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    Street Wise

    Largest U.S. street art gallery picks Dallas Design District for expansion

    Kendall Morgan
    kendall Morgan
    Jul 24, 2014 | 8:50 am

    High-impact and ephemeral, street art is defined by its envelope-pushing graphics and impermanent status. Even works by the notorious Banksy are often damaged or covered up within hours of their completion.

    Which is why a space like Lab Art, coming to 315 Cole St. in the Design District in September, is not only welcome in the local art scene, but it’s also sorely needed. The largest gallery dedicated to street art and graffiti in the U.S., the Los Angeles-based Lab Art has been preserving and exhibiting pieces by Skyler Grey, Kai, MAR! LouisXXX and Annie Preece since 2011.

    Founded by entrepreneur Iskander Lemseffer, Lab Art’s mission is a personal one. “Street art has never been given the place it deserved in art history,” he says. “It’s always frowned upon, and another artist goes over it or it gets destroyed. I wanted to make it live forever in your home or office.”

    “Street art is always frowned upon, and another artist goes over it or it gets destroyed,” says Lab Art founder Iskander Lemseffer. “I wanted to make it live forever.”

    Lemseffer developed his passion for preserving the form after working many years in the fashion industry. Commuting back and forth to downtown LA, he was exposed to works by the likes of Shepard Fairey and Alec Monopoly before “street art” became a household term. Burnt out on fashion, Lemseffer tried his hand at a restaurant, finding himself profiting more from the paintings he hung than the food he served.

    After throwing a pop-up art event in a friend’s showroom, he decided to take the plunge and create a permanent space. Lab Art’s debut proved quite prescient.

    “I was thinking of doing this, and then the Art in the Streets exhibit came along at MOCA [Museum of Contemporary Art Los Angeles] curated by Jeffrey Deitch,” Lemseffer says. “MOCA was on the verge of going bankrupt, and it was the most successful show in their history.”

    The 6,000-square-foot “mother ship” opened one month after the MOCA exhibit, and Lemseffer hasn’t looked back since. Lab Art is the youngest and newest member of the Art Dealer’s Association of California, legitimizing its mission. With pieces selling from $1,500 to $200,000, there truly is something for everyone, including celebrity collectors Adrien Brody, Freida Pinto and Sofia Vergara.

    Expanding Lab Art to other locations was a consideration when Dallas private equity financiers Eric Rosiak and Adam Persiani discovered the gallery on Instagram. Developing a friendship with Lemseffer during frequent LA business trips, the duo convinced him to bring his concept to the Design District, landing in a 4,500-square-foot space that will exhibit Lab Art’s stable of talent along with locally sourced painters.

    Debuting with a wide-ranging “greatest hits” exhibition of painting, sculpture, drawings, photography and mixed media, the Dallas gallery will follow up with a solo show of Alec Monopoly’s work in October.

    “The Dallas Design District is booming right now, and I ship so much to Dallas it’s not even funny,” Lemseffer says. “You have this young generation now that’s not buying the classics; they grew up with them and want something fresh and new. They’re not buying Picassos and Rembrandts. They’re buying street art.”

    Lab Art opens to the public September 19 at 11 am. Hours are noon-7 pm, Tuesday through Saturday. There is a grand opening reception September 18, from 7-10 pm.

    Los Angeles-based Lab Art gallery is expanding to the Dallas Design District.

    LAB ART
      
    Photo courtesy of Lab Art
    Los Angeles-based Lab Art gallery is expanding to the Dallas Design District.
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    Elon News

    Dallas bookstore and publisher gets federal arts funding axed

    Luciana Gomez
    May 7, 2025 | 12:17 pm
    Deep Vellum stack of books
    Deep Vellum
    Stack of books at Deep Vellum

    A Dallas arts organization got its budget chopped by the federal government: Deep Vellum, the bookstore and publisher at 3000 Commerce St., lost a National Endowment for the Arts (NEA) grant due to federal government budget cuts.

    According to owner Will Evans, the award, which is granted annually, has been terminated as of May 31. The bookstore had received $20,000 for the past six years.

    Deep Ellum started as a publisher in 2013 and opened their bookstore in Deep Ellum in 2015. Since then, they have become a center for literature lovers. Evans is a translator whose mission has been to translate the world’s best novels into English for American audiences.

    Evans was notified on May 2 via an email that was reportedly sent to grant recipients nationwide. The note read:

    "The NEA is updating its grantmaking policy priorities to focus funding on projects that reflect the nation's rich artistic heritage and creativity as prioritized by the President. Consequently, we are terminating awards that fall outside these new priorities."

    The new priorities included projects that elevate the Nation's HBCUs and Hispanic Serving Institutions, celebrate the 250th anniversary of American independence, foster AI competency, empower houses of worship to serve communities, assist with disaster recovery, foster skilled trade jobs, make America healthy again, support military and veterans, support Tribal communities, make the District of Columbia safe and beautiful, and support the economic development of Asian American communities.

    The Grants and Public Affairs departments at NEA did not respond to a request for comment. On Monday May 5, the Literary Staff was laid off, and the agency is facing possible elimination entirely, as part of the 2026 Discretionary Budget Request presented to Congress on May 2.

    This year's grant to Deep Vellum was earmarked to fund the translation, publishing, and marketing costs of four books:

    • Carapace Dancer by Natalia Toledo, translated from Zapotec, published trilingually with Spanish and English translations alongside the original, translated by Clare Sullivan
    • Juvenilia by Hera Lindsay Bird of New Zealand, making her US debut, illustrated by Dallas artist Gino Dal Cin
    • Schattenfroh by Michael Lentz, translated from the German by Max Lawton, a 1001-page masterpiece and English-language debut
    • The Ruins by Ye Hui, translated from Chinese by Dong Li, the English-language debut from one of China's most distinguished and independent poets

    The National Endowment for the Arts is an independent federal agency established by Congress in 1965 as a funder of the arts and arts education in communities nationwide anxd a catalyst of public and private support for the arts with the goal of advancing opportunities for arts participation and practice, according to their website.

    In their last stats document updated in November 2024, their FY’24 budget was outlined as $207M (representing 0.03 percent of the total federal budget), with 80 percent of their budget supporting grants and awards to organizations and individuals across the country. They typically offer over 2,000 grants each year.

    "It’s been a strange few days for us, and for countless other nonprofit publishers, magazines, and arts organizations," Evans said.

    Despite the cut, Deep Vellum plans to continue to promote literacy through unique books translated to the English language.

    “This is not going to imperil our future but it’s something we need to consider as we move forward. These books are extraordinary, and they add so much for readers and culture. We just need to find additional revenue to fund them," Evans said.

    Evans was first to reveal the funding cut but a number of organizations across Dallas and Texas have seen similar cuts including Ballet North Texas, Flamenco Fever, Dallas Theater Center, and Bishop Arts Theatre Center, as well as a number of groups in Austin.

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