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    Staff Shuffle

    Dallas Theater Center's playwright in residence steps in as temp artistic director

    Lindsey Wilson
    Apr 18, 2024 | 11:41 am
    Jonathan Norton

    Jonathan Norton will over the 2024-25 season, and select the 2025-26 season.

    Photo by Kent Barker

    A week after revealing its 2024-25 season, Dallas Theater Center has another big announcement: Jonathan Norton, who has served as Dallas Theater Center’s resident playwright since 2019, has been named interim artistic director.

    This is in response to the promotion of former Enloe/Rose artistic director Kevin Moriarty to executive director in 2023, and the departure of Sarahbeth Grossman, who served as the theater’s artistic producer for six years. Since Moriarty’s promotion, Norton, Grossman, and Moriarty have shared artistic responsibilities.

    “Jonathan has been one of the most impactful artists at DTC through much of the past decade,” says Moriarty. “His work as a writer has received critical acclaim in Dallas and contributed to the impact Dallas artists are making on the national theater community. As DTC’s resident playwright/literary manager, Jonathan has been a leader in our season planning process, working alongside DTC’s artistic producer Sarahbeth Grossman to identify plays and artists that engage Dallas audiences, and collaborating with DTC’s Diane and Hal Brierley Resident Acting Company to produce productions that are entertaining and relevant. I am immensely grateful to Jonathan for stepping forward during this transitional time to provide consistent artistic leadership and to ensure that our artistry remains exemplary.”

    “We are fortunate to be able to ensure this smooth transition of artistic leadership,” says DTC Board of Directors chair, Jennifer Altabef. “For years, we’ve seen Jonathan’s plays captivate DTC’s audiences, but his contributions as a member of DTC’s artistic staff have been equally important. With Kevin’s continued leadership as executive director, DTC is well-poised for future growth and sustained impact.”

    “I saw my first play at DTC,” says Norton. “It was Adrian Hall’s production of A Christmas Carol. At the time, sixth grade me could not have imagined that decades later DTC would become a cherished artistic home. In my time here I’ve grown so much as an artist and administrator, and I am eager to pay that forward. This is a critical time for both DTC and the American theater, and I do not take this new responsibility lightly. I am excited to collaborate with so many wonderful folks I deeply admire, to make theater as big and bold as the city of Dallas.”

    The final show of DTC’s current season, a community-wide Public Works pageant production of Disney’s The Little Mermaid, will be performed from July 12-August 4, 2024. Norton will oversee the 2024-25 season and will immediately begin planning the theater’s 2025-26 season.

    DTC’s Board of Directors will launch a national search for a new Enloe/Rose artistic director in the fall, with the expectation they will appointed in late 2025.

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    Downtown Dallas news

    Dallas Arts District picks Dallas College leader as executive director

    Stephanie Allmon Merry
    Jul 22, 2026 | 4:23 pm
    ​Ahava Silkey-Jones
    Photo by Jaren Collins
    Ahava Silkey-Jones

    The Dallas Arts District has found its next leader: Ahava Silkey-Jones has been named executive director of the nonprofit that supports and promotes the downtown Dallas cultural district. She succeeds longtime executive director Lily Weiss, who retired earlier this year after more than a decade in the role.

    Silkey-Jones joins the Dallas Arts District from Dallas College, where she served as vice provost of the School of Creative Arts, Entertainment and Design, a release notes. During her tenure, she led academic strategy, programming, and industry partnerships across seven campuses.

    She brings more than 15 years of experience in higher education, nonprofit leadership, arts administration, and civic engagement.

    "The Dallas Arts District is one of America's great cultural neighborhoods — a place where creativity inspires community, strengthens the economy and enriches everyday life," Silkey-Jones says in the release. "We have an incredible opportunity to elevate the District's national and global profile while creating an even more welcoming, connected and vibrant place for everyone who lives, works and visits here."

    The leadership change comes after a busy year for the 118-acre district, which encompasses 19 cultural institutions and is billed as the nation's largest contiguous urban arts district. The district recently adopted a strategic plan centered on advocacy, placemaking, public safety, infrastructure, programming, and long-term growth, they say.

    The area also took on a higher profile during the 2026 FIFA World Cup, hosting the RedBall Dallas public art installation and four major festivals that brought hundreds of thousands of local and international visitors downtown, they say.

    Board chair Warren Tranquada, who is also president and CEO of the AT&T Performing Arts Center, says Silkey-Jones has built a career around creating partnerships among the arts, education, and community organizations.

    "This organization's role in shaping downtown's quality of life, economic vitality and global identity has never been more important," Tranquada says. "Ahava has spent her career bringing people together across sectors to create lasting community impact."

    Silkey-Jones has received several recent honors, including the 2025 Obelisk Award from the Business Council for the Arts and recognition as one of Women We Admire's Top Women Leaders. She holds degrees from Harvard University, Roosevelt University, and DePaul University and serves on several local and national arts and education boards.

    Former board chair Jill Magnuson, who stepped in as interim executive director following Weiss' retirement, will return to serving as a volunteer leader.

    “Jill's leadership during this transition was invaluable,” Tranquada says. “She provided stability while also helping establish a clear vision for the future. Her work has left the organization stronger, and we are grateful she will continue supporting the Dallas Arts District as a volunteer leader.”

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