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    Male Bonding

    Bromance takes center stage at two Dallas theaters

    Lauren Smart
    Mar 28, 2013 | 12:30 pm

    Current productions at two Dallas theater companies cast the spotlight on male bonds, exploring the good, the bad and the awkward. Dallas Theater Center plays it safe with the classic Neil Simon comedy The Odd Couple, while the diamond-in-the-rough company Upstart Productions premieres Apartment Plays, two one-act plays by local director and playwright Bruce Coleman.

    Oscar and Felix have one of the most ubiquitous stage bromances of all time. The warm-and-fuzzy story about two recently divorced men who move in together and strike up a push-me, pull-you relationship remains one of the most highly produced works of contemporary theater nearly 50 years after its debut.

    Director Kevin Moriarty gives the piece a quick-witted treatment, conducting the actors into comedic unison. Not a single moment on stage is wasted. J. Anthony Crane as the masculine, slobby Oscar and Michael Mastro as the OCD, effeminate Felix form a spirited juxtaposition, but the characters to watch are in the supporting cast.

    In The Odd Couple, J. Anthony Crane and Michael Mastro form a spirited juxtaposition. But the characters to watch are in the supporting cast.

    The title character’s poker buddies — played here by Brierley Resident Acting Company members Hassan El-Amin, Chamblee Ferguson and Lee Trull — have enough dynamism to carry the entire show. In the play’s first act, these actors deliver more punch lines than allows an average person to catch a breath, and the entertainment continues for the entire two hours and 15 minutes. Tiffany Hobbs and Mia Antoinette Crowe, who come over for a double date with the boys, also deserve praise.

    Like most Simon plays, The Odd Couple caps off an entertaining night at the theater with a sincere message about humanity. When Oscar throws out Felix, there is a moment in which he seems to understand the value of their human connection — nothing sappy, but a quiet salute to the friendship.

    In the first installment of his Apartment Plays, Coleman attempts a similar moment of catharsis. In A Conversation with a (Potentially) Naked Man, Coleman contemplates a friendship between a gay artist and his straight, but dashingly handsome, nude subject. Although the dialogue is littered with touching moments of vulnerability, it’s overwhelmingly awkward to sit through.

    Actors Aaron Roberts and Marcus Stimac work through the stilted language valiantly, but they are directed at a meandering pace. There is also an inappropriate amount of physical distance between them for such an intimate space.

    By far the stronger piece of the evening, Larry Kramer Hates Me playfully explores gay relationships with a Dickensian twist. Actors Angel Velasco and Gregg Gerardi are at the center of this story of past relationships and social progress. Two weeks into a new relationship, ex-boyfriends begin literally popping up behind couches, like Scrooge’s “undigested bit of beef.”

    While more ex-boyfriends pop out of back rooms and closets, the most compelling character to show up on the scene is LGBT rights activist Larry Kramer (a smart performance by Rick Espaillat). His well-crafted character is given the most insightful monologue of the night, calling attention to the need for ever-more progress on the issues of civil rights.

    The night of plays ends with a beautiful moment between Gerardi and Velasco, where they dream of the life they will share. Although the dialogue in Coleman's plays lacks the polish and wit of Simon's Odd Couple, the underlying message bears as much weight. Both nights of theater explore the importance of friendships, human connection and learning to live with one another.

    ---

    The Odd Couple runs through April 14 at Wyly Theatre. Apartment Plays runs through April 6 at the Green Zone.

    J. Anthony Crane and Michael Mastro in The Odd Couple at Dallas Theater Center.

    The Odd Couple at Dallas Theater Center
    Photo courtesy of Dallas Theater Center
    J. Anthony Crane and Michael Mastro in The Odd Couple at Dallas Theater Center.
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    news/arts

    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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