. Those two parking lots were probably two of the most programmed parcels of land in North Texas, but now, instead of programming them on two ugly asphalt parking lots, we’ll have a great plaza."

    The construction of the plaza and the surrounding area has dramatically changed the look of Sundance Square. In addition to the plaza, the central part of the square will boast two new buildings, the Commerce and the Westbrook, that also open November 1. Main Street between third and fourth streets will be closed to normal vehicular traffic, effectively making it part of the plaza.

    The part that everyone will be talking about, though, are the four giant umbrellas that have just been installed. Each umbrella — the only ones of their kind in the United States — measures 40 feet by 40 feet and consists of a telescopic mast, folding steel frame and a Teflon fabric capable of handling high wind speeds in open and closed positions.

    The umbrellas will react automatically to changing weather conditions, and will provide their own sort of entertainment in addition to protection from the sun and the rain. Each umbrella comes equipped with multi-colored LED lights that will be lit up at night.

    Campbell thinks that the umbrellas will become a draw in their own right.

    "We were looking for something that would be dramatic and that would be an attraction, but was also very convertible and very flexible," Campbell says. "If there is no weather reason for what the umbrellas are doing, they might just open or close from time to time as part of a show."

    Flexibility is key to the entire plaza. The stage on the west end can host concerts, movies and other events, and a pavilion on the east side has indoor and outdoor seating, public restrooms and spaces for small events. Meanwhile, the south side features a double allée of trees, and three different fountains offer everything from water shows to a children's play area. There's also a 65-foot pool replete with a wave wall.

    "This is going to be a great space where you can just be downtown without necessarily having to be in a store or in a restaurant buying something," Campbell says. "When you think of the umbrellas and the tree allées and the dancing fountains and the stage and the pavilion building — it’s full of features that should provide a great place that’s interesting for everyone."

    Officials have a full weekend of activities planned to help open the plaza on November 1-3. In the following days, weeks and months, expect every major Fort Worth event, from the Lone Star Film Festival to the Stock Show to the Main St. Arts Festival to ESPN's coverage of the NCAA Final Four, to utilize the new plaza.

    Four giant umbrellas are currently being installed as part of the new Sundance Square Plaza.

    Giant umbrellas in Sundance Square Plaza
    Photo courtesy of Sundance Square
    Four giant umbrellas are currently being installed as part of the new Sundance Square Plaza.
    unspecified
    news/entertainment

    Movie Review

    Chris Pratt plays one man against the AI machine in thriller Mercy

    Alex Bentley
    Jan 23, 2026 | 1:07 pm
    Chris Pratt in Mercy
    Photo courtesy Amazon Content Services
    Chris Pratt in Mercy.

    It seems like every other movie set in modern times being released these days includes either a reference to or a plot revolving around artificial intelligence. In the real world, the benefits of the technology compete with its downsides, but when it comes to movies A.I. is almost always seen as a threat, including in the new film Mercy.

    The audience is thrown headlong into the slightly futuristic story involving LAPD Detective Chris Raven (Chris Pratt), who finds himself strapped in a chair in a sparse room, being told that he is on trial for killing his wife. Turns out he’s in a court dubbed “Mercy,” which is overseen by an AI judge named Maddox (Rebecca Ferguson). By the rules of the court, Raven has 90 minutes to provide reasonable doubt of his guilt, or he will be executed on the spot.

    Raven is in a multi-pronged quandary: Not only does he believe he’s innocent despite a trove of evidence pointing to his guilt, but he’s also the poster boy for the law enforcement side of the equation, having arrested the first man who went to Mercy. Anger and disbelief for Raven turn into acceptance, which then turns into him tapping into his detective skills, scrutinizing every shred of evidence the court provides him in a desperate attempt to save his own life.

    Directed by Timur Bekmambetov and written by Marco van Belle, the film is a relatively propulsive thriller despite having a so-so story and even worse acting. The film is told in real time (with a few fudges here and there), so the concept alone of a man trying to prove his innocence in a short amount of time provides good intrigue. Bekmambetov’s use of digital elements as Raven scrolls through files or calls potentially exculpatory witnesses like his partner, Jaq Diallo (Kali Reis), keeps the film visually interesting.

    On the other hand, the swift viewing of videos and documents by Raven, not to mention the high degree of cooperation by Judge Maddox, opens up more than a few plot holes. The filmmakers try to explain away a few leaps in logic by having Raven falling off the sobriety wagon the night before, but they can only use that excuse for so long. They also have the AI judge experience technical glitches along the way, errors that seem to point toward a wider conspiracy until they’re completely forgotten.

    More than anything, it’s difficult to get over the wooden acting of Pratt and the misuse of other usually reliable actors. Pratt has no real presence, especially when he’s confined to a chair, so any emotion he tries to conjure up comes off as contrived. Ferguson is done no favors by a role that shows only her upper body and has her alternating between robotic and oddly sympathetic. Reis earned an Emmy nomination for True Detective: Night Country, but has little to do here, a fate that also takes out Chris Sullivan as Raven’s AA sponsor.

    If you’re okay with turning off your brain for a little while, Mercy can be an enjoyable watch. But if you find yourself scrutinizing why characters make the odd decisions they do, or the wishy-washy way the film approaches AI in general, then you’re likely to find the whole thing lacking.

    ---

    Mercy is now playing in theaters.

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    news/entertainment

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