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    Smash Hit Returns to the Stage

    Time-traveling rock musical On the Eve flies into Theatre Three

    Lindsey Wilson
    Jan 14, 2014 | 8:41 am

    On January 16, Theatre Three mounts the professional premiere of On the Eve, a homegrown musical about a space cowboy, Marie Antoinette and a time-traveling hot-air balloon (the world's first, in fact).

    The quirky show landed on practically every critic's best-of list when it was workshopped in Fair Park a little over a year ago by Nouveau 47 and Spacegrove Productions. (There was also a staged reading in 2011.) It features the literary talents of Kitchen Dog Theater artistic company member Michael Federico and musical skills of Seth and Shawn Magill, who front local theatrical rock band Home by Hovercraft.

    "We had a clear vision for the music in the show, wanting it to have that raw and powerful energy you experience in a rock concert setting," says Shawn Magill of Home by Hovercraft.

    What is it about On the Eve that captures audiences' imaginations? The score, for starters, which also doubles as Home by Hovercraft's debut album, Are We Chameleons?

    "From the onset, we had a clear vision for the music in the show, wanting it to have that raw and powerful energy you experience in a rock concert setting," says Shawn, a classically trained pianist who leads the onstage band. "We wanted the songs to shed light on our characters with introspective or declarative moments, versus always moving the plot forward physically."

    The theatrical songs incorporate instruments and elements not normally found in a musical — or rock band, for that matter. A tuba, cello and mandolin all figure prominently, as does percussive Irish step dancing performed by Abbey Magill and Shannon McCauley.

    The plot, which tackles politics, religion and revolution, also includes a talking statue, a lonely wife and a crazed scientist. Rather than bewildering audiences, the time-bending tale connected thanks to the intimate and innovative staging.

    "For me," says book writer Federico, "the most exciting part of the process was trying to create a world in which all these disparate elements — music, time travel, impending doom, gender politics, class warfare, etc. — came together to support story and character. Those things are all fun and crazy to take on, but at the end of the day, they're just means to tell what you hope is a good story about interesting characters."

    Says Seth Magill, who plays leading man Chase Spacegrove, "It's hard to relive the open heart and imagination I possessed as a kid, but this show and its people, some of whom have been with us on this ride for over three years now, did just that and more."

    Most of the cast is returning for the professional premiere, as is Theatre Three artistic associate Jeffrey Schmidt. He directed the first time around and is back to steer the ship — er, balloon — to Routh Street.

    "As the director, it's easy to feel isolated and that you're carrying the weight of the entire show on your shoulders," Schmidt says. "However, having an ensemble and production team that is so energetic, earnest and committed to this project, there's never a shortage of ideas and solutions. The trick is to put the ego on simmer and not jump off the train (or out of the balloon)!"

    ---

    On the Eve plays Theatre Three from January 16 to February 16.

    Seth Magill, Ian Ferguson and Martha Harms in On The Eve during its workshop run.

    The musical "On the Eve" played sold-out shows last year in Dallas.
    Photo by Jeffrey Schmidt
    Seth Magill, Ian Ferguson and Martha Harms in On The Eve during its workshop run.
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    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
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