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    Chef's kiss or kiss off?

    Dallas-based royal chef Darren McGrady weighs in on Spencer's portrayal of Princess Diana

    Stephanie Allmon Merry
    Nov 12, 2021 | 5:59 pm

    Hollywood's been royally fawning over Kristen Stewart's portrayal of Princess Diana — and just about everything else about the new movie Spencer — while the Twitterverse and some critics haven't been as impressed (this reviewer called it "absurd").

    Did Stewart get the princess' voice right? Did the director take too many liberties with the truth about her eating disorder or her marriage? Was the queen's house really that cold? (And the queen herself, for that matter?)

    While everyone may have an opinion, there are few who can opine with authority — and one is Darren McGrady. The chef and cookbook author was, in fact, a royal chef to the British Royal Family and then served as Princess Diana's personal chef until her death in 1991. He was there, at Sandringham House, over Christmas 1991 — the time and place depicted in Spencer. He's even a prominent character in the movie, portrayed by Sean Harris.

    McGrady, who now lives in the Dallas area and caters parties as The Royal Chef, has posted a video to his YouTube channel revealing how the movie compared to real life.

    It's full of spoilers about the film, so avert your eyes and bookmark this page for later if you still plan to see it. Otherwise, read on for some select highlights of movie vs. reality, according to the Royal Chef:

    On Kristen Stewart's portrayal of Princess Diana: "Kristen Stewart is amazing as the princess, with her mannerisms and her voice ... the happy scenes of her with the boys, it was like her coming alive again. For real, Kristen Stewart played an amazing part."

    On Princess Diana driving her own Porsche in the movie: "I don't think she even had a Porsche. She used to drive a Mercedes. I remember when she got her first Mercedes and one of the team said to her, 'Your Royal Highness, a German car for a British princess?' Quick as a flash, she said, 'Well they're a lot more reliable than German husbands.'" (The Windsors have German roots.)

    On Princess Diana asking Darren if "they'll" kill her (meaning the royal family): "She never did say to me, 'Will they kill me,' though she did say to me once at Kensington Palace when she asked me to fill up her car with gas, 'Watch the breaks, I think someone's been tampering with them.' She said that with a wry laugh."

    On the movie's depiction of Diana's eating disorder and mental state: "The bulimia? It did happen. That was an understatement. The princess was struggling. The movie is painstakingly rich in detail and emotion and impression, but I do think they exaggerated her mental state a lot, for artistic license, I guess."

    On the depiction of the Royal Family's treatment of Diana: "I don't want people to come away thinking the Royal Family just didn't care at all. The dining room was right next to the kitchen in real life at Sandringham, and I often could hear the princess laughing out loud — she had this infectious laughter — and I don't want people to come away thinking the Royal Family were cold in this. They weren't, there were lots and lots of happy times there."

    On the military transporting food into the kitchen, and the food itself: "Partly true. But we used to get most of our food from the local purveyors in Norfolk. But the army was used to transport all of our kitchen equipment there ... the Sandringham kitchen was an empty shell when we arrived. Did they get the royal food right for Christmas? In the movie, they show enough food to feed a cruise ship. We only had five chefs at Sandringham; we'd have been working through the night to get that amount of food done. Everyone weighing themselves on scales when they arrived and left?" (He shakes his head "no.")

    That's just the start. McGrady weighs in on ghosts at Sandringham, what really happens to leftover pheasants after a shoot, whether the princess actually did escape to the beach, and much more.

    Watch his entire video here:

    The real Princess Diana.

    News_Princess Diana
    Photo by Patrick Demarchelier
    The real Princess Diana.
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    Movie Review

    Chris Pratt plays one man against the AI machine in thriller Mercy

    Alex Bentley
    Jan 23, 2026 | 1:07 pm
    Chris Pratt in Mercy
    Photo courtesy Amazon Content Services
    Chris Pratt in Mercy.

    It seems like every other movie set in modern times being released these days includes either a reference to or a plot revolving around artificial intelligence. In the real world, the benefits of the technology compete with its downsides, but when it comes to movies A.I. is almost always seen as a threat, including in the new film Mercy.

    The audience is thrown headlong into the slightly futuristic story involving LAPD Detective Chris Raven (Chris Pratt), who finds himself strapped in a chair in a sparse room, being told that he is on trial for killing his wife. Turns out he’s in a court dubbed “Mercy,” which is overseen by an AI judge named Maddox (Rebecca Ferguson). By the rules of the court, Raven has 90 minutes to provide reasonable doubt of his guilt, or he will be executed on the spot.

    Raven is in a multi-pronged quandary: Not only does he believe he’s innocent despite a trove of evidence pointing to his guilt, but he’s also the poster boy for the law enforcement side of the equation, having arrested the first man who went to Mercy. Anger and disbelief for Raven turn into acceptance, which then turns into him tapping into his detective skills, scrutinizing every shred of evidence the court provides him in a desperate attempt to save his own life.

    Directed by Timur Bekmambetov and written by Marco van Belle, the film is a relatively propulsive thriller despite having a so-so story and even worse acting. The film is told in real time (with a few fudges here and there), so the concept alone of a man trying to prove his innocence in a short amount of time provides good intrigue. Bekmambetov’s use of digital elements as Raven scrolls through files or calls potentially exculpatory witnesses like his partner, Jaq Diallo (Kali Reis), keeps the film visually interesting.

    On the other hand, the swift viewing of videos and documents by Raven, not to mention the high degree of cooperation by Judge Maddox, opens up more than a few plot holes. The filmmakers try to explain away a few leaps in logic by having Raven falling off the sobriety wagon the night before, but they can only use that excuse for so long. They also have the AI judge experience technical glitches along the way, errors that seem to point toward a wider conspiracy until they’re completely forgotten.

    More than anything, it’s difficult to get over the wooden acting of Pratt and the misuse of other usually reliable actors. Pratt has no real presence, especially when he’s confined to a chair, so any emotion he tries to conjure up comes off as contrived. Ferguson is done no favors by a role that shows only her upper body and has her alternating between robotic and oddly sympathetic. Reis earned an Emmy nomination for True Detective: Night Country, but has little to do here, a fate that also takes out Chris Sullivan as Raven’s AA sponsor.

    If you’re okay with turning off your brain for a little while, Mercy can be an enjoyable watch. But if you find yourself scrutinizing why characters make the odd decisions they do, or the wishy-washy way the film approaches AI in general, then you’re likely to find the whole thing lacking.

    ---

    Mercy is now playing in theaters.

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