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    Create Don't Spectate

    Public Works Dallas makes waves with groundbreaking first production

    Lindsey Wilson
    Jan 25, 2017 | 11:51 am

    On March 3-5, Dallas Theater Center will mount a musical version of Shakespeare's The Tempest with a cast of 200 locals — only five of whom will be professional actors. Oh, and tickets are free.

    It's the inaugural production of Public Works Dallas, an offshoot of an initiative developed by New York City's Public Theater that's striving to make its community into "creators and not just spectators." Acclaimed director Lear deBessonet first directed Todd Almond's adaptation for the Public Theater in 2013, then was awarded the SMU Meadows Prize in 2015 to bring the program to Dallas.

    So now Dallas Theater Center, AT&T Performing Arts Center, and Ignite/Arts Dallas at Southern Methodist University Meadows School of the Arts are gearing up for the "groundbreaking community engagement and participatory theater project designed to deliberately blur the line between professional artists and Dallas community members."

    Here in Dallas that means pairing familiar DTC faces with community actors from Public Works Dallas’ five partner organizations: Bachman Lake Together, City of Dallas Park and Recreation, Jubilee Park and Community Center, Literacy Instruction for Texas, and Vickery Meadow Learning Center. There will also be cameo performances by Rickie Rush's Living Sound Choir from Inspiring Body of Christ Church, Sam Lao, Townview High School Big D Drumline, Anita N. Martinez Ballet Folklorico, Northlake Children’s Chorus, Inner City All-Stars Brass Band, and Mitotiliztli Yaoyollohtli Aztec Dancers.

    Mayor Mike Rawlings will play the wedding officiant on March 3, before Councilman Adam McGough, Councilman Adam Medrano, and "voice of the Dallas Cowboys" Brad Sham rotate into the role for the remaining three performances.

    The 90-minute musical adaptation will star multiple-Tony-nominee André De Shields and resident acting company members Ace Anderson, Liz Mikel, and Alex Organ, with former Cara Mía Theatre artistic ensemble member Rodney Garza rounding out the pro side. DTC artistic director Kevin Moriarty is at the production's helm, with support from Broadway choreographer Ann Yee.

    “The Tempest will bring together 200 people from across this great city to engage in meaningful dialogue and the joyful act of creating theater together,” says Moriarty in a release. “Public Works Dallas will change our city forever, welcoming collaborators, partners, and friends into DTC’s home at the Wyly Theatre and blurring the line between professional artists and the talented community members of Dallas.”

    So how do you get your free tickets? Beginning today, you can call 214-880-0202 to claim two per person, though these will be limited, or you can wait until February 24 at 2:30 pm to claim them online at www.dallastheatercenter.org. Tickets will also be distributed onsite via a mobile box office at each partnering community organization:

    • Jubilee Park and Community Center: January 25, 1-5 pm
    • Beckley Saner Recreation Center: February 1, 10 am-1 pm
    • Vickery Meadow Learning Center: February 8, 4-7 pm
    • Bachman Lake Together Family Center: February 15, 11:30 am-2:30 pm
    • Literacy Instruction for Texas: February 23, 3:30-6:30 pm

    The Tempest is thought to be one of the last plays that Shakespeare wrote alone. Marooned and left to die on a remote island, Prospero can command spirits, create apparitions, and manipulate the elements. By using his magic, he assembles his enemies to take revenge on them, and in the process awakens in Miranda, his teenage daughter, her first experience of love.

    Directors Lear deBessonet and Kevin Moriarty.

    Lear deBessonet, Kevin Moriarty
      
    Photo by Karen Almond
    Directors Lear deBessonet and Kevin Moriarty.
    theater
    news/arts

    Elon News

    Dallas bookstore and publisher gets federal arts funding axed

    Luciana Gomez
    May 7, 2025 | 12:17 pm
    Deep Vellum stack of books
    Deep Vellum
    Stack of books at Deep Vellum

    A Dallas arts organization got its budget chopped by the federal government: Deep Vellum, the bookstore and publisher at 3000 Commerce St., lost a National Endowment for the Arts (NEA) grant due to federal government budget cuts.

    According to owner Will Evans, the award, which is granted annually, has been terminated as of May 31. The bookstore had received $20,000 for the past six years.

    Deep Ellum started as a publisher in 2013 and opened their bookstore in Deep Ellum in 2015. Since then, they have become a center for literature lovers. Evans is a translator whose mission has been to translate the world’s best novels into English for American audiences.

    Evans was notified on May 2 via an email that was reportedly sent to grant recipients nationwide. The note read:

    "The NEA is updating its grantmaking policy priorities to focus funding on projects that reflect the nation's rich artistic heritage and creativity as prioritized by the President. Consequently, we are terminating awards that fall outside these new priorities."

    The new priorities included projects that elevate the Nation's HBCUs and Hispanic Serving Institutions, celebrate the 250th anniversary of American independence, foster AI competency, empower houses of worship to serve communities, assist with disaster recovery, foster skilled trade jobs, make America healthy again, support military and veterans, support Tribal communities, make the District of Columbia safe and beautiful, and support the economic development of Asian American communities.

    The Grants and Public Affairs departments at NEA did not respond to a request for comment. On Monday May 5, the Literary Staff was laid off, and the agency is facing possible elimination entirely, as part of the 2026 Discretionary Budget Request presented to Congress on May 2.

    This year's grant to Deep Vellum was earmarked to fund the translation, publishing, and marketing costs of four books:

    • Carapace Dancer by Natalia Toledo, translated from Zapotec, published trilingually with Spanish and English translations alongside the original, translated by Clare Sullivan
    • Juvenilia by Hera Lindsay Bird of New Zealand, making her US debut, illustrated by Dallas artist Gino Dal Cin
    • Schattenfroh by Michael Lentz, translated from the German by Max Lawton, a 1001-page masterpiece and English-language debut
    • The Ruins by Ye Hui, translated from Chinese by Dong Li, the English-language debut from one of China's most distinguished and independent poets

    The National Endowment for the Arts is an independent federal agency established by Congress in 1965 as a funder of the arts and arts education in communities nationwide anxd a catalyst of public and private support for the arts with the goal of advancing opportunities for arts participation and practice, according to their website.

    In their last stats document updated in November 2024, their FY’24 budget was outlined as $207M (representing 0.03 percent of the total federal budget), with 80 percent of their budget supporting grants and awards to organizations and individuals across the country. They typically offer over 2,000 grants each year.

    "It’s been a strange few days for us, and for countless other nonprofit publishers, magazines, and arts organizations," Evans said.

    Despite the cut, Deep Vellum plans to continue to promote literacy through unique books translated to the English language.

    “This is not going to imperil our future but it’s something we need to consider as we move forward. These books are extraordinary, and they add so much for readers and culture. We just need to find additional revenue to fund them," Evans said.

    Evans was first to reveal the funding cut but a number of organizations across Dallas and Texas have seen similar cuts including Ballet North Texas, Flamenco Fever, Dallas Theater Center, and Bishop Arts Theatre Center, as well as a number of groups in Austin.

    closingsbooks
    news/arts

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