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    Actor Spotlight

    DFW actor John S. Davies reveals penchant for cheap wine and guitars

    Lindsey Wilson
    Aug 18, 2014 | 8:38 am

    In Bruce Graham’s exploration of late-life loneliness, Stella & Lou, it takes a zesty woman to shake up one man’s staid existence. That man is portrayed by John S. Davies in Circle Theatre’s production, which runs at the Fort Worth theater from August 21 through September 20.

    If Davies looks familiar, it’s because he’s no stranger to Dallas-Fort Worth stages — or film and TV screens, for that matter. Recent seasons have found him onstage at Theatre Three (Other Desert Cities), WaterTower Theatre (Black Tie) and One Thirty Productions (Finishing School). But he can also be spotted on screen in Robo-cop, Magnolia, JFK and The Alamo.

    As a director, he’s led productions for Shakespeare Dallas, Circle Theatre and the winners of the prestigious screenwriting competition, Ballroom Marfa, in Marfa, Texas.

    Before tending bar as Lou at Circle, Davies took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: John S. Davies. Yes, I use the middle initial.

    Role in Stella & Lou: Lou

    Previous work in the DFW area: I’ve worked at most of the professional theaters in the DFW area and some that are, sadly, no longer with us. Somewhere north of 60 professional productions.

    Hometown: I was born in Regensburg FRG (Federal Republic of Germany) and grew up around the world. When we lived in the U.S., it was in various suburbs of Washington, D.C. So, basically, I don’t have a hometown.

    Where you currently reside: Carrollton

    First theater role: In R.U.R. by Karel Capek at Westminster School, Simsbury, Connecticut. I don’t remember which one of the scientists I played.

    First stage show you ever saw: It may well have been the first one I was in, which probably doesn’t count.

    Moment you decided to pursue a career in theater: Probably the first time I worked with professional actors as the Musician in Twelfth Night at the California Actors Theater in Los Gatos, California.

    Most challenging role you’ve played: Maybe Willy Brandt in Democracy

    Special skills: Guitar, dialects, charm

    Something you’re REALLY bad at: Working in an office

    Current pop culture obsession: Allison Tolman in Fargo

    Last book you read:The Moving Target by Ross MacDonald

    Favorite movie(s): I’m not a big movie fan.

    Favorite musician(s): Bob Dylan, Eric Clapton, Robert Johnson, my son Rees

    Favorite song: "Crossroads"

    Dream role: Lear

    Favorite play(s): August Wilson’s, but I don’t really have favorites.

    Favorite musical(s):A Chorus Line

    Favorite actors/actresses: Phillip Seymour Hoffman, Allison Tolman, Cliff Stephens

    Favorite food: Key lime pie

    Must-see TV show(s): The Wire, Breaking Bad

    Something most people don’t know about you: I didn’t live in the U.S. until I was 6 years old.

    Place in the world you’d most like to visit: Wales

    Pre-show warm-up: Coffee and a cigarette

    Favorite part about your current role: It’s funny and it’s in Philly.

    Most challenging part about your current role: It’s funny and it’s in Philly.

    Most embarrassing onstage mishap: I did a terrible play called Ancestors many years ago. The whole experience was embarrassing, but at one point we had an onstage sword fight with cheap ceremonial sabers. My opponent’s blade broke off at the hilt and I had to chase him offstage.

    Career you’d have if you weren’t a performer: Drinking cheap wine in a gutter.

    Favorite post-show spot: Whatever’s close to the theater.

    Favorite thing about Dallas-Fort Worth: My grandchildren

    Most memorable theater moment: So many, but when I was in grad school as an apprentice at the Dallas Theater Center under Paul Baker, we did a three-hour adaptation of War and Peace. I understudied the role of Prince Andrei, the lead, and played a small role as his servant.

    I attended all the rehearsals and learned the lines but never actually rehearsed the entire role. Then one Wednesday, I was working in the scene shop before a matinee when the call came in that the actor playing the Prince had thrown his back out and couldn’t get out of bed.

    I was hustled up to the dressing room and hastily tried on all his costumes — including tight riding breeches and fitted military jackets — while lines were fired at me by the ASM. I went on, was led around the stage by the other actors, dropped a line here and there, but ended up in a bed center stage (the Prince dies at the end) thinking, “I did it. I don’t know how but I did it.”

    The other actor never recovered, and I ended up playing the last three-and-a-half weeks of the run.

    John S. Davies stars at Lou in Circle Theatre's Stella & Lou, opening August 21.

    John S. Davies in Stella & Lou
      
    Photo by Leah Layman
    John S. Davies stars at Lou in Circle Theatre's Stella & Lou, opening August 21.
    unspecified
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    Season Announcement

    Big spenders + bigger voices fill Lyric Stage's 2025-26 Dallas season

    Lindsey Wilson
    Jun 18, 2025 | 12:29 pm
    Rocky Horror Picture Show with Tim Curry
    The Rocky Horror Picture Show.
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    For its 2025-26 season, Lyric Stage is pairing a sweet transvestite with Civil War-era sisters, a dance hall hostess with harmonizing ghosts, and a whole bunch of divas with their much-deserved spotlight.

    Now in its 32nd season, the nonprofit Lyric Stage is dedicated to the development and preservation of musicals, having produced more than 125 productions, which include 21 world-premiere musicals and two Off-Broadway shows.

    Under the helm of newish artistic directors Tricia Guenther and Scott Guenther, four of its current shows will take place in its Lyric Studio Space near the Trinity River, with one at Moody Performance Hall in the Dallas Arts District.

    First up (and just in time for Halloween) is The Rocky Horror Show — note the missing "Picture." This is the stage version on which the cult classic movie was later based, but don't worry, audiences are still encouraged to shout at the performers and throw toilet paper and other props.

    Sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named “Rocky.” It runs October 10-26, 2025 at Lyric Stage Studio and is not family-friendly.

    For the holiday season, Forever Plaid - Plaid Tidings brings Francis, Jinx, Smudge, and Sparky back to Earth on the orders of Rosemary Clooney to put a little harmony into a discordant world.

    Stewart Ross' musical is sprinkled with Christmas offerings and audience favorites, like the riotous three-minute-and-eleven-second version of The Ed Sullivan Show, this time, featuring the Rockettes, the Chipmunks, and The Vienna Boys Choir. It runs December 5-21, 2025, at Lyric Stage Studio.

    For one night only, the Dallas Divas return just in time for Valentine’s Day.

    Showcasing some of the most talented voices in Dallas, singing songs ranging from Broadway to pop, the performance is a Lyric Stage tradition. It is February 11, 2026, at Moody Performance Hall.

    Inspired by Federico Fellini’s Night of Cabiria, Sweet Charity explores the turbulent love life of Charity Hope Valentine, a hopelessly romantic but comically unfortunate dance hall hostess in New York City.

    With a tuneful, groovy, mid-1960s score by Cy Coleman, sparkling lyrics by Dorothy Fields, and a hilarious book by Neil Simon, Sweet Charity captures all the energy, humor, and heartbreak of Life in the Big City for an unfortunate but irrepressible optimist. The production is the original 1966 Broadway (not the movie version) with such hit songs as “Big Spender,” “If My Friends Could See Me Now,” “I’m a Brass Band,” and “Baby, Dream Your Dream.” It runs April 17-May 3, 2026, at Lyric Stage Studio.

    Closing out the season is Louisa May Alcott's timeless Little Women, with a book by Allan Knee, lyrics by Mindi Dickstein, and music by Jason Howland.

    The musical follows the adventures of sisters Jo, Meg, Beth, and Amy March. Jo is trying to sell her stories for publication, but the publishers are not interested in a woman's creativity. Her friend, Professor Bhaer, tells her that she has to do better and write more from herself. Begrudgingly taking this advice, Jo weaves the story of herself and her sisters and their experience growing up in Civil War America. It runs July 17-August 2, 2026, at Lyric Stage Studio.

    Season tickets, which range from $40-$60, are available beginning July 1. Lyric Stage is located at 1170 Quaker St. in Dallas.

    dallas divasfederico felliniforever plaidlittle womenlyric stagemoody performance hallnight of cabiriarockettesrocky horror showsweet charitysweet transvestitetheatertime warpvienna boys choirmusical theatremusicals
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