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    Theater Review

    Dallas Theater Center's walking fairytale tangles itself up in too many mediums

    Lindsey Wilson
    Mar 19, 2021 | 1:30 pm

    A new walking fairytale called Something Grim(m) has landed at Dallas Theater Center, and like most fables, it reminds you to be careful what you wish for.

    That applies to both the story and the experience. We're all anxious for performances to start back up, and while DTC has developed an innovative way to present a piece of multimedia theater, it doesn't always satisfy.

    But it does add "walk-through" to the list of safe workarounds for experiencing theater. Small groups of masked audience members depart every 20 minutes from the Lexus Silver parking garage underneath the Wyly Theatre, listening to the Narrator (Sally Nystuen Vahle) spin the tale of a Gardener and his Maid and their desperate wish for a child.

    They visit a magic Wishing Well and are blessed with a child, but the well also prophesizes that their offspring will have the ability to grant wishes. A Farmer overhears, and rushes to tell his friend the Cook.

    Through voiceovers and a giant comic strip, we see the Child begin to grow up and then transform their parents into the King and Queen. Then the tour begins, heading through a haze-filled hallway into the Wyly's courtyard, where videos (filmed against green screens that, happily, don't look cheesy or disjointed) project the next part of the story from large screens inside the theater's lobby.

    The jealous Farmer (Blake Hackler) is irritated that his old friends are now stuffy royals who aren't sharing their wealth with him, so he decides to play a prank. He steals their child and makes it look as though the Queen (Tiana Kay Blair) murdered it, prompting the King (Alex Organ) to banish her to a tower to die.

    Instead of giving the Child back when the "joke" is over, the Farmer keeps the magic babe and threatens the Cook (Molly Searcy) to never reveal what they did.

    From there, you take a quick jaunt around the Wyly's exterior with more videos, some pop-up storybook illustrations, and even an interactive graveyard to continue the tale. There are no live performers, nor guides other than signs and arrows pointing the way.

    Though the experience is a short 40 minutes, it's entirely outside so be prepared for chilly and windy weather. There are also several tripping hazards that are difficult to see in the dark (though the show's staff was seen hastily adding reflective tape to the ground after one in our group took a tumble).

    Devised by the DTC's resident acting troupe — Liz Mikel, Christopher Llewyn Ramirez, Tiffany Solano, and Blair, Organ, Hackler, Searcy, and Vahle — Something Grim(m) is ultimately an engaging story that's unevenly presented.

    Some aspects, like the hand-painted characters that wind up the Wyly's zig-zagging front ramp, are utterly enchanting. The sound, by Kyle Jensen, is also excellent and can be heard despite the downtown traffic and airplanes crossing overhead. And the actors look phenomenal throughout, thanks to Michael Heath Waid's romantic costumes.

    But other aspects feel rushed or only half-thought through. There were several spots when our group was unsure of when and where to travel next. DTC provides a large printed map but it's a) unwieldy to consult, especially when it's windy, and b) confusing if you're not already familiar with the Wyly's layout.

    Audiences are also encouraged to download the new Dallas Theater Center app for "additional info," but that too is awkward to pause and scan through during the show. Simply letting this charming fairytale be told instead of tangling it up in too many mediums might be my greatest wish.

    ---

    Dallas Theater Center's Something Grim(m) runs at the Wyly Theatre through April 4.

    Molly Searcy as the Cook.

    Something Grim(m) at Dallas Theater Center
    Photo by Imani Thomas
    Molly Searcy as the Cook.
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    Opera News

    Dallas Opera's new season stages dramatic debuts and beloved encores

    Alex Bentley
    Feb 24, 2026 | 1:30 pm
    The Elixir of Love at Santa Fe Opera
    Photo by Curtis Brown Photography
    The 2026-27 season for The Dallas Opera will include a new version of The Elixir of Love.

    The 2026-2027 season for The Dallas Opera will feature four mainstage productions, two family operas, and a trio of annual events, with all productions taking place as usual at Winspear Opera House.

    One production —Janáček’s The Cunning Little Vixen — will be completely new to Dallas audiences, as it is making its North American premiere with the company.

    The other three mainstage productions — Donizetti’s The Elixir of Love, Puccini’s Turandot, and Wagner’s Lohengrin — will be making encore appearances, although at least two will differ from their original productions.

    The season will start with The Elixir of Love, which will be performed four times between October 9 and 17, 2026. The colorful production, now set in post-World War II Italy, is about a hopeless romantic who swoons for the town’s school teacher.

    Performers, each of which are making their Dallas Opera debuts, will include British Iranian coloratura soprano Soraya Mafi, 2022 Operalia winner Anthony León, legendary Italian baritone Alessandro Corbelli, 2025 Operalia winner Mihai Damian, and 2025 TDO Lone Star Vocal Competition winner Kayla Nanto.

    Next up is the North American debut of Janáček’s The Cunning Little Vixen, running October 30-November 7. It's the story of a young fox, which is trapped as a cub, going on to make a dramatic escape in search of what a wild animal’s life should be.

    Conducted by Mrs. Eugene McDermott Music Director Emmanuel Villaume, the bold and glitzy production will star Estonian soprano Mirjam Mesak (making her U.S. debut), American baritone Zachary Nelson, Hungarian American mezzo-soprano Shannon Keegan, and American contralto Lindsay Ammann.

    The 2027 portion of the season will begin with Puccini’s unfinished work Turandot, running February 12-20. To win the hand of Princess Turandot, a suitor must solve three riddles; failure to do so means death.

    Conducted by Villaume, this production features a new ending with music by Grammy Award winner and video game composer Christopher Tin (known for the Civilization IV game) and a libretto from Succession writer Susan Soon He Stanton.

    Italian soprano Anna Pirozzi and Venezuelan tenor Jorge Puerta, both celebrated for their renditions of this opera, make their Dallas Opera debuts as Turandot and Calaf, respectively.

    Wrapping up the season will be Wagner’s Lohengrin, running March 5-13. Accused of her brother’s murder, Elsa prays for a way to prove her innocence. In answer, a knight in shining armor appears, ready to save her. He asks one thing in return: never ask his name.

    Director Louis Désiré returns to lead this premiere production, which will be conducted by Villaume. It will star Pavarotti d’Oro winner Saimir Pirgu, American soprano Lise Lindstrom, and bass Peixin Chen, among others.

    "The 2026/2027 Season spans the breadth of what opera has to offer the world," said Mrs. Eugene McDermott Music Director Emmanuel Villaume in a statement.

    Additionally, The Dallas Opera will feature two family operas: The Bremen Town Musicians, with performances on October 17, 2026 and February 21, 2027, and The Little Prince, with performances on November 8, 2026 and February 13, 2027.

    Other annual events include:

    • The Linda and Mitch Hart Institute for Women Conductors Showcase Concert, featuring women who have participated in the Dallas Opera's longtime program (January 30, 2027)
    • The Robert E. and Jean Ann Titus Family Recital, featuring German soprano Christiane Karg and pianist Andrew von Oeyen (January 31, 2027)
    • The Phyllis A. and Thomas H. McCasland, Jr. Lone Star Vocal Competition, featuring rising opera stars from around Texas (March 12, 2027)

    Subscription renewals and new subscription packages for the 2026/2027 season are now on sale, with packages starting at $98 for all four mainstage operas. Family operas and annual events will be available as add-ons before single tickets go on sale in summer 2026.

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