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    Male Bonding

    Bromance takes center stage at two Dallas theaters

    Lauren Smart
    Mar 28, 2013 | 12:30 pm

    Current productions at two Dallas theater companies cast the spotlight on male bonds, exploring the good, the bad and the awkward. Dallas Theater Center plays it safe with the classic Neil Simon comedy The Odd Couple, while the diamond-in-the-rough company Upstart Productions premieres Apartment Plays, two one-act plays by local director and playwright Bruce Coleman.

    Oscar and Felix have one of the most ubiquitous stage bromances of all time. The warm-and-fuzzy story about two recently divorced men who move in together and strike up a push-me, pull-you relationship remains one of the most highly produced works of contemporary theater nearly 50 years after its debut.

    Director Kevin Moriarty gives the piece a quick-witted treatment, conducting the actors into comedic unison. Not a single moment on stage is wasted. J. Anthony Crane as the masculine, slobby Oscar and Michael Mastro as the OCD, effeminate Felix form a spirited juxtaposition, but the characters to watch are in the supporting cast.

    In The Odd Couple, J. Anthony Crane and Michael Mastro form a spirited juxtaposition. But the characters to watch are in the supporting cast.

    The title character’s poker buddies — played here by Brierley Resident Acting Company members Hassan El-Amin, Chamblee Ferguson and Lee Trull — have enough dynamism to carry the entire show. In the play’s first act, these actors deliver more punch lines than allows an average person to catch a breath, and the entertainment continues for the entire two hours and 15 minutes. Tiffany Hobbs and Mia Antoinette Crowe, who come over for a double date with the boys, also deserve praise.

    Like most Simon plays, The Odd Couple caps off an entertaining night at the theater with a sincere message about humanity. When Oscar throws out Felix, there is a moment in which he seems to understand the value of their human connection — nothing sappy, but a quiet salute to the friendship.

    In the first installment of his Apartment Plays, Coleman attempts a similar moment of catharsis. In A Conversation with a (Potentially) Naked Man, Coleman contemplates a friendship between a gay artist and his straight, but dashingly handsome, nude subject. Although the dialogue is littered with touching moments of vulnerability, it’s overwhelmingly awkward to sit through.

    Actors Aaron Roberts and Marcus Stimac work through the stilted language valiantly, but they are directed at a meandering pace. There is also an inappropriate amount of physical distance between them for such an intimate space.

    By far the stronger piece of the evening, Larry Kramer Hates Me playfully explores gay relationships with a Dickensian twist. Actors Angel Velasco and Gregg Gerardi are at the center of this story of past relationships and social progress. Two weeks into a new relationship, ex-boyfriends begin literally popping up behind couches, like Scrooge’s “undigested bit of beef.”

    While more ex-boyfriends pop out of back rooms and closets, the most compelling character to show up on the scene is LGBT rights activist Larry Kramer (a smart performance by Rick Espaillat). His well-crafted character is given the most insightful monologue of the night, calling attention to the need for ever-more progress on the issues of civil rights.

    The night of plays ends with a beautiful moment between Gerardi and Velasco, where they dream of the life they will share. Although the dialogue in Coleman's plays lacks the polish and wit of Simon's Odd Couple, the underlying message bears as much weight. Both nights of theater explore the importance of friendships, human connection and learning to live with one another.

    ---

    The Odd Couple runs through April 14 at Wyly Theatre. Apartment Plays runs through April 6 at the Green Zone.

    J. Anthony Crane and Michael Mastro in The Odd Couple at Dallas Theater Center.

    The Odd Couple at Dallas Theater Center
    Photo courtesy of Dallas Theater Center
    J. Anthony Crane and Michael Mastro in The Odd Couple at Dallas Theater Center.
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    Theater News

    Dallas' Second Thought Theatre gets collaborative for 2026 season

    Alex Bentley
    Feb 13, 2026 | 10:41 am
    Amphibian Stage presents Bull in a China Shop
    Photo by Evan Michael Woods
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    The 2026 season for Second Thought Theatre in Dallas will be relatively small - only three productions are scheduled - but it will be full of collaborations designed to build on relationships with theater companies from across Dallas-Fort Worth.

    Second Thought will open their season with a production that just started at Amphibian Stage in Fort Worth, Bull in a China Shop by Bryna Turner.

    Inspired by the real letters between Mary Woolley and Jeannette Marks spanning from 1899 to 1937, the story asks: what is revolution? What does it mean to be at odds with the world? How do we fulfill our potential? And how the hell do we grow old together? It’s a sharp, joyful play about chosen family and the way love becomes action.

    The production, running at Amphibian Stage through March 1, will regroup for a month before starting its run at Second Thought, April 1-18.

    “All of us at Second Thought have been fans of Amphibian Stage for years,” said Artistic Director Carson McCain in a statement. “Not only does our content align in mission and quality, but we align in the values of hospitality and artistry. Bull in a China Shop celebrates the queer joy that holds hands with the fight for the equality of women and the LGBTQ community.”

    The second scheduled show, running September 16-October 3, will be Dance Nation by Clare Barron, on which Second Thought will collaborate with The University of Texas at Arlington.

    A finalist for the Pulitzer Prize for Drama in 2019, the play follows an adolescent dance troupe somewhere in middle America which is fighting for what will be the most important achievement of their entire lives - a national dance title.

    A coming-of-age story centered around perfectionism, performance, and perception of self, the play is for anyone who’s wondered if they would have excelled on Dance Moms or buckled under the pressure to be on top of the pyramid.

    The third and final show of season has not yet been announced, but it will involve a collaboration between Second Thought Theatre and Dallas’ Watering Hole Collective. It will run December 2-19.

    The two companies say they have a shared belief in Dallas artists and Dallas audiences - and what’s possible when they build together.

    “Both of our companies aren’t afraid of taking creative risks," said Co-Executive Directors Laura Salvie and Jenny Dang in a statement. "This collaboration is about pushing each other artistically and creating theatre that invites audiences in; not just to watch, but to think and feel together.”

    In addition to the three productions, Second Thought is continuing their writers-in-development program, Thought Process. Celebrating its third year, it will welcome eight new playwrights, who will work together throughout the year to create innovative new works.

    Season tickets, which are $75 for all three shows, are available online now at secondthoughttheatre.com. Individual tickets will go on sale at a later date.

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