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    Smash Hit Returns to the Stage

    Time-traveling rock musical On the Eve flies into Theatre Three

    Lindsey Wilson
    Jan 14, 2014 | 8:41 am

    On January 16, Theatre Three mounts the professional premiere of On the Eve, a homegrown musical about a space cowboy, Marie Antoinette and a time-traveling hot-air balloon (the world's first, in fact).

    The quirky show landed on practically every critic's best-of list when it was workshopped in Fair Park a little over a year ago by Nouveau 47 and Spacegrove Productions. (There was also a staged reading in 2011.) It features the literary talents of Kitchen Dog Theater artistic company member Michael Federico and musical skills of Seth and Shawn Magill, who front local theatrical rock band Home by Hovercraft.

    "We had a clear vision for the music in the show, wanting it to have that raw and powerful energy you experience in a rock concert setting," says Shawn Magill of Home by Hovercraft.

    What is it about On the Eve that captures audiences' imaginations? The score, for starters, which also doubles as Home by Hovercraft's debut album, Are We Chameleons?

    "From the onset, we had a clear vision for the music in the show, wanting it to have that raw and powerful energy you experience in a rock concert setting," says Shawn, a classically trained pianist who leads the onstage band. "We wanted the songs to shed light on our characters with introspective or declarative moments, versus always moving the plot forward physically."

    The theatrical songs incorporate instruments and elements not normally found in a musical — or rock band, for that matter. A tuba, cello and mandolin all figure prominently, as does percussive Irish step dancing performed by Abbey Magill and Shannon McCauley.

    The plot, which tackles politics, religion and revolution, also includes a talking statue, a lonely wife and a crazed scientist. Rather than bewildering audiences, the time-bending tale connected thanks to the intimate and innovative staging.

    "For me," says book writer Federico, "the most exciting part of the process was trying to create a world in which all these disparate elements — music, time travel, impending doom, gender politics, class warfare, etc. — came together to support story and character. Those things are all fun and crazy to take on, but at the end of the day, they're just means to tell what you hope is a good story about interesting characters."

    Says Seth Magill, who plays leading man Chase Spacegrove, "It's hard to relive the open heart and imagination I possessed as a kid, but this show and its people, some of whom have been with us on this ride for over three years now, did just that and more."

    Most of the cast is returning for the professional premiere, as is Theatre Three artistic associate Jeffrey Schmidt. He directed the first time around and is back to steer the ship — er, balloon — to Routh Street.

    "As the director, it's easy to feel isolated and that you're carrying the weight of the entire show on your shoulders," Schmidt says. "However, having an ensemble and production team that is so energetic, earnest and committed to this project, there's never a shortage of ideas and solutions. The trick is to put the ego on simmer and not jump off the train (or out of the balloon)!"

    ---

    On the Eve plays Theatre Three from January 16 to February 16.

    Seth Magill, Ian Ferguson and Martha Harms in On The Eve during its workshop run.

    The musical "On the Eve" played sold-out shows last year in Dallas.
    Photo by Jeffrey Schmidt
    Seth Magill, Ian Ferguson and Martha Harms in On The Eve during its workshop run.
    unspecified
    news/arts

    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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