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    Movie Review

    Can You Ever Forgive Me? a surefire Oscar bet for Melissa McCarthy

    Alex Bentley
    Nov 2, 2018 | 1:22 pm
    Can You Ever Forgive Me? a surefire Oscar bet for Melissa McCarthy
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    When con artists are depicted in movies, they typically come in the form of suave and sophisticated people who know just the right way to manipulate others so that they get what they want. A much less refined type of scammer is at the heart of Can You Ever Forgive Me?, a movie that is all the richer for her lack of social skills.

    Melissa McCarthy plays Lee Israel, a real-life author who has fallen on hard times in the 1980s. Unable to get momentum for her passion project about vaudevillian Fanny Brice, Israel has to resort to selling things, like a personal letter from Katharine Hepburn, to pay rent. A chance discovery of a real letter by Fanny Brice soon thereafter makes her realize the value of such documents, starting her down a path of celebrity forgery.

    In the midst of her new criminal enterprise, an old acquaintance, Jack Hock (Richard E. Grant), comes back into her life. The two soon become co-dependent in both drinking and life in general, with Jack a little too supportive of Lee’s choice to commit fraud.

    Directed by Marielle Heller and written by Nicole Holofcener and Jeff Whitty, the film is about as unglamorous as they come, starting with the plain and frumpy look of Lee. Everything from her helmet hairstyle to a severely dirty apartment suggests that she has long given up on trying to prove her worth to anybody else.

    That extends to her letter fraud scheme, one that she is able to accomplish almost despite herself. Her interactions with various book dealers throughout New York are so awkward they’re almost comical, with her literary knowledge her only saving grace.

    Lee’s friendship with Jack plays as both entertaining and sad. Their interplay can be highly amusing and they seem to have a genuine connection, but underlying everything is the fact that they are each serving as one of the other’s few lifelines. They are each surviving by the skin of their teeth, and one mistake could send one or both tumbling out of control.

    It’s no exaggeration that this is the best performance of McCarthy’s career. Her Oscar-nominated role in Bridesmaids has made her a go-to comedic actor, but she is better served with a role like this that allows her to slow down and consider every line she delivers. With Grant as an ideal foil, she hits every note perfectly, and should be a contender come Oscar season.

    Can You Ever Forgive Me? is not a showy film, as it mostly deals with the day-to-day life of a woman who can’t seem to get out of her own way. But with fantastic performances and some sneaky humor, it still sits toward the top of the heap of movies in 2018.

    Melissa McCarthy in Can You Ever Forgive Me?.

    Melissa McCarthy in Can You Ever Forgive Me?
    Photo by Mary Cybulski
    Melissa McCarthy in Can You Ever Forgive Me?.
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    Movie Review

    Rose Byrne fights for her life and car in new movie 'Tow'

    Alex Bentley
    Mar 20, 2026 | 10:45 am
    Rose Byrne in Tow
    Photo courtesy of Roadside Attractions
    Rose Byrne in Tow.

    Actor Rose Byrne had a banner year in 2025, getting her first Oscar nomination for her starring role in If I Had Legs, I’d Kick You. Although she came up short in that race, she’s getting another chance to prove her acting bona fides in the new film, Tow.

    In the “inspired by a true story” movie, Byrne plays Amanda, a down-on-her-luck woman who lives in her car and can’t find a job. Living in Seattle, she tries to stay in touch with her daughter, Avery (Elsie Fisher), who lives with her dad in another city, but circumstances sometimes limit their communications, especially when her car is stolen.

    The good news is that her car is found relatively quickly. The bad news is that the tow company is charging her to get her car back, money she can’t afford. Now truly homeless, she does everything in her power to right the wrong, even taking the company to court. Without much luck, she has to start staying in a women’s shelter run by Barbara (Octavia Spencer), where she makes friends with Nova (Demi Lovato) and Denise (Ariana DeBose), among others.

    Directed by Stephanie Laing and written by Jonathan Keasey and Brent Boivin, the film has relatively low stakes going for it and never really tries to make the story feel deeper than it is. The situation Amanda finds herself in is clearly a tough one, and any empathetic person would feel for her and want her to overcome her plight. But the filmmakers keep things light and never try to up the drama in any significant way.

    The issue Amanda is dealing with, being price gouged by a predatory towing company, is one with which many people can relate. But aside from helpfully underscoring Amanda’s frustration by showing the increasing number of days she is without a car, they never establish why they felt this particular story was one worth telling. Her personal issues, including a growing estrangement with her daughter, fail to conjure any big emotions.

    The filmmakers are very loose with their storytelling, especially when it comes to side characters. The presence of the women she meets at the shelter, and Kevin (Dominic Sessa), the young lawyer who offers to help her, never makes full sense other than a need for her to have other people with whom to interact. A tighter focus on what Amanda was going through would’ve helped both her and people around her feel more important.

    Byrne is a dynamic performer who’s shown great skill at both drama and comedy, but there’s nothing special about her performance here. Hampered a bit by a blonde wig and false teeth, she feels out of sorts for much of the film. The unusually high-powered supporting cast - both Spencer and DeBose are Oscar winners - makes things interesting on first blush, but none of them outside of Sessa is given much to do, so they’re mostly wasted.

    Tow will be a disappointment for anyone hoping to see more great stuff from Byrne. While she remains a fine actor, her performance and the story as a whole are nowhere near the level shown in her previous film. The real life predicament shown in the film also never rises to the level of being of something worth showing to the masses.

    ---

    Tow is now showing in theaters.

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