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    Your Show of Shows

    Gallery picks of the month: Word play, outsider art and drawing the line

    Kendall Morgan
    kendall Morgan
    Jun 28, 2013 | 6:00 am

    A fresh exploration of outsider art, a three-dimensional artist’s statement in colorful resin, and drawings that line up some top contemporary talent: These are just a few of the reasons to visit our top art gallery picks in the coming month.

    THOMAS KENNAUGH: Solo Exhibition at Photographs Do Not Bend
    Opening reception:
    June 29, 5-8 pm

    Exhibition dates: June 29-August 3

    Generally defined as art created outside the boundaries of official culture, outsider art encompasses works from the naïve, the untrained, the visionary, and the mentally or emotionally challenged. Having curated artists of this genre in Columbus, Ohio, Thomas Kennaugh was inspired to create his own compelling collages and sculptures.

    A buyer and seller of fine art and photography since 1974, Kennaugh draws on his vast archives to make each of his multilayered pieces, which have more than a little in common with the likes of Joseph Cornell and Peter Blake. Now based in Denton, he reveals his latest collages in his first Texan exhibition at PNDB.

    The “Victorian futurism” explored in the steampunk movement also has an influence on Kennaugh, who cites sources such as Norman Brosterman’s Out of Time: Designs for the Twentieth-Century Future — featuring visions of the flying cities and bubble-topped cars from the 19th and 20th centuries — as an ongoing inspiration. 



    “It’s a great book, and it’s pretty steampunk before that term came out,” says Kennaugh. “I was a picker of images for [Brosterman], and that started my interest in those kinds of images. It’s interesting to see how confusing technology is and the wonder of where we’re going.”

    Needless to say, for Kennaugh the future is “wow.”

    WORD PLAY: Simeen Farhat, at Cris Worley Fine Arts
    Opening reception:
    June 29, 6-8 pm

    Exhibition dates: June 29-August 3

    In Simeen Farhat’s hands, words are much more than type on a page. In her vibrant exhibition opening June 29 at Cris Worley, the Pakistan-born, Dallas-based artist turns everything from snippets of poetry to her own artist’s statement into textural, abstract sculptures of cast resin.

    Sometimes you have to leave your home base to get the attention you deserve, and Farhat’s 2010 exhibition at Xerxes Fine Arts in London led to group and solo appearances in Austria, Bahrain, Dubai, Germany, Kuwait, Pakistan and Switzerland. Her Cris Worley exhibit is a homecoming of sorts, and the pieces shown in “Word Play” have an intimate focus not found in her earlier work.

    Says Worley, “She’s using text from actual email correspondence and other specific, personal things. They’re magic words that are shaped like a genie emerging from an oil lamp. It has that feel from her culture, and you get bits from her cultural references without it being so obvious.”

    According to Farhat, her sculpture speaks “eloquently about life, death, love, freedom of thoughts, and philosophy.” The fact that it does so without ever shouting at the viewer makes the medium and the message equally important.

    ON DRAWING: LINE, various artists, at Holly Johnson Gallery
    Opening reception:
    June 29, 6-8 pm

    Exhibition dates: June 29-August 17

    In the art world, two heads can be often be better than one. Dallas gallerist Holly Johnson took this approach for her latest exhibition, teaming up with colleague Devin Borden to curate the best in works on paper from 11 established artists. After its Dallas run, the show will travel to Borden’s eponymous gallery in Houston through September and October.

    Friends for 20 years, the duo’s “On Drawing: Line” might just be the first in a series of collaborations; if all goes well, they’re planning another dual show with a different theme next year. For this summer’s team effort, painters, sculptors and installation artists have all taken their turn with pen, pencil and paper, and Johnson says the results are more complex than they may first appear.

    “Some are more minimal and obsessive, other are more abstract expressionism,” she says. “They’re challenging in the way they’re made — almost every [piece] is like a little jewel.”

    Thomas Kennaugh solo exhibition at Photographs Do Not Bend, June 29-August 3.

    DO NOT USE - Thomas Kennaugh at Photographs Do Not Bend Gallery
      
    Photo courtesy of PDNB Gallery
    Thomas Kennaugh solo exhibition at Photographs Do Not Bend, June 29-August 3.
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    Elon News

    Dallas bookstore and publisher gets federal arts funding axed

    Luciana Gomez
    May 7, 2025 | 12:17 pm
    Deep Vellum stack of books
    Deep Vellum
    Stack of books at Deep Vellum

    A Dallas arts organization got its budget chopped by the federal government: Deep Vellum, the bookstore and publisher at 3000 Commerce St., lost a National Endowment for the Arts (NEA) grant due to federal government budget cuts.

    According to owner Will Evans, the award, which is granted annually, has been terminated as of May 31. The bookstore had received $20,000 for the past six years.

    Deep Ellum started as a publisher in 2013 and opened their bookstore in Deep Ellum in 2015. Since then, they have become a center for literature lovers. Evans is a translator whose mission has been to translate the world’s best novels into English for American audiences.

    Evans was notified on May 2 via an email that was reportedly sent to grant recipients nationwide. The note read:

    "The NEA is updating its grantmaking policy priorities to focus funding on projects that reflect the nation's rich artistic heritage and creativity as prioritized by the President. Consequently, we are terminating awards that fall outside these new priorities."

    The new priorities included projects that elevate the Nation's HBCUs and Hispanic Serving Institutions, celebrate the 250th anniversary of American independence, foster AI competency, empower houses of worship to serve communities, assist with disaster recovery, foster skilled trade jobs, make America healthy again, support military and veterans, support Tribal communities, make the District of Columbia safe and beautiful, and support the economic development of Asian American communities.

    The Grants and Public Affairs departments at NEA did not respond to a request for comment. On Monday May 5, the Literary Staff was laid off, and the agency is facing possible elimination entirely, as part of the 2026 Discretionary Budget Request presented to Congress on May 2.

    This year's grant to Deep Vellum was earmarked to fund the translation, publishing, and marketing costs of four books:

    • Carapace Dancer by Natalia Toledo, translated from Zapotec, published trilingually with Spanish and English translations alongside the original, translated by Clare Sullivan
    • Juvenilia by Hera Lindsay Bird of New Zealand, making her US debut, illustrated by Dallas artist Gino Dal Cin
    • Schattenfroh by Michael Lentz, translated from the German by Max Lawton, a 1001-page masterpiece and English-language debut
    • The Ruins by Ye Hui, translated from Chinese by Dong Li, the English-language debut from one of China's most distinguished and independent poets

    The National Endowment for the Arts is an independent federal agency established by Congress in 1965 as a funder of the arts and arts education in communities nationwide anxd a catalyst of public and private support for the arts with the goal of advancing opportunities for arts participation and practice, according to their website.

    In their last stats document updated in November 2024, their FY’24 budget was outlined as $207M (representing 0.03 percent of the total federal budget), with 80 percent of their budget supporting grants and awards to organizations and individuals across the country. They typically offer over 2,000 grants each year.

    "It’s been a strange few days for us, and for countless other nonprofit publishers, magazines, and arts organizations," Evans said.

    Despite the cut, Deep Vellum plans to continue to promote literacy through unique books translated to the English language.

    “This is not going to imperil our future but it’s something we need to consider as we move forward. These books are extraordinary, and they add so much for readers and culture. We just need to find additional revenue to fund them," Evans said.

    Evans was first to reveal the funding cut but a number of organizations across Dallas and Texas have seen similar cuts including Ballet North Texas, Flamenco Fever, Dallas Theater Center, and Bishop Arts Theatre Center, as well as a number of groups in Austin.

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