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    Coronavirus Comeback

    6 downtown Dallas museums unveil plans to reopen after COVID-19 shutdown

    Alex Bentley
    Aug 10, 2020 | 9:47 am
    Francisco Moreno, Chapel, For a Dreamer of Houses, Dallas Museum of Art
    Art lovers will finally get a chance to see "For a Dreamer of Houses," the special exhibition at the Dallas Museum of Art.
    Photo courtesy of Dallas Museum of Art

    Six major museums in downtown Dallas have jointly revealed plans to reopen their doors in the coming months. They include the Dallas Museum of Art, Dallas Holocaust and Human Rights Museum, Nasher Sculpture Center, Crow Museum of Asian Art, Sixth Floor Museum at Dealey Plaza, and Perot Museum of Nature and Science.

    The six museums have been collaborating over the past several months to determine appropriate reopening dates and new measures to ensure the health and safety of their staff and all visitors. All staff and visitors will be required to wear face masks, and each facility has added sanitizing stations, among other safety protocols.

    In a group statement August 9, the museums said, "We have all been working together since our closures in March to prepare for the days when we can safely welcome visitors again. The past five months have been times of significant change. As cultural institutions, we each recognize our unique roles as places for visitors to find solace, joy, and connection. We are excited to finally reopen our spaces to the community."

    Both the Dallas Museum of Art and Dallas Holocaust and Human Rights Museum will come first, with each opening on Friday, August 14.

    The DMA will temporarily only be open on Fridays, Saturdays, and Sundays from 11 am to 5 pm. General admission will remain free, but tickets to visit must be booked in advance. The museum will admit up to 200 visitors at a time, who will have access to the building for two-hour periods.

    All exhibitions that were on display when the museum closed have been extended, and the special exhibition "For a Dreamer of Houses," which was to have opened on March 15, will be available for view with the purchase of an additional ticket. It will now remain on view until July 4, 2021. Also opening on August 14 will be "Dalí’s Divine Comedy," which showcases selections from Salvador Dalí’s most ambitious illustrated series: his colored wood engravings of the Divine Comedy.

    The Dallas Holocaust and Human Rights Museum will be open Wednesday through Sunday from 10 am to 5 pm. In addition, every Friday will have members-only hours from 9-10 am. The museum teaches the history of the Holocaust and aims to advance human rights to combat prejudice, hatred, and indifference. Their Pivot to America Wing, which explores the journey for civil rights in America, is currently housing the special exhibition, "The Fight for Civil Rights in the South," a photographic exhibit that chronicles the African American struggle for civil rights and social equality in the 1960s.

    Next up will be Nasher Sculpture Center, which will be open Thursday through Sunday starting August 20. Hours on Thursdays and Fridays will be 11 am to 8 pm, and Saturdays and Sundays from 11 am to 5 pm. Visitors must book their tickets in advance. Remaining on view will be the exhibition Barry X Ball: "Remaking Sculpture," which has been extended until January 3, 2021, and "Foundations: Barry X Ball," extended until January 10, 2021. Also remaining will be "Resist/Release" extended until January 17, 2021, and Nasher Prize Laureate: Michael Rakowitz, extended until April 18, 2021. The new series Nasher Windows, which features work by North Texas artists, will continue in the entrance vestibule of the museum until early September.

    The Crow Museum of Asian Art will open on September 18, offering admission Friday through Sunday from 11 am to 5 pm. General admission will be free, and the museum will operate at a 25 percent occupancy. On view will be the special exhibition Beili Liu: "One and Another," and two exhibitions from the permanent collection, "The Art of Lacquer" and "Immortal Landscapes: Jade from the Collection."

    The Sixth Floor Museum at Dealey Plaza will welcome visitors on a to-be-determined date in mid-September, and plans to be open Wednesday through Sunday from 10 am to 5 pm. They plan to offer timed tickets that must be purchased in advance via the museum website at jfk.org. Capacity will be limited to 25 guests per entry time. Admission includes access to "Art Reframes History," a special installation of works of art from the museum’s collections that explores the variety of ways artists interpret history. The creative voices in the exhibition span time and geography but all share a common point of inspiration: the life and legacy of President Kennedy.

    The Perot Museum of Nature and Science, which had previously announced plans to reopen on July 9 only to scuttle them due to an uptick in COVID-19 cases in Texas, has not determined an exact opening date. Museum officials will announce plans at a later date. For updates, go to perotmuseum.org or follow them on Facebook and Twitter.

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    Dance Off

    Texas ballet company turns Timothée Chalamet dig into genius promotion

    Brianna Caleri
    Mar 13, 2026 | 1:12 pm
    Timothée Chalamet
    Courtesy
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    It was a shot fired from Austin that rang out around the art world: In a recent CNN/Variety Town Hall featuring actors Timothée Chalamet and Matthew McConaughey, Chalamet offered an assessment of ballet and opera that immediately went viral.

    During the onstage conversation at the University of Texas at Austin, Chalamet said, "I don't want to be working in ballet or opera, or you know, things where it's like, 'hey, keep this thing alive, even though like no one cares about this anymore.' All respect to the ballet and opera people out there. I just lost 14 cents in viewership."

    Chalamet immediately seemed to experience a twinge of regret, awkwardly adding, "But um...damn, I just took shots for no reason." He also sang a note and hid his face behind the cards he was holding.

    Stars of the art forms, from Andrea Bocelli to Misty Copeland, immediately began to leap (jeté, if you will) to the the defense of opera and ballet.

    In a genius marketing move, Austin's hometown ballet company is taking the unique opportunity to turn a hot topic into a promotion for its next production: Ballet Austin is inviting anyone named Timothée, Timothee, or Timothy to claim a free ticket to its upcoming world premiere of Marie Antoinette: Vampire Queen of Versailles, running March 27-29 at the Long Center for the Performing Arts.

    "Timothée… you were in Austin? We were literally down the street," a Ballet Austin post says. "Austin has brisket. Austin has music. Austin also has ballet."

    All Timothées and folks with similar names will have to do to claim a ticket is send a message to Ballet Austin on social media and show identification. Everyone else who wants to see the supernatural show where "the line between victim and villain blurs" will have to purchase a ticket ($25-$125) at balletaustin.org.

    Ballet Austin Marie Antoinette: Vampire Queen of Versailles Ballet Austin isn't afraid to add some edge to classic stories. Photo courtesy of Ballet Austin

    Even if Chalamet's words were dismissive, he's obviously not wrong about the relative distribution of public interest between the classical arts and major films like Marty Supreme, the late 2025 film he stars in and is busy promoting. The film's commercially successful release set a record for A24, an already renowned studio.

    Chalamet brought up ballet and opera in service of a larger point about pacing in movies. He said he exists in a middle ground as a consumer between wanting to be drawn in early and being more patient as a film progresses. Ultimately, he juxtaposed Barbie and Oppenheimer with the classical arts, pointing out that if the masses want to go see a film, they will "be loud and proud about it" organically, without needing performers to advocate for the seriousness of the art form.

    Coincidentally, there couldn't be a better counterpoint to this argument than Marie Antoinette: Vampire Queen of Versailles.

    As the title suggests, the story follows historical figure Marie Antoinette as she chooses to become a vampire, seeking "power, immortality, and vengeance," according to a press release. It takes a somewhat silly premise and gives it dramatic gravitas, with an original score by Austin composer Graham Reynolds, who is known outside of classical circles and sometimes composes for movie soundtracks.

    "For Ballet Austin, the moment is an opportunity to remind audiences that ballet isn’t fading away," says a release about the new promotion. "It’s evolving, drawing new audiences and continuing to thrive in creative cities like Austin."

    If Chalamet really does fall in the middle of instant and delayed artistic gratification, this sounds like the perfect production to draw him in.

    And perhaps Ballet Austin should add people named Matthew to their promotion, since McConaughey threw the younger star a bone after his momentary walk-back, saying, "That's not a shot — I hear what you're saying."

    ---

    Stephanie Allmon Merry contributed to this story.

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